Cast bronze censer in 3 parts. The casting is perfect and the metal meticulously scraped. The combustion hearth part fits on a 6-foot base inspired by wooden furniture. The decor is simple but of high quality, the greek borders and the discreet scrolls are very finely incised with the best precision. The lid is not of the same quality, it was created to replace the old lost lid. It is an excellent ancient Chinese work from the 18th century or earlier. Hight: 222mm Without cover: 158mm

Small tripod miniature incense burner of simple form in cast bronze. The two handles are unusually very thin. Below we can see the 6 characters of the reign of Xuande of the Ming Dynasty. The bronze is old, the beautiful patina attests to it. However, it is difficult to date it exactly. Usually the bronzes bearing the mark of Xuande are from the 17th century. A wooden base and lid were added later, probably in the 19th century...

A finely cast bamboo shaped vase with applied bamboo leaf branch decoration...

A small carved bamboo wood Boy on Buffalo...

A very rare bronze Brush Washer or possibly a Bitian ("brush lick") cast in the form of a double gourd with scrolling vine decoration. This was made in China, for the Scholar's table in the Ming dynasty during the 16th or early 17th Century...

A Chinese porcelain water dropper in the shape of a fish, made of Macang clay (麻倉土）and finished with light blue glaze. Ming Dynasty, circa late 16th century. Condition: kiln cracks on the bottom and under the fish's mouth, please see photos for detail. Length: 5-1/4".

Antique Chinese bronze figure of a seated immortal. He sits with robes flowing out around him. He holds a ruyi scepter in his right hand and another round object in his left. Kindly expression and elongated earlobes.

17th Century: Ming Dynasty (1368 - 1644)

Dimensions: 3" high

Antique Chinese bronze incense holder for joss (stick or agarabathi) incense in the form of Laozi riding a water buffalo. Laozi is widely celebrated as the founder of Taoism and the author of Tao Te Ching, a significant treaty on Chinese cosmology. According to legend, Laozi left China for the west riding a water buffalo. In this small bronze incense holder, Laozi sits on the back of the animal, his robes flowing around him...

Antique pair of small bronze seated Qilin. Cast with heads facing upward and mouths open. Details of scales and striated tails. Each has a single horn. As scholar objects, it is possible that these were once used as scroll weights. Each Qilin stands on an antique carved hardwood stand.

Provenance Zelig Collection

16th Century: Ming Dynasty (1368 - 1644)
Dimensions: 3" high (bronze only) 4" high including stand x 3 3/4" long

A rare documentary bronze archaic style altar vessel - Jue. This item was probably made as a gift or as a temple dedication and bears the inscription "Great Qing, 11th year of Shunzhi Reign, year of Jia Wu (1654). County Magistrate of Jiang Yin County (probably Jiangsu province) - Wu Long Zhou; Confucian School Head Teacher - Chen Xuan; Teaching Assistant - Wei Kun and School Students Du Lang and others commissioned to make"...

A rare bronze (copper tin alloy) incense tool holder, very finely cast in archaised Song Dynasty style. The square form neck is decorated alternately with Lingzhi fungus and stylized Acanthus leaves. Both are traditionally associated with resilience, good health and long life.

This item was made for the Chinese Scholar's Table in the 17th Century in the "Transitional Period" during the late Ming or early Qing Dynasties.

Condition: minor bumps and excellent old patination...

The bronze is cast with lost wax and is hollow but very thick. Beautiful casting and good sculpting finish. No traces of gilding or pigment. The figure is in a very dynamic position, with unusual gestures difficult to model. The artist has given the hands a beautiful elegance by bending the fingers excessively. The bronze has a beautiful antique patina which dates back to the 18th century or earlier. No restoration, good condition...

Unmarked bronze seal or scholar's weight? It represents a fantastic animal firmly camped on its legs. The artist has given it an interesting mischievous expression. It is in cast bronze, the finish is of the highest quality as well as the chasing. The perfection of the line of the hairs is the work of an excellent chiseller. The movement of the head which turns to the right makes the body tilt to the left while the tail compensates to the right only an excellent sculptor can make such a realism...

Guan Yin in cast bronze. She is holding a stylized flower in her hand which serves as an incense holder. Her long-sleeved dress is reminiscent of the Tang style. Details are incised on the dress, the hair. The old patina is very beautiful corresponding to an object several hundred years old. Must be from the Ming period or earlier. A part of the ribbon is missing (visible on picture)Normal wear for an earlier period Height: 13,5cm Translated with www.DeepL.com/Translator (free version)

Porcelain vase with splashed decoration in green, yellow and aubergine enamels.This small size reminds me of an desk object like a small vase to decorate the table of a scholar. One crack. H:78mm

Small cast bronze vase. Creature mask decoration in relief, probably a tiger. The metal is very thick and this small vase is very heavy. Although very simple, it is venerable and powerful...

The teapot is cast in bronze. The body has the shape of a melon and the spout that of a stylized bird. The handle supports have a typical shape for this period. The handle, which has now disappeared, must have been made of perishable materials, probably braided bamboo fibre. It is exceedingly rare to find a Chinese bronze teapot from this period. It is functional and perfectly pours the tea without uncontrolled drips. Good condition, the lid is crack (see photo), no restoration. Original antique...

Fine and rare Longquan classic celadon bottle with an unusual shape- like a truncated meiping. The depth of the glaze achieves the ideal “jade like” quality that is much sought after by celadon collectors. The Ming attribution is conservative based on the inward beveling on the footrim and reddish slip visible on the glazed edge, but Yuan or Song cannot be completely ruled out. Excellent original condition, there are chips on the footrim edge that were caused when this was pulled from k...