A pair of wood and lacquered Niō, guardians of Buddhist temples, finely carved in polychromy with the muscles in evidence and the veins in relief. The Niō (Jp. = benevolent kings) are a pair of protectors – Agyō and Ungyō – who stand guard outside the gate of Japanese Buddhist temples, one on either side of the entrance. In Japan, the gate itself is often called Niō-mon 仁王門 (literally Niō Gate). Agyō, on the right, holds a Vajra, a legendary and ritual weapon that symboliz...

This is an Edo period Japanese book reprinted in the Taisho period (1920).It depicts everyday life in Japan during the Edo period. There is some rubbing on the cover, but there are no noticeable stains or damage. Size:length:19㎝　/　Width:13.5cm / 10 pages

This is a tsutsugaki silk children's kimono from the Edo period. It is a simple and auspicious design of treasure. No stains. There is one small 1mm hole on the back, but it is not noticeable. This is a hitoe kimono with no lining. size:: Length :110cm / 43.3" Cuff to cuff, across the back: 108cm / 42.5"

Very rare carving of the Three Wise Monkeys, sanzaru in Japanese, sitting on two logs. The one who hears no evil (kikazaru) and the one who speaks no evil (iwazaru) are sitting together. A little separated from them sits the one that sees no evil (mizaru). Carved in facet-cut (abstracted style) in soft cedar wood (sugi).

Signature in the bottom: Masahide.

Japan, first half of to mid-20th century.

H 3.25 x W 8.75 x D 2.1 in.

Short splinter on the base, otherwise very ...

This is a wonderful Meiji Era Satsuma tray from Seikozan. The detail is outstanding but the condition is even better. The condition of this piece is pristine and like new or the day it left the workshop. In fact, this piece is the finest preserved example of Meiji era Satsuma we have ever had. Ironically, we found a small factory repair to one of the corners. We ran tests and it is absolutely a gold covered Seikozan factory repair (See last image).

This pair of painted portraits depicts the newlywed Justice Minister Choi Seok-min (1858-1915) and his wife. The level of photo-like realism in these paintings is astounding. 19th Century portraits of women are exceedingly scarce. This is the only example we have ever seen offered for sale. The documentation pictured here is included with this pair of portraits. Each painting is 49 x 18 inches, 124.5 x 45.5 cm.

BECKONING CAT

Lovely vintage pottery 'Maneki-neko' (https://en.wikipedia.org/wiki/Maneki-neko). Showa period, early-mid 20th century, Japan. H 11 x 6 x 6cm (4.33 x 2.36 x 2.36in). The condition is as is as seen.


selected by Jinta




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This is a wonderful slender pear shaped bronze vase from the Meiji era (1868-1912. It is highly detailed and decorated with three raised relief elephants. One of the images was deliberately overexposed to show off the fine detail. It has the original patina and is in excellent condition. Stands 12 3/4 inches tall and is signed underneath by Genryusai Seiya. Buyers should be careful because there are poor copies or fakes of this elephant vase showing up in auctions.

This is a rare hand-spun natural Shina-fu ( linden)boro bag from the Meiji period (1868-1911). It was originally a stiff material, but it softened after being used many times. The repair marks are cotton fabric and hemp thread. linden cloth naturally turn dark brown over time due to the tannins in the fibers of these trees. There are stains and repair marks. Size: Length: 51cm (20") / Width: 33cm (12.9").

This is a Japanese antique Boro noragi Farmer's jacket of natural indigo dye thick katazome hemp.Fading of indigo dye is charming. Size:Length:79cm / 31.1inch Cuff to cuff, across the back: 135cm / 53.1inch

Antique Chinese pair of sculptures of two tall cranes. Each stands on a rectangular base with head looking back. Long, straight legs and gracefully curving necks. Fine details in every feather.

Age: Republic Period (1912-1949)

Dimensions: 27 1/8" high x 9" wide x 6 1/8" deep

Antique Chinese amber snuff bottle carved all over with a design of blossoming trees and birds. Made of a beautiful dark mottled amber with sections of deep yellow and orange. Agate lid.

Dimensions: 2 7/8" high x 2 1/8" wide x 1 1/4" deep

Chinese antique snuff bottle made of quartz crystal. Oval form and carved on both sides in the from and pattern of a turtle shell. With coral lid.

Age: 19th century

Dimensions: 2 5/8" high x 1 5/8" wide x 5/8" deep

Antique Japanese suzuribako (calligraphy writing box) for a merchant. Made of keyaki (elm) wood burl with iron hardware. Two drawers: one for writing implements and one drawer with a lock for keeping money, seals, and important documents safe. A top compartment with a hinged lid would have kept an ink stone.

Age: Meiji Period 1868-1912)

Dimensions: 8 3/4" high x 8 1/2" wide x 12 7/8" deep

Antique Japanese small, round, lidded box. Made with metal body covered with lacquer and decorated with a gold lacquer scene of a bridge and a weeping willow tree. Intricate raised machi-e details of waves and willow leaves. Delicate nashiji on the ground around the tree.

Age: Meiji Period (1868-1912)

Dimensions: 3 1/4" wide x 7/8" high

Antique Japanese okimono carving of a little skeleton on top of a larger skull. Made of boxwood with a beautiful patina. Intricately carved to show every bone of the small skeleton and the teeth of the skull. The artist's humor is displayed in both style and subject matter.

Age: Edo Period (17th century)

Dimensions: 1 1/2" high

The finely carved Khmer Divinity Statue, wearing short sampot carved with parallel pleats and secured with a belt with double butterfly sash in front. His round face with delicately outlined lips and pendulous earlobes, his hair arranged in a conical chignon secured with a foliate tiara knotted in the back. A Splendid piece, finely carved with great character and displaying Glorious Angkor Wat Style at its best. The piece is 80 cm (31 1/2 In) height of the statue not including base in measu...

Brilliant firing affects decorate this deep tapering cup of raw clay by Tsuji Seimei enclosed in the original signed wooden box. A classic work relying truly on Tsuchi-no-aji, or the taste of the clay. There is no attempt at overt decoration of sculpture, just a perfectly formed cup with a slightly wider base blasted in the furnace with black charring, thin rivulets of molten ash and lots of Hi-iro. It is 12.5 cm (5 inches) tall and in excellent condition.
Tsuji Seimei (1927-2008) was...