A very unusual sculpted work in crispy Manyosai Shino glaze by Hayashi Shotaro enclosed in the original signed wooden box. It is 8 x 10 x 10 inches (25 x 20 x 26 cm) and in excellent condition.
Shotaro is one of Japans true genius potters, moving far beyond tradition, glaze research and firing technique, to a place of inception. He first began with a 7 year apprenticeship under his older brother Kotaro, ending when he established his own kiln in 1974...

A superb example of the work of this Living National Treasure, 8 inches (21 cm) diameter, 7-1/2 inches (19 cm) tall and in excellent condition.
Designated Living National Treasure in 1997 for his supremacy in the use of Kutani glazes, Yasokichi, born Masahiko, has gone a step further than many National Treasures by broadening his spectrum with a new style of Kutani ware. Masahiko graduated from the Kanazawa school of arts, and took up apprenticeship under his father Yasokichi II...

Orange peel textured black Chawan by Samukawa Seiho I (Yoshikazu 1899-1975) enclosed in the original signed wooden box titled Kishu Yaki Nacchi-guro Chawan. It is 5-1/4 inches (13.5 cm) diameter, 3-1/2 inches (9 cm) tall and in excellent condition.
Born in Osaka in 1900 and raised in Kyoto, Samukawa Seiho I began his apprenticeship in tea ware under Sawada Muneyama in 1919. With a letter of introduction he entered the Aichi Prefectural Ceramics Research Facility in 1927...

A proud form of a fulling block inscribed with a wave pattern in the raw clay of the base and covered in ame-yu glaze by Inoue Toya enclosed in the original signed wooden box. It is 9-1/2 inches (24 cm) tall, 6 inches (15 cm) diameter and in excellent condition.
Inoue Toya (1942-2013), graduated the prestigious Nihon Daigaku in 1966, having spent his student years excavating ancient Karatsu shards and researching their techniques. He apprenticed under the multifaceted potter Nushi Ensai...

A very bold and distinctive plate by well-known Bizen potter Kaneshige Makoto (Maruyama Kiln). The plate was purchased from an independent exhibition of Kaneshige’s early works close to 40 years ago and, following a accidental break, was skillfully repaired with gold joinery, or what is known as “kintsugi” in Japanese...

Lovely late Meiji Period C.1890 Imari hand painted ceramic vase. One side has phoenix and ikebana flowers, the other side a hawk and more flowers painted in great detail. Colors from natural pigment glazes. Great patina. Top lid has amythical shishi lion. Perfect condition. 32" tall by 13" diameter. Ask for shipping quote.

A whimsical koro by Takauchi Shugo enclosed in the original signed wooden box titled oribe Koro. It appears to dance, two arms up in the air with the music, a slight jaunt in its three legged step. It is 11 inches (28 cm) tall and in excellent condition.
Takauchi Shugo was born in Tokyo in 1937. He opened his kiln in Mashiko at the age of 31...

Pine trees and Snow Flakes in silver and gold on red by Ono Hakuko enclosed in the original signed wooden box titled Kin Ginsai Ichirin Tate. It is 9-1/2 inches (24 cm) tall and in excellent condition.
From Aichi prefecture, Hakuko was trained by her father initially in the ceramic arts. However she was most strongly influenced by the great experimentive artist Kato Hajime (1901-1968) and his work with gold...

Beautiful blue and white dish or bowl with mount Fuji. Meiji, c 1900. Diameter " 9¼/ 23,5 cm. Condition: glaze cracks at one o'clock (cf. pics)

Two porcelain plates, both superbly painted in the Satsuma style with brocaded borders and landscape scenes of women and children in luxurious clothing, celebrating iris and chrysanthemum respectively. Kutani, late Meiji, c 1900. Signed Kutani Eiraku (?) So. Diameter "7¼ / 18,3 cm. Condition: fine.

Finely potted porcelain dish with milky white glaze, the broad border moulded with ruyi heads. The center with fine depiction of a kirin, painted in green enamel, iron red and some gold. Please refer to: "Kakiemon Porcelain - A Handbook" by Menno Fitski, No. 126. Condition: little wear to painted area, base with a star crack, rim with a short hairline and a firing default. Dimension: diameter: 14.8 cm, 3.1 cm high.

In our opinion this is the best Iga Vase, we have ever seen. Massive and intentionally distorted Vase of wonderful native Iga clay. The vase is 3300 g heavy and has a height of 8,1'' and a width of 7,1'', which is very tall for an antique Iga vase.

The vase was made between 1800 - 1850 during the later Edo Period and is in good antique condition. No repairs. Only an untimportant chip on the bottom caused during the process of firing. The vase comes with an old wooden box...

Cup and saucer with Kutani aka-e (red) decoration of musing philosophers or poets, the back of the saucer with orchids. Late Edo or Meiji, c 1900. Signed Kutani. Diameter or saucer "4 ¾ / 12 cm, height of cup "2¼/ 5,8 cm. Condition: wear to the decoration, esp. to the saucer (cf. pics).

Bottle vase or sake bottle by Fukagawa, early 20th century. Under-glaze decoration of a carp, Koi, and stormy waves. Signed with Fuji mark. Height "5¼/ 13 cm. Condition: fine.

Three thin and lovely cups and saucers with underglaze blue reserves of landscapes, birds and couples against an iron-red and gilt background. All parts marked Mikawachi where most Hirado porcelain of the period was made. An extra saucer to go with the rest, without cost. Height of cups "2¼/ 5,8 cm, diameter of saucers "4/ 10 cm. Condition: fine.

Low tea bowl of irregular round shape. Raku-yaki with red glaze, decorated with black brushed-on spots and white patches, with fine crackle over all. Inside the foot a small area is left uncovered. Japan, Edo period, early 19th century.

. H 2-3/8 x W 5-1/4 inches

Minimal traces of usage, short crack

Pair Japanese most stunning large earthenware Satsuma Vases , signed "Kinkosan" in gold, Ca...

Japanese Earthenware Studio Vase, with dripping oily glaze, maybe Seto ware, 9 3/4" high, 4 1/2" diameter-top rim, 4 1/4" diameter-bottom rim, oily drippy glaze applied just over half way down, rest of glaze is chestnut brown color. Lots of glare in the photographs. The condition is good, no damages.