Set of two bronze Thai sculptures portraying a similar look to a pair usually seen in Thai temples of Buddha's main disciples, Ananda and Mahakasyapa. The one with hands held together is often the style seen for the image of Ananda and the other, interestingly enough, is holding a flower which represents a famous parable when the Buddha silently picked a flower and smiled, Mahakasyapa too silently smiled marking the transmission of the dharma. Age: 20th century Size: length 10" width 15.5" heigh...

Nothing I can say can convey the rugged beauty locked up of this Oribe Mizusashi, signed and enclosed in the original signed wooden box. Matsuzaki Ken is one of the most important potters in Japan, born in Tokyo in 1950.

He graduated from the Fine Arts Ceramic Department at Tamagawa University in 1972, and moved to Mashiko to take up an apprenticeship under Living National Treasure Shimaoka Tatsuzo, putting him in direct lineage with Mingei legend Hamada Shoji.

In 1978 he establ...

SIZE : Width 5.1 in : Length 5.0 in : Height 2.8 in : Weight 360 g + Box 290 g

This is a rare tea bowl of Japanese SETO pottery ware. This was made about 150 years ago during the Meiji Period.

SETO is the pottery of Aichi Prefecture in Japan. It is chosen as one of the oldest 6 pottery called ROKKOYO in Japan. And such a glaze with taste of mud is SETO. It has a fantastic Wabi-Sabi atmosphere and the design on it reminds of wild big cats.

The overall unperfection...

Very beautiful antique aka-raku (red raku) chawan (teabowl) with Raku 11th generation Keinyû (1817-1902)'s seal. Early Meiji Era.

Born as a son of Ogawa Naohachi, a sake brewer from Tanba, the present Kameoka City in Kyoto, he was taken into the Raku family as Tannyu's son-in-law. He succeeded as the 11th generation in 1845. He retired in 1871, assuming the name of Keinyu. The period he lived through was an age of transformation from the feudalism of the Tokugawa Shogunate to the m...

Large Burmese hammered repousse copper-brass-bronze alloy bowl decorated with 8 relief panels depicting mythological animals and stylized scroll foliage. Such bowls were used in Buddhist ceremonies. 19th Century, Burma. Bowl shows wear over the many years and has a natural aged patina. Good condition. Size: 14 cm. x 24 cm. diameter in center (5.5" x 9.5" diameter).

Large Burmese hammered repousse copper-brass-bronze alloy bowl, with traces of silver, decorated with various mythological animals and stylized scroll foliage. Such bowls were used in Buddhist ceremonies. Bowl shows wear over the years and aged patina, 19th Century, Burma. Size: 15 cm x 26 cm. (6" x 10")

A small Chinese agate carving of a tiger and her cub set on a wooden stand with motif of bamboo carved along with jagged rocks. The combination of bamboo and tigers in Chinese art can be seen as early as the Ming dynasty. The tiger, often represented as the king of the earth combined with bamboo a symbol of the mind of a literati, can be seen as the ideals of the individual. Age: 20th century Size: length 3.25" w. 2.5" height 3.25"

Charming Chinese figure of a monkey with young monkey and a branch full of peaches carved out of beautiful orange agate, standing on an intricately carved wooden base also with peaches. Although there are earlier depictions of monkeys in Daoist texts, one more popular Ming Dynasty story from "The Journey to the West" tells of a monkey who steals a peach from the garden of the Jade Emperor. The monkey gains immortality from the peach but is banished to earth as his punishment. Size of monke...

A finely carved Chinese agate in the form of a popular motif often seen in Tibet which is the windhorse. The use of Tibetan motifs in Chinese arts began during the Ming dynasty with patronage of the Tibetan high lamas and continued onwards into the Qing Dynasty. The windhorse is carrying a pecha or sutra text, a signature motif often found on windhorses. The stylized ribbons and the waves are done in the Chinese style. Age: 20th century Size: length 4.3" width 2.5" height 3.75"

Porcelain polychrome statue of the noted sage, Liu Hai. Liu Hai was the noted 10th century alchemist who learned the secret of immortality from the three legged frog, Jin chan (Chan chu). The frog is known for beckoning wealth. Later, in China and Japan, the combination of Liu Hai and the frog became the symbol of fortune and wealth. Age: 20th century Size: length 6.75" width 4" height 10.5"

A small Japanese hibachi formally known as te-aburi or a hand warmer which were often found in traditional Japanese homes. The hand warmer is shaped in the form of a winter pumpkin known as an akoda and the design has been in use since the 17th century. The warmer contains makie decorations of chrysanthemums set with a bamboo fence. Age: 20th century Size: diameter 7.5" height 8.25"

Chinese antique Blanc de Chine figure of the warrior woman, Mulan. She is standing with one hand raised. She wears a wide rimmed hat and elaborate armor. The figure is delicately modeled in porcelain and finished with a clear glaze. The last two characters, of the the faint impressed seal on the back, read Yi Ren. Republic Period. Size: 9 1/2" high x 3 1/4" wide

A lovely pairing of the bodhisattva diety Kwan Yin riding a Chinese lion or fu dog. The Kwan Yin is set in a leisurely pose with her medicine bottle. Intricate geometric patterns with motifs of clouds and dragons are decorated throughout the statue. Age: mid-20th century Size: length 16" width 7.5" height 25.5"

This very unusual Kyoto ware chawan is decorated in underglaze blue on a buff stoneware body.

The motifs are very odd and present mysterious pictures a poetic calligraphy.

Inside are 5 spur marks indicating that these bowls were stacked inside each other in the kiln. A previous owner has obviously been very attached to the bowl as it has several fine "kintsugi" gold lacquer repairs.

The Teabowl was made in Edo Period at the end of the 18th. century. Condition is ...

This work is a work of famous ceramist Deishi Shibuya of Hagi ware.

It is a Oni-Hagi Hiissen Chawan. Hiissen is Japanese and is a meaning referred to as Washing a brush.

Since form resembles the container from which a brush is washed, it came to be refered to as Hiissen Chawan. The Hagi ware clay with which three kinds of grounds were mixed is used for the clay of this work (Daido, Mishima, Mitake).

The clay which blended rough sand is called Oni-Hagi. The motif ...

A big Samurai clay doll made of Fushimi clay of the Kyoto area. He is standing proud and strong in the position of drawing a sword.

It is a figure with pleasing and charming signs of time and rests of colours. The Samurai figure dates from the late 19th. century or probably earlier.

Normally all the clay dolls are somehow originated from the Fushimi clay of the Kyoto area. They have been sold as souvenirs to the pilgrims on the road of Fushimi Kaidou from Kyoto to Fushimi ...

This is a clay figure of "Tenjin", the god of learning and a great and important figure in the history of Japanese culture.

It is obviously from the Mid Edo Period and one of the most impressing pieces of art in our collection with its mysterious and spiritual character.

We offer this Tenjin figure with a wooden stand, which was built by a former owner. As you can notice on the photos, it has some scratches and hairline cracks, which do not diminish its antique effect.