1930's Japanese Hand Painted Enamel on Porcelain Vase with Cherry Blossom Marked

It is 10.25 inches (26.1 cm) tall by 3.75 inches (9.6 cm) wide. It is 1.7 Lb.

It has rubbing of gold and paint, stains, and surface wears and scratches (as seen in the photos).

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Tall Chinese Han Dynasty Glazed Pottery Hu Jar

This attractive pottery jar (or hu) was made during the Han Dynasty (206 BC - AD 220). Its form is probably the most well-known of Han Dynasty pottery and every museum collection of Chinese ancient pottery will have an example. It is "heavily-potted" and made from a reddish pottery. The body and neck are decorated with bands of grooves that encircle the body. On opposing sides at the waist are moulded taotie mask ring handles. What makes this e...

An antique Japanese tall Kasane Tansu (kimono storage chest) made of burled Keyaki (Zelkova), Kura (Mulberry), Kiri (Paulownia) and Sugi (Cryptomeria) woods. All original hand forged iron hardware including the Warabite style handles and the full moon lock plates. Upper section has a pair of sliding doors, a lift-out door and 6 drawers of varying sizes where Kimono fashion accoutrements were kept. The bottom section has 5 large drawers where the Kimonos were stored. Constructed using straigh...

An antique Japanese Kasa No Dai (umbrella stand) made entirely of one solid block of burled Keyaki (Zelkova) wood. Entirely hand hewned and exquisitely carved into a wonderful sculpture of Japanese folkart (Mingei). Natural patina darkened over many years of careful use and display.

Age: Late Meiji Period (1900-1910)

Dimensions: 12" Wide by 21 3/8" High by 12" Deep

Tibetan antique set of 3 heads from a khatvanga ritual staff. The Tantric (esoteric) Buddhist ceremonial staff would have been held by an advanced practitioner during ceremonies and was a sacred object assisting in the rule over subtle bodies of energy. The three human heads (fresh, dried and bare skull), which once adorned the top of the staff in a stacked position, represent the 3 poisons of lust, hate and delusion. These skulls are made of gilt copper repoussé and strung with cotton clot...

Antique Tibetan kangling, a trumpet made for use in Buddhist chöd rituals and funerals. The kangling was played by the practitioner as an act of fearlessness and compassion, drawing out the hungry spirits so that they may have their suffering relieved. Kangling, which literally translates as "leg flute", were traditionally made of either a human tibia or femur and preferably that of a criminal or someone who died a violent death. The leg bone of a respected teacher was also acceptable. ...

An antique Japanese Omise Tansu (merchant storage chest) made of Hinoki (Cypress) and Sugi (Cryptomeria) woods. Consisting of 15 total drawers, it was used in a merchant store setting to organize and keep inventory available for sale. The upper counter was used for the display of wares and the wrapping of sold items. All original hand forged iron hardware including the Warabite handles.

Age: Meiji Era (1880-1890)

Dimensions: 69 5/8" Wide by 26 3/4" High by 15 7/8" Deep

An antique Japanese large Taiko drum made of lacquered hardwood and leather with hand forged iron nails and holding rings. It would make a great side table adding an optional round glass top. When struck, it carries a thunderous sound that would reverberate in any room.

Age: Late Meiji/Taisho (1910-1920)

Dimensions: 30" Diameter by 28 1/2" Long

Antique Japanese okimono depicting a pair of cranes on a rock. Waves wash around the rock near an ancient turtle. Made of bronze and silver with polychrome details. This sculpture is an elegant representation of the traditional longevity phrase: “cranes live for one thousand years, and turtles for ten thousand.” On the back of the rock is a large, 4-character cartouche the first part of which reads: 般若 Hannya. The next 2 characters are more difficult to read. Perhaps: 糸ito 雲 k...

Shotei Takahashi (Hiroaki) (1871-1945)
Bridge in the Snow
Date: Almost certainly pre-earthquake 1910s.
Size: Oban. 14.125 x 9.625 inches.
Shotei seal at lower right.
Publisher: Watanabe Shozaburo.
Reference: O-30 in Shotei catalog.
Medium: Japanese woodblock print.
Condition: Top back margin has paper residue. Creasing at upper left and lower left corners. Fading.
- This print features applied gofun snow. The rarity of this print suggests that it wa...

Today I would like to introduce another talented potter living outside of the traditional potting centers. This is a beautiful Nezumi Shino (Gray Shino) chawan by Sagae Eimei, and comes enclosed in the original signed wooden box. This has an immediacy which speaks of our era, yet is based firmly in the pottery of the Momoyama period. It is 12.5 cm (5 inches) diameter, 9.5 cm (3 inches) tall and in excellent condition.
Sagae Eimei was born in Yamagata prefecture in 1949. Upon graduatio...

Chinese brown glazed pottery jar with round shape.

Age: China, Yuan Dynasty, A.D. 1271 - 1368
Size: Height 21.8 C.M. / Width 27.5 C.M.
Condition: Well-preserved old burial condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Classic Nephrite Cong. This is oldest Chinese form still used in its art today. The earliest examples were from the Liangzhu Culture circa 3400 BCE. It’s theorized that the square outer shape represented the while the inner round shape represented the Heavens. Nice nephrite jade - very smooth and tactile may be used as a toggle or scholar’s contemplation piece. H: 5.7cm/2.3in and W: 2.7/1.1. 72 grams.

Old nephrite chord fastener, this shape and style are usually associated with horse tack and bridles. This archaic style has been found in the Tang and Liao periods. L: 2.7cm/1.1in, W: 2.1cm/o.8in and 1cm/0.4in thick. 12 grams.

Hexagonal pewter teapot inlaid with brass panels engraved with birds, plants and fruits, all with their own auspicious meaning. Qianlong period (1736-1795). H. 24 cm. Good condition with good age wear and patina. There is a mark on the inside of the lid. I’ve collected this piece in Beijing in the late 90’s and kept it in my private collection ever since.

Statue of a Taoist deity ("fashi"), in formal attire, sitting on a throne, holding his commandment baton in his right hand and a bowl containing the lustral water in his left. Wood, coated with traces of polychrome painting. Votive box at the back, lid missing. China, early 19th century, maybe earlier. Height: 20.7 cm. Abrasion due to age otherwise very good condition.

A heavily potted porcelain jar, made in two horizontal parts, with an underglaze blue floral decoration. South Chinese work from the 16th/17th century. H. 21 cm, D. 19 cm. Condition: very good, no damage or repairs, the glaze is a bit dull and has craquelé because this jar was excavated and spent 4 centuries under the soil. Provenance: in my private collection since I found this jar in Beijing in the late 90’s.

Karatsu pottery is one of most desired pottery type in Japan based in Karatsu, Saga Prefecture since 15th century.
It is made from high in iron clay often decorated with an iron-based underglaze, giving an earthy and natural feeling to the fired items.

Width 6.6cm
Height 3.4cm
Weight 73g

No cracks. No chips.
Supplied with wooden box with the label "Ko Karatsu"