A spectacular Oni Karatsu Vase by Inoue Toya of the Kyozan Kiln enclosed in the original signed wooden box. It is 10 inches (25 cm) tall 6 inches (16 cm) diameter and in excellent condition.
Inoue Toya (1942-2013), graduated the prestigious Nihon Daigaku in 1966, having spent his student years excavating ancient Karatsu shards and researching their techniques. He apprenticed under the multifaceted potter Nushi Ensai. In 1969 he opened his own kiln. He served as head of the Karatsu Cera...

19th century
Guangxu Period, Qing Dynasty
Porcelain with overglaze famille verte enamels
H: 23.8 (with cover), 22 cm (without cover)
From a UK estate

A densely and meticulously painted late Qing ginger jar, with two cartouches featuring classic beauties, all against a famille noire floral ground. Wood cover included.

Condition report: Good antique condition, with only one glaze flaw [Please view all photos carefully. The images accompanying this lot is...

Ca. 1890-1905, 19th century
Guangxu period, Qing Dynasty
Porcelain with sang de boeuf / oxblood copper glaze
H: 23 cm, W: 22 cm (at widest point)
From a Portland, Oregon estate; old B. Altman & Co (New York) sticker with inventory number to base

A late Qing oxblood / Sang de Boeuf vase of transmutational copper red, heavily potted in the “zun” shape. The glaze is thick, glassy, and intensely red, with light crazing to surface and a dense texture. Typical of l...

Late 19th century
Guangxu period, Qing dynasty
Porcelain with overglaze enamels
H: 24.8 cm (vase 1), 23.9 cm (vase 2)
From a Denver, Colorado estate

A pair of late Qing reticulated square baluster vases, featuring the eight immortals rising against clouds and colored with famille noire enamels against unglazed porcelain biscuit.

Condition: both vases are drilled on the bottom, and one has a small shallow chip to the base. [Please view all pictures c...

Ca. 1700-1720, early 18th century
Kangxi period, Qing period
Porcelain with underglaze cobalt blue
D: 21.2 cm
From a Dutch collection

A matching pair of Kangxi period blue and white plates, of a charming design featuring several well-known Kangxi patterns: prunus against crackled ice, the honeycomb diaper, and hibiscus (furong) floral scrolls. The base is marked with an interesting floral mark within double circles.

Condition: near perfect, with min...

19th century
Mid – late Qing dynasty
Porcelain with cobalt blue glaze
D: 37 cm, H: 5.6 cm
From a Long Island, NY area estate

A huge 19th century monochrome charger, glazed in cobalt blue of a intense hue. This piece is thickly potted and quite heavy.

Condition: great antique condition, with only minor flaws at the rim (fleabite chips and glaze fritting) [Please view all pictures carefully, as they are part of the condition report.]

Beautiful calligraphy box made from precious Chinese zitan wood, with carved compartments for an inkstone and water dropper. Kanji markings on bottom of dropper, aged piece of wood also with kanji marks is included in this set. The inkwell still has old ink remnants. Gorgeous woodgrain with a lovely shine. Early 20th century Size: 1.5" height, 9.75" length, 6.5" width

Antique hand carved Chinese Beijing / Peking glass snuff bottle, w fortune horses overlay decorations. Dimension: 3.19 x 1.93 x 1.30 inches, no condition concerns.

Original shin-hanga woodblock print titled "Sacred Grove" by artist Tōshi Yoshida (1911-1995). It is a nature scene showing a red temple with golden doors and roof, partially obscured by trees. The forest floor is mossy and only a small bit of the sky peeks through the treetops. The print is framed behind glass with a large wooden border. The photo shows reflection on the glass but the print is perfect. Size: (entire frame) 16" height, 12" width (print only) 9" height, 6.5" width

Large Chinese Flambe-Glaze Bottle Vase, Lat 18th Century or Early 19th Century

It is 12 inches (30.5 cm) tall by 7.7 inches (17.6 cm) wide. It is 7.1 Lb.

It has firing bubbles, glaze crazing, manufacture defects of pitting, chips at the base, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100%...

Antique ukiyo-e woodblock print of a woman with a look of frustration on her face, wearing a black kimono, decorated with light pink and blue sakura blossoms, and a salmon pink under robe. Behind her are several cottages with trees and mountains, and stylized signatures in the top right corner and middle left side. Ukiyo-e is a genre of woodblock print that was popular during the 17-19th centuries in Japan. The print is set behind glass in a large frame, and the back of the frame lists artist: ...

Beautiful women's vintage silk cheongsam (or qipao) dress with gold trim and satin borders. It has water droplet shaped fasteners with gold swirls within, mandarin collar, and slits on either side. The first style of qipao emerged in the Qing Dynasty when the Manchu social group called the Banners came to be. All Han Chinese under the banner were forced to dress in qipao instead of traditional Han dress. The original qipaos were baggy and loose to conceal a woman's body, however in 1920s Shangha...

Original antique painting by artist "Old Tosa" of a late scene from the Japanese fable "Hachikatsugi Hime" or "The Princess with the Magic Bowl". The tale tells of a princess, daughter of a Samurai warrior, whose mother placed a wooden bowl upon her head before passing away. She could not remove the bowl and faced ridicule from the local children. She ran away from home and eventually found love and acceptance. This painting depicts a later scene in which the princess meets the prince and they f...

Original antique painting by artist "Old Tosa" of an early scene from the Japanese fable "Hachikatsugi Hime" or "The Princess with the Magic Bowl". The tale tells of a princess, daughter of a Samurai warrior, whose mother placed a wooden bowl upon her head before passing away. She could not remove the bowl and faced ridicule from the local children. She ran away from home and eventually found love and acceptance. This painting depicts an early scene in which the princess mourns the death of her ...

Abstract print by well-known Japanese print artist Masao Ohba (born 1928). He won first prize in 1998 at the 17th Biennale of Contemporary Ex Libris in Malbork, Poland. His work is colorful with interesting textures. This particular print almost appears to be an abstract take on the Japanese flag, with interesting shapes and flecking of red, yellow, and blue peeking through black sections. circa 1950s, signed and marked "87/150" Size: 7" height, 10.5" width

Japanese original print of two women and a young child by the artist Yoshitoshi Mori (1898-1992). He studied at the Kawabata School of Fine Arts. He was a member of the mingie folk crafts movement working in textile stencil dyeing. In the 1950's Yoshitoshi Mori started print making using a technique called kappazuri stencil. He became a key member of the sosaku hanga movement. His works depict scenes from Kabuki theatre and folk traditions. This print is signed twice in graphite and dated ...

Meiji (1868-1912) Period Japanese Gilt Bronze Model of a Pheasant on Wood Stand

It is 15 inches (38 cm) tall with stand, 10.75 inches (27 cm) without stand by 22 inches (56 cm) long by 8.25 inches (21 cm) wide. It is 11 lb.

It is in good condition with no repairs, chips, or dents, except cracks at the stand and surface scratches (as seen in the photos).

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Pair of Chinese Kesi Woven Silk Panel with Fabric Brocade Border

Each panel is 46.6 inches (118.5 cm) long by 38 inches (96.5 cm) wide. The kesi is 21.2 inches (54 cm) long by 18.1 inches (46 cm) wide.

They are in good condition with no repairs or discoloration, except foxing, small stains, and a minor tear (as seen in the photos).

Provenance: Bonhams and Butterfields auction

For more photos, please see gy5504.

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