The size of Charger: 12 3/8" Dia x 1 3/4" High. Very Fine Japanese Aote Kutani Charger. Aote is green in Kutani ware terminology which was Miyamoto kiln originated. The charger is made with fine crackle glazing earthenware body finish as many Kutani piece in modern age. It has wonderful workmenship and design of Oshidori(mandarin duck) with Plum tree and bamboo. It has fine handpainted decoration of enamels. The plate was decorated with Kutani artist name Kitamoto Gakuyo...

Early 20th C clay Hakata doll of a Japanese man seated about to pour a cup of tea. In good condition with no repairs, or cracks, except for some minor loss of paint on the clothing (as seen in the photos). Measures: 7.5" high

Heavily glazed Japanese katakuchi bowl in the shape of a “Sazae” turban shell. Written on the lid is “made by Matsuyama” and “kashiki” (dish for serving sweetmeats). On the reverse side, there is a signature, "Kei Ho-o En" with a seal. We are not quite sure if this is an original box. Meiji, late 1800s. Great bowl for the kaiseki cuisine? A hairline crack (enlarged photo #7) is a surface crack (does not go through to the other side). Approx...

From our Japanese Collection, an exquisite Meiji Period (1868-1912) satsuma vase of tapered ovoid form, depicting several scenes of figures including an Empress with her attendants, all very finely executed with lavish use of raised gilding, moriage enameling, and intricately detailed shoulder work. Like all of our satsuma offerings, this piece is of the highest quality. Signed Kinkozan, circa 1880-1890...

Tumulus Period (AD 250-552) Clay Haniwa (Haniwa means “circle of clay”) forms were installed in the tumuli (burial mounds) that were built throughout Japan from the Third to the Sixth centuries. The Haniwa formed part of the rites used in sending off the dead. Today, these Haniwa, made in the shape of buildings and possessions which do not exist now, and also in the form of animals and even people, show us what things were like in those times...

From our Japanese Collection, a truly superb satsuma vase, Meiji period (1868-1912), of tapered hexagonal form depicting a continuous procession of figures underneath a canopy of hanging wisteria. The vase is of the highest quality, as are all of our satsuma offerings. Note in particular the exceptional gold detailing to the robes of the figures, or look for example at the detailing of the two bijins standing with the open parasol: The work is extraordinary...

Additional Photos for Satsuma Vase Item # 947590

From our Japanese Collection, a very fine and early Gosu Blue satsuma vase, late Edo Period circa 1840-1860, signed Gyozan. There are four separate gilt-framed panels: Two depict shi-shi, one depicts scholar's table objects, and one depicts a flowering plant. Each panel is surmounted by birds in flight on the upper shoulder, probably phoenix...

Japanese Satsuma cup and saucer finely decorated in overglaze enamels and heavy gilt highlights with alternating reserves featuring various activities of the noble classes and Buddhist arhats. The inner rim is decorated with a hanging lantern motif and the interior bottom with Buddhist arhats. The base of each piece bears a gold rectangular Satsuma mark and circular Satsuma family crest. Saucer: 4 7/8” diameter; cup: 2 1/2” diameter x 2 3/8” high. Meiji period (late 19th 20th century)...

Striking large Japanese ceramic Tokoname jar, wonderful irregular shape, large kiln fragments, thick ash glaze with unusual subtle blue and yellow striations, Momoyama Period (1573-1615). (The Tokoname Kiln is considered one of the "6 Ancient Kilns" and was located at Tokoname on the Chita Peninsula, bordering Ise Bay.)

Size: 181/2" high x 17 1/2" wide x 17" deep.

Momoyama Period (1573-1615)

From our Japanese Collection, a superb Kinkozan satsuma vase of tapered ovoid form, Meiji Period 1868-1912, most likely 1880-1890, depicting a finely painted bijin on one panel along with finely painted roosters and flying birds in a garden setting on the other panel. Both main panels are separated by reserves of elaborate gilt work set against a rich cobalt blue ground. Kinkozan signature and impressed mark on the bottom...

Japanese Satsuma foliate form bowl decorated in overglaze pigments and gilt highlights with a large bird in a cherry tree at the foreground set against a landscape scene with beauties in a pavilion at the right and a waterfall at the left. The exterior features three flying female mythological figures. The base bears a gold on black square “Satsuma Hotoda” mark and circular Satsuma family crest. 4 1/4” diameter x 1 3/4” high. Meiji period (late 19th century)...

From our Japanese Collection, a truly superb satsuma vase, Meiji period (1868-1912), of robust globular form, depicting seven separate circular reserves of figures set against a most unusual and very appealing variegated ground that morphs from emerald green, to celadon, to cream, and finally to brown, all heavily overlaid with a rich brocade of chrysanthemum heads and other floral and geometric motifs executed in gilt. The neck has a heavily gilded deep red ground which sets it off very nicely...

From our Japanese Collection, a very fine satsuma vase, Meiji Period (1868-1912), most likely circa 1900 -1910, marvelously potted in an unusual but very elegant flared trumpet shape exhibiting definite Art Nouveau Period influences, and yet decorated in what would be considered restrained Japanese taste with simple and classic floral motifs. Signed Kizan with a Satsuma Kiln mark.

For collectors with a genuine appreciation for art history, this piece is a wonderful example of the blend of...

From our Japanese Collection, a published and very fine satsuma charger, Meiji Period (1868-1912), most likely between 1870-1880, depicting Kannon the Goddess of Mercy and Compassion surrounded by deities and adorants, executed in typical satsuma palette but with an especially rich, heavy, and quite skilful gold application. Signed Hodada.

Published in "Imari, Satsuma, and other Japanese Export Ceramics" by Nancy Schiffer, page 151, copyright 1997.

Size and Condition: 12 3/8 inch...

From our Japanese Collection, a superb and large satsuma lidded jar / tea caddy by Ryozan, Meiji Period 1868-1912, stunningly executed with exceptional fineness depicting two cartouches of people gathering, alternating with two cartouches of ducks and birds in nature scenes, all separated and framed by intricate brocaded reserves of floral motifs using wonderful color variation and extensive gilt.

Size and Condition: A relatively large caddy at 7 1/4 inches tall, 6 1/8 inches wide.

This is an old and well done Japanese Satsuma box. The design has a wonderful contrast between the simplistic over glazed enamel water elements and the refined, highly detailed gold wheels. The inside is covered with a layer of gold. The box is not signed but we think it could have possibly come from the Makuzu Kozan studio because of its quality and uniqueness. Makuzu Kozan did some work in earthenware and came up with many wonderful designs. We also know that they were not all signed. The box ...

Beautiful porcelain kutani beauty, geisha in training. She reads a poem, possibly a love poem. She wears a robe that is tied in front, miko, indicative that she is not yet a geisha. The outer robe is blue decorated with white, red, green, and gold colors. She measures 13.5" tall. Meiji Period (c1900).