Powerful overglaze enamel Iro-E porcelain vase in a form of Katakuchi made by Kunio Watanabe (b. 1967) The mark of the artist is painted on base.

Watanabe's unique approach involves multiple firings, layering gold and silver colors onto the ceramic canvas, resulting in prismatic and vibrant creations. His dedication to this technique led to remarkable achievements and recognition.

Size
Height 12cm
Width 24cm

Condition
No damage
No box
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In China, older age was/is respected and valued... During the late Qing Dynasty, many wealthier Chinese used eyeglasses to appear older...sometimes clear glass lenses were used for those with good eyesight Personally, I never colored my hair before traveling to China.... This eyeglass case was carved from water buffalo horn...It has the original hand twisted string and a small movable stop.... and a few minor scratches from use and age

Hampatong female figurine, wearing earrings and necklace, knees bent, standing on a square base. Wood, with fine glossy dark patina. Indonesia, Borneo Island, Dayak Peoples. Height: 11 cm. The statue is nicely mounted on a custom stand. Abrasion due to age, otherwise very good condition. Provenance: old Dutch collection. A rare piece.

Handle rest cut from a half section of bamboo, skillfully sculpted with lotus flowers on an aquatic background. In a small spared rectangle, the artist incised his name in 2 Chinese characters. The quality of the sculpture is beautiful, precise and deep, some stems are completely detached from the base. The old patina is superb. The decor, although cluttered, is very elegant. This is an excellent quality handle rest executed for a scholar by a good artist. The translation of the signature should...

Porcelain ewer from the Kyushu Arita oven second part of the 17th century. We only know a few identical models, one, with its lid, is kept in the British museum, another is housed in Tokyo at the Idemitsu Museum and happens to be one of the major pieces of the collection, finally a last one, damaged and without a lid, was sold by Sothebys London on June 1, 1981. To our knowledge there are no others. Curiously the porcelain of these ewers is atypical and could be confused with soft porcelain but ...

Exceedingly rare hard porcelain dish from arita. Painted in yellow, green, blue and red enamels. The decor represents many children, seated in a building in front of a covered vase, perhaps a funerary urn. Dominating the assembly, the central character of a trio is the only one wearing a hat. Above the trio three Chinese characters are drawn in red on a panel. It seems to be a religious ceremony but the youth of the assembly is perplexing. Understanding the 3 characters should solve the enigma. ...

Small porcelain dish from Japan. Decor of birds in flight in a landscape with trees and flowers painted in enamels and gilding. The porcelain is exceedingly thin similar to eggshell porcelain. Three Chinese characters are enamelled in red below, probably Kutani's mark. The designs are neat and of the best quality. Very fragile but good condition. D:138mm.

We proudly present an iridescent tea bowl with wonderful rainbow glaze by one of the greatest ceramic artists of our time, Hideaki Miyamura. It comes in mint condition with its signed and sealed wooden box.

Hideaki Miyamura was born in 1955 in Niigata, Japan, and traveled to the United States to study art history at Western Michigan University. After college, he returned to Japan in 1987 to pursue his interest in ceramics as an apprentice with master potter Shurei Miura in Yamanash...

A set of Chinese bronze sword hilt.

Age: China, Han Dynasty, 206 B.C. - A.D. 220
Size of hilt only: Length 18.5 - 21.3 C.M. / Width 5.8 - 6.3 C.M.
Size including stand: Height 36.2 - 36.4 C.M.
Condition: Intact with original condition. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Kodansu in gold lacquer and mother of pearl, with silver hinges and decorated with naturalistic motifs. The surface is covered with a delicate and shiny golden lacquer on a nashiji background which gives the box set brilliance. Decoration with naturalistic motifs in lacquer with mother-of-pearl inlays depicting stylized peonies and phoenixes in flight, creating an evocative contrast of colors and a fascinating texture. The inside of the kodansu hides three drawers decorated with silver kno...

Sagemono complete with wooden tonkotsu with applications depicting different insects in the Shibayama technique, black stone ojime and horn netsuke. Tonkotsu, made of wood, is used in Japanese culture to contain tobacco dust, flavorings or medicines. A group of insects are depicted in great detail on the surface of the tonkotsu, including butterflies, a cricket, bees, a ladybird and a dragonfly. These elements have been skillfully crafted and delicately applied in mother of pearl, marine i...

A Japanese boxwood okimono depicting Okame, a figure from Japanese folklore known for his cheerful smile. The figure of Okame is depicted smiling, in an elegant pose while she holds her clothes in her hands and holds a carved fan in her right hand. The fan, a symbol of sophistication in Japanese culture, adds an element of beauty. Boxwood is a precious and versatile wood. It has the characteristic of giving the work a patina and a precious shine over time, which makes it a material highly ...

An agate-like cluster floats in the crystal glass of this large vessel by leading Japanese glass artist Hosoi Moto-o enclosed in the original signed wooden box. Ever inventive his works speak of the asymmetry and textures of the natural world. It is 43 cm (16-3/4 inches) tall and in excellent condition.
Hosoi Moto-o (Motoo) was born in Osaka in 1964, and both his older brother and sister also became glass artists. After creating a studio with his brother, he ventured out on his own. H...

Japanese Meiji period woodblock print by Ogata Gekko titled “The Soul of Japan: A Chivalrous Man” from the series Gekko’s Essays published by Takegawa Risaburo and dated in the lower left margin 1892. Signed and with the artist’s red seal at the lower right. Paper: 14 3/8” x 9 3/4" (image: 12 3/4" x 8 1/2"). Very good color and overall condition with gauffrage in the title cartouche and full margins. As is typical of earlier issued prints from this series, the red series cartouche ...

CYCLAMEN ON BOUNDARY

Unique vivid layered scenery of the potted red cyclamen displayed at internal veranda ('engawa') in the background of many blue flowers over the window viewed from the inside of room looking over the snow-watching shoji sliding door ('yukimi-shoji'). Anonymous Japanese-style painting ('Nihonga') with natural mineral pigments ('iwa-enogu') on washi paper covering on wooden board as a handmade (recomposed) canvas. Showa period, late 20th century, ...

Geese and Reeds Painting (Noando) mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'old comfort', a...

MAP

Contemporary work of pen-and-ink drawing on copier paper titled 'Map' by a Japanese art brut artist, Junko. 2020. Frame: 44.5 x 37 x 1.2 cm (17.51 x 14.56 x 0.47in). The map assembling the every places (name of places, stations, shops, etc.) she has ever been, and this is the only her work with characters among her drawings and paintings as I had seen at that time in 2020. Some creases and damage as is. Free shipping only if you don't want the frame.
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A “wood-grain carving” figure of a minogame, a turtle with a long tail of algae growing from its carapace. Carved out of Jindai-sugi (Japanese cedar wood) in such a way that the wood grain accentuates the skin on the legs and head, the protrusions of the carapace and the algae.

Unsigned. Meiji era, early 20th century, Japan

L 18 x W 8.25 x H 3.75 in.

Few scuffs and dents that do not disturb the beauty of the piece.

Jindai sugi wood is old wood from the Japanese ced...