At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighboring country were brought to its shores. Such pieces have long been favored by learned cha-jin (tea people); and, older pieces such as this are quite prized today as relatively few from this era have survived in such good condition.

With skillfully applied antique gold repairs, this exceptional tea bowl dates from the early ha...

One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine porcelains including: Kyo-style tea and sake-wares, pieces for the western export market, distinctively home-grown Japanese motifs, and expertly crafted Chinese-style pieces such as the one seen here.

Apprenticed to Kameya Kyokutei, Tozan (1846-1920) took it upon himself to visit many kilns and to gain technique and advice ...

Hiroshi Yoshida
Bamboo Wood
Date: 1939.
Size: Oban. Approximately 16.25 x 11 inches.
Signed and sealed in the image and lower margin.
Jizuri seal at upper left margin indicating self-printing by the artist.
Published by the artist.
Reference: Abe #229.
Medium: Japanese woodblock print.
Condition: Margin has light toning and creasing.
- Depicts a scene in Saitama Prefecture.

A very well carved and inscribed wooden tablet made for use in the family house, on the ancestor´s altar for worshipping of the deceased husband . This â€spirit tablet†has the name of the man, Chun Fa from Lin Prefecture , and the name of the donor, the respectful wife Niang, born Song. In the inside it says that Chun Fa was born in the cyclical year of XianFeng, eleventh month, ninth day =1850, lived forty two years and died in the cyclical year of Guangxu 1891. Wood painted in ...

Modern limited-edition Japanese etching by Takahiko Hayashi (b. 1961) titled “The Wind Filled with Roots, Countless Small Beginnings” dated 2001. Pencil-signed, titled in kanji, and numbered 45/50 in the bottom margin. Paper: 25” x 23” (frame: 26” x 23 1/2"). Very good overall condition. Floated on an archival mat in a shadow-box frame with UV glass. The wood moulding has a coppered finish. From a Tucson, Arizona collection.

Japanese Edo period woodblock print kakemono (vertical diptych) by Utagawa Kuniyoshi (1797-1861) depicting a full figure Heian beauty, Lady Shizuka-gozen, dressed in shirabyoshi (court dancer) costume appearing under a rolled screen, preparing to dance before Yoritomo. Published by Izumiya Ichibei circa 1840. Signed Kochoro Kuniyoshi ga. The publisher's seal is at the bottom of the image. The assembled size is about 28” x 9 3/4" (top sheet: 13 7/8" x 9 3/4"; bottom sheet: x 14 1/4" x 9 3/4....

This sake cup is covered by white mud and clear glaze. The highlight and charm of Kohiki is that skin of piece becomes to change as using. Size: 9.0cm (D) 3.9cm(H) Accessary: wooden box signed by the artist

The great master Sadamitsu Sugimoto has been challenging to various kinds of pottery, Iga, Shigaraki, Raku, Ido, Kohiki, Shino, Oribe, Kiseto so on, And he has accomplished Celadon works. This piece has abstract pattern with copper glaze under the celadon glaze. Size: 9.0cm(D) 3.0cm(H) Accessary: wooden box signed by the artist.

This sake cup is a very rare piece among Sugimoto's works. Ordinary, shigaraki pieces are fired in the anagama fire woods kiln, however this pieces is carved and colored with pigment, And fired in the kiln with charcoal. The pattern is called "shikishi kasane" a pair of square piece of fancy papers. It's a happy theme. The white grains are feldspar included in shigaraki clay. Size:6.2cm(D) 5.6cm(H) Accessary: wooden box signed by the artist

Basket for backpack made of strips of mountain cherry bark. It has cotton print and check lining (upper part only) and silk belt. Outer side is in good condition but the other side has breaks and loose parts. The first half of the 20th century. W:36cm, L:32cm, H:7cm

Height: 3.8 cm (1.7 in)
Length: 3.2 cm (1.3 in)
Depth: 2.5 cm (1 in)

Quality wooden netsuke of peasant sharpening his adz on a grindstone; finely carved throughout with a wonderful patina; signed Tomokazu

A vintage Japanese book box called Honbako made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. 2 Hinged doors open to a storage space with a removable shelf. Below are 3 drawers where personal effects were stored. Original hardware including the Warabite handles. Constructed using straight dovetail joinery and wood dowels to hide the nail connections.

Age: 1930's Showa Era

Dimensions: 18" Wide by 25 5/8d" High by 11 3/4" Deep

An antique Japanese small Choba Tansu chest made of Kirinoki (Paulownia) wood. Original bronze hardware. Sliding doors where merchant stored business records and books 4 drawers below where valuables money and writing supplies were kept. Straight dovetail joinery and hardened wooden nail construction. Merchant store name written at the base that ha worn over time.

Age: Late Meiji-Taisho (1910-1920)

Dimensions: 22 3/4" Wide by 22 1/2" High by 12" Deep

An antique Japanese Choba Tansu (Merchant Chest) made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original hand forged iron hardware including the Kakute style handles and the decorative front drawer corners. Double side by side drawers above with sliding doors and three drawers below made this a functional chest for a merchant to store his business books and records as well as store valuables. Double through mortise and tenon joinery construction with supporting side and rare back h...

A Japanese large wood and lacquer head of Fudō-Myō-ō. Fudō Myō-ō is the central deity in all Myō-ō groupings, and in artwork is positioned in the center. Fudō converts anger into salvation; has furious, glaring face, as Fudō seeks to frighten people into accepting the teachings of Dainichi Buddha; Fudō’s aureole is typically the flames of fire, which according to Buddhist lore, represent the purification of the mind by the burning away of all material desires. Myō-ō is the J...

Kawase Hasui
Spring Rain at Gokokuji
Size: Oban. Approximately 16 x 10.75 inches.
Date: 1932.
This edition 1948-50.
Publisher: Doi Hangaten. Carver: Katsumura (same carver as first edition). Printer: Ito.
Doi publisher's watermark at upper left corner margin.
Artist's signature and seal at upper right.
Condition: A surface dot on the base of the lantern. A few light margin creases. Back top corners have two small bits of paper residue.
- A wonderful e...

Classic Shino yaki matcha chawan (tea bowl) for Tea Ceremony made during Meiji Period in late 19 century.
The seal of the potter is stamped on the bottom.
The fine crackle look with natural kiln vivid cracks gives the bowl an authentic wabi sabi feel .
Overall it is lovely example of an old, professionally crafted Shino tea bowl.

Shino ware pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the...

Rare Vietnamese 14th Century Celadon Glazed Moulded Stoneware Bowl

This rare stoneware bowl was made during the 14th century. It has a foliated rim and the whole of the inner surface is decorated with a moulded pattern comprising two bands of multiple parallel lines radiating out from the centre of the bowl in the form of thin flower petals. The pale yellowish-green glaze is finely-crackled. To the glaze on the inner surface are "spur marks" left by kiln spacers.

Diameter 16.5 cm (6.5 in...