Standing Jizo Bosatsu with hands in the gassho adoration mudra, figurally sculpted from a medium-density sedimentary stone composed largely of volcanic ash. Mid-Edo Period ca. 1750. Minor old loss. Excellent lichen accumulation.

Height: 37 cm
Packaged weight: 15 kg.

A stoutly charming example of Japanese folk sculpture, with good age.

Gorinto (lit. 5-tiered stupa) sculpted in four parts from an igneous stone. Muromachi Period ca. 1500. Minor old loss. Good lichen accumulation.

Height: 51.5 cm
Packaged weight: 21 kg.

The gorinto is a uniquely Japanese style of stupa comprising five geometric forms, which correspond (from bottom) to earth, water, fire, wind, and ethereal space. The Japanese Shingon sect of esoteric Buddhism views the gorinto as a symbol of Dai-Nichi Buddha, who, underlying all things, manifests himself i...

Standing Bato (Horse-Head) Kannon Bosatsu sculpted in relief from a coarse-grained igneous stone, two small horse-heads perched atop the figure's head and the hands forming the bato-in mudra, which resembles the gassho adoration mudra. Dated to the 23rd year of the Meiji Era (1890). Very minor old loss, with overall softening of the lines and contours. Good lichen accumulation.

Height: 40.3 cm
Width: 18.1 cm
Depth: 15.0 cm.

Bato-Kannon stones with two horse-heads are exceedingly uncomm...

Ogee shaped, thinly potted porcelain beautifully painted in Famille rose enamels and gold. Depicting inscriptions and historical figures. Both pieces with iron red Xianfeng base mark in seal script painted in a single square. Ref.: "The great fortune: The Georg Weishaupt Collection", ISBN 3-00-010306-6, pages 160 - 183. Condition: wear to gilt rims, rim of cup with tiny rim frit, saucer with a short hairline. Dimension diameter: saucer: 12.8 cm, bowl: 9.8 cm, weight: 162 g. Without wooden stand....

Very fine gilt wooden Burmese Nat with elaborate dress, inlaid with many sparkling mirror pieces. The figure is in a protective position with hands guarding off evil spirits. The Nat's name is "Amay Yay Yin", meaning "Mother Yay Yin" and she conquered the river. Thus, people who travel by water, revere her to protect them from danger. It is a masterpiece of Burmese temple art, very rare nowadays and in perfect condition, no cracks nor repairs whatsoever. Size: H. 22" ( 56 cm.) x W. 7" ( 18 cm.) ...

Standing Senju (Thousand-Armed) Kannon Bosatsu, sculpted in relief from a dense sedimentary stone. Mid- to late-Edo Period ca. 1775. Very minor old loss, with overall softening of the lines and contours. Good lichen accumulation.

Height: 38.9 cm
Width: 16.5 cm
Depth: 12.1 cm

A notably charming Senju Kannon, stone depictions of which are uncommon.

Historically important Japanese woodblock print triptych depicting the landing of foreigners of the “Five Treaty Nations” in Yokohama by Utagawa Yoshikazu (flourished 1850-1870). The print features soldiers and civilians from America, England, France, Russia, and The Netherlands grouped together with their respective flag and label. Two Chinese compradores, who facilitated trade, are in the foreground and western ships line the harbor in the background. The print is signed “Issen Yoshik...

Seated Yakushi Nyorai (Healing Buddha) in granite, a medicine jar held in both hands placed centrally on the lap. Late-Edo Period ca. 1825. Very minor old loss.

Height: 42.0 cm
Width of base: 16.5 cm
Depth of base: 13.1 cm.

Images of a small group of bosatsu (bodhisattva), namely, Jizo Bosatsu, the various manifestations of Kannon Bosatsu, and Seishi Bosatsu, dominate the field of Japanese stone sculpture throughout the Edo Period (1603–1868) and into the modern era. Largely absent f...

Japanese "zelkova" (keyaki) wood Yonezawa style two-section tansu with round iron lock plates engraved in a butterfly motif and rimmed with a thin band of silvery "hakudo" (nickel alloy). "Mokko" (melon style) drawer pulls and four side carrying handles. Circa 1880. 38"H x 38 3/4"W x 17 1/2"D. The tansu is in very good sturdy condition and has the original lacquered finish. There is a slight warp in the case at the lower lower left side of the drawers and a crack extends across the top. Fr...

Heavy pigment forms a spectral scene of a dark stone lantern viewed through the spring laden branches of maples, a dove taking flight in the fore. Anyone who has visited Japan will know the haunting sense these monoliths produce. The painting is performed in thick pigment on applied silver-leaf, signed Taisho (Okada Taisho, b. 1888). The screen is signed in the lower right corner, and measures150 x 151 cm (59 inches by 5 feet). It is in fine condition, with only minor abrasions from handling...

Japanese Meiji period Yokohama woodblock print depicting Okiyo, the daughter of a gardener in Mukojima, meeting with a foreigner who desired her to be his concubine. This print is illustration no. 661 from the newspaper series “Yubin Hochi Shimbun” (Postal News) by Tsukioka Yoshitoshi (1839-1892) published by Kinshôdô (Kumagai) the 4th month of 1875. 14 1/2"V x 9 3/4"H. Excellent color and very good overall condition with margins evident. The print has been stored away from sunlight and...

19th century Japanese Yokohama woodblock print depicting the famous Italian painter and printmaker Titian showing a bust portrait to a patron. This image is from a series of anonymous educational prints published in the early Meiji period that related to important Westerners. The print is unsigned and undated. 13 1/2"V x 9 7/8"H. Very good overall condition with margins evident. The print is not backed and has been stored away from sunlight. As the picture of the back shows, this image is ...

Rare Japanese Meiji period woodblock print triptych of the Tokyo-Ueno/Yamashita Train and Ueno Station from the series “Famous Places in Tokyo” by Utagawa Kunitoshi (flourished 1847-1899) dated 1st month of Meiji 22 (1889). The triptych is bound in the original folder and has not been exposed to sunlight. "Enlightenment" prints of the 1880's - 1890's promoted modernization and illustrated the westernization of Japan. The Japanese built their first railroad in 1872. It became a symbol of ...

Rare Japanese small kuruma tansu (wheeled storage chest), made all of keyaki (elm) wood with beautiful grain, double sliding panels on top and bottom, unusual iron locking mechanism with key, keyaki side bracing, Edo Period. Size: 35 1/4" high x 35" wide x 17" deep.

This pair of Chinese lotus shoes were made by a woman of limited finances. She bought what materials were needed for the vamp and supplemented with the use of rough home spun fabric scraps to cover the shaped heals and soles. The limited amount of expensive gold couching threads outlining the floral embroidery pattern on each side of the shoes indicates that this pair of lotus shoes would have used only for special occasions. Cleverly hidden inside each shoe is a heel cushion which would have...

Rare and large huanghuali brushpot with its original finish and excellent patina. H. 17 cm, Diameter 17 cm. Condition: an old, worn chip at the top rim, some age cracks, small metal nail at the bottom. China, Qing Dynasty, 18th/19th century.

Very rare marble torso of a Buddha or Bodhisatva, finely carved with lots of detail. China, Tang Dynasty (618-906). Excavated in the southeast of the Shanxi Province. H. 17 cm, W. 15 cm.

A wonderful marble sculpture of a Bodhisatva. Excavated in the southeast of the Shanxi Province, China. Comes with a custom made stand. Tang Dynasty (618-906). H. 20 cm (22 cm incl. stand).