Nepanese Wooden Ghee Butter Tea Bottle or Chaang with Brass mounted with top attached with brass chain, 6" high, the condition is new.

Tibetan Himalaya woven cotton Lady's Belt, colorful Sash, 95" long, 1 3/4 wide, with intricate interesting design of Buddhist symbols and animals, used condition, no damages.

Bhutanese colorful Bamboo Bangchung covered Food Basket, 8 3/4" diameter, 3 1/2" high include top cover, hand woven colored Bamboo, yak skin pull or handle is attached to bottom basket on the side to pull open, usually this type of baskets closes very tight to store food, leather handle on the side is helpful to open top and bottom apart. The condition is good.

Two(2) Tibetan Himalayan Glass Zi shape Beads, 37mm x 14mm (1 1/2" x 1/2").

Tibetan Himalayan Brass Ghee Butter Lamp, 3 3/4" high, 3 3/8" diameter-top, 2 1/4" diameter-bottom, purchased in Lhasa 1985, it is in good condition

Tibetan Himalayan woven Lady's Belt, Sash, 36" long, 4" wide, intricate Buddhist and Animal woven design on front and back, the condition is used.

Tibetan Himalayan Dzi glass bead, 42mm x 7mm(1 3/4" long x 1/2" diameter).

This small elaborate Buddhist monk's medicine bottle is sewn into a larger pouch of burgundy homespun wool fabric with yellow/gold silk lining. When worn, the stopper would be securely held in the bottle by a system of handmade cords and bands. The medicine bottle would be worn outside the robes and suspended on the Monk's belt. These were used for both travel and ceremonies.

Hanging from the belt on a leather strap, the stylized milking hook was the essential item of ornamentation for any Tibetan woman properly dressed for a festival. Surrounding the hook surface is a heavy etched silver band. The bronze/brass hook has is etched with markings and is inset with 5 large beads, set in silver bezels. The original leather strap shows lots of wear.

These ceremonial hooks have become hard to obtain...

19th Century Nepalese Shaman Sculpture with traces of yellow and red pigment and an incredible, dense, dark patina. So thick and dark is the amazing patina that the necklace that covers the chest and back, and the carvings on the skirt, are barely visible. The hole on the bottom indicates that this was likely the handle of a dagger or staff. The old customs seal is also on the bottom. 8 inches, 20 cm. Very Good Condition.

The phurba is one of the most important of the shaman's implements, and this particular phurba is an exceptional example of the great effort and tremendous creativity that goes into the making of this magical tool. It has an upper section with 3 faces, one smiling, one wrathful, and one peaceful. The middle section is a vajra (symbol of lightning) whose twin tips rest on knots of eternity...

19th Century Nepalese Butter Churn Handle. A fine piece of folk sculpture that is well patinated from considerable use. 10 inches, 25 cm. Very Good Condition.

Tibetan Trunk with Garuda 39"L 21.75"H 15"D, 18th century, Central lozenge with Winged Garuda holding offering platter of fruits, outside pair of snarling dragons with raised surface, bordered by peony flowers, iron strapping bands, ring hinges, clasp loss, overall even wear

Old Nepalese Boar Mask. Purchased 40 years ago in Kathmandu by a well-known and widely published collector. 6.5h x 5w x 6d inches, 16.5h x 12.5w x 15d cm.

Old and Primitive Nepalese Mask with a Great Patina. 11.5h x 6.5w inches, 29h x 16.5w cm.

Nepalese Middle Hills Shaman Mask. 12 x 8.75 inches, 30.5 x 22 cm.

17th Century White Tara Tibetan Thangka. The White Tara goddess symbolizes transcendent knowledge and purity. In ancient Tibet, it was believed that Tara was reincarnated in every virtuous and pious woman. She was born from the eye of Avalokitesvara, the Bodhisattva of compassion, and became his wife. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum. Mineral pigments on silk...

17th Century White Tara Tibetan Thangka. The White Tara goddess symbolizes transcendent knowledge and purity. In ancient Tibet, it was believed that Tara was reincarnated in every virtuous and pious woman. She was born from the eye of Avalokitesvara, the Bodhisattva of compassion, and became his wife. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum. Mineral pigments on silk...