This magnificent Oni Azami chawan is a perfect embodiment of the tradition of Japanese pottery by legendary master and modern avangarde artist Suzuki Goro, mint condition and enclosed in its original signed wood box and a hand painted cloth by the artist himself.

Oni means demon, in Japanese, and azami is the name of a famous flower in Japan (thistle in English) with an explosive charakter. Oni Azami.

Suzuki Goro surely needs no introduction...

Japanese antique pair of small Inari Shinto shrine foxes made of pottery with traces of Mica in the clay. Originally painted, these foxes still have traces of bright pigment. Also called Zenko, these good spirit Kitsune (foxes) are specifically associated with the Goddess, Inari.

Believed to be both messengers and guardians, Kitsune served Inari in her role as the Goddess of agriculture, specifically rice...

A jaw-dropping igneous chawan tea bowl by Inayoshi Osamu like a shimmering mineral deposit found deep inside some calcitic limestone cavern. When I asked him about the effects on the surface, he said that he could not wholly explain them, they were some mystery of the kiln, caused during the firing. The bowl is 13.8 x 13 x 9.5 cm (5-1/2 x 5 x 4 inches) and in excellent condition...

A beautiful example of Shigaraki pottery—the result of techniques perfected over centuries by dedicated artisans residing in the provinces east of Kyoto. This piece, made by master potter Sugimoto Sadamitsu, achieves a kind of asymmetrical balance of both form and color, displaying classic Shigaraki markings of emerald green, red ochre, and pale ash.

Sugimoto (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age...

Massive 18” high Japanese Meiji period “cong” form Satsuma earthenware vase finely decorated on the four rectangular sides in polychrome enamel and gilt highlights with vertical scenes of figures in landscapes featuring the four seasons. The base holds a square four-character “respectfully made by Ryuzan” mark. Circa 1900. 18” high, 7 1/2" square; weight: 17 lbs. Very good overall condition with some typical wear to the overglaze pigments and gilt, particularly at the rim...

A stone formed bowl covered entirely in platinum by Inayoshi Osamu enclosed in the original signed wooden box accompanied by the shiori and Shifuku. The bowl is carved and torn from a block of clay, then textured with natural stones specially selected for their surface patterns, splashed with glaze and then covered in platinum, creating dry. Matte regions punctuated by glistening liqid spatters...

Japanese Oribe Ceramic Pottery Deep Dish for Tea Ceremony Serving dish with Wave pattern, 6 1/2" square, 1 3/4" high, incised marking with Japanese Kanji on the bottom. The condition is good.

A bottomless green pool by master of Seihakuji Kato Tsubusa enclosed in the original signed wooden box titled simply Wan. A big telltale tear drop reaches down to grasp the table, exquisite. It is 5-1/2 inches (14 cm) diameter and in excellent condition.
Kato Tsubusa was born in Tajimi city, the home of Shino, in 1962, graduating the municipal Pottery Design and Technical Center in 1979...

Early 20th C Japanese glazed porcelain figure of a puppy, most likely an akita. The puppy is wearing a ruffled collar with bells. If you hold this piece under a bright light, you can see some surface crazing that occurred after firing during the cooling process, which attests to its age. In excellent condition, it measures 5.5" high, 3.5" wide, 4.5" deep.

A traditionally crafted Bizen sake cup with a rich mineral glaze giving this guinomi a metallic look. The craftsman who made this piece, Takahiro Ishii, was born in Tokyo in 1977, and, after studying ceramics for a number of years, he moved to Bizen to become a ceramics teacher and later opened his own kiln. He takes a philosophic approach to his work as evidenced by the following quote, “As a ceramicist, I feel that the point is not just to produce pieces...

A fabulous thin walled Bizen basin made for use as a fresh water container for the Japanese Tea Ceremony with black lacquered wooden lid enclosed in the original signed wooden box by Living National Treasure Yamamoto Toshu. This burnished style reminiscent of sangiri techniques is the signature work of this important Bizen artist. Here a plethora of colors vie for dominance on the ordinarily sedate brown clay. It is 22 cm diameter, 13 cm tall and in excellent condition...

A large and important work by Miyanaga Kozan of overall raw clay in a Nanban style with drips of color featuring a tiny colorful crab crawling out of a hollow in the base. It is 30.5 cm (12 inches) tall and in excellent condition, in an age darkened wooden collectors box titled Makuzu Yaki Kabin, Miyagwa Kozan Sei followed by a very large stamp...

A most unusual tea bowl charred black on one side which emenates a golden glow on the raw earth opposite, by Bizen living national Treasure Yamamoto Toshu enclosed in the original signed double wood storage box titled Bizen Yohen Chawan (Kiln Altered Tea bowl) with silk wrapping cloth. The beauty of kiln altered works is that they are quite often entirely unique...

A petaled vase in snow s\white porcelain with silver blossoming from the rim by Itaya Narumi enclosed in the original signed wooden box. It is 12.5 cm (5 inches) diameter and in excellent condition, from the artist this year. Itaya Narumi was born in Gifu in 1991, and graduated the Toki City Ceramics Research Facility in 2015. She has participated in several exhibitions since, with an emphasis on natural forms and tactile senses.

Pale jade spots dot the incised surface of this unusual vase by Nagae Shigekazu enclosed in the original signed wooden box retaining the Shiori and Shifuku. The vase, if not for its distant, moon-like quality, has a very pop-art-presence, blending both the austerity of Japanese traditional aesthetics with contemporary art. Fun and moving; a haunting pleasure...

A tripod koro with custom silver lid and rosewood stand by Miura Chikusen II enclosed in a wooden box dated early Autumn 1920 signed by Ume, the mother of the second generation head of the family who died young that year. The white porcelain is roughly 15 cm (6 inches) tall on the stand, 10 cm (4 inches) diameter. This type of Sinophile work was very popular throughout the Meiji and Taisho periods, and Sencha steeped tea had a profound impact on Japanese culture at the time. For more on that s...

Sturdy storage jar for tea leaves or other goods with horizontally ribbed surface, sloping shoulder with very short neck. Coarse but dense clay with small inclusions. Outside middle brown with cream-colored and yellow natural ash glaze. Mingei.
Japan, 18th/19th century.

Height 7.5 inches, width 6 inches at the neck. Ash glaze partially rubbed off at upper edge and at the body commensurate with holding and using, otherwise very good condition.

Described on the wood box as a tokkuri (sake flask) with kin-kousai (metallic Iris) glaze, the size and form would allow this piece to function just as well as a small flower vase. As the name on the box suggests, the various metallic glazes in purple, bronze, and blueish-green are meant to represent the colors of the Iris that, in Japan, is associated with the expression of heroic deeds and thought to have purifying properties that help ward off evil.

The craftsman who made this pi...