A porcelain Koro by Mashimizu Zoroku II and decorated with a tiger by Tomita Keisen and enclosed in the original wooden box signed by both artists. It is 12 cm (5 inches) diameter, the same height with a solid silver hoya of woven net weave by signed by Koju.
Mashimizu Zoroku II (1861-1936) inherited the pottery tradition of his father, Zoroku I and grandfather Wake Kitei III in the Gojo zaka district of Kyoto. He was a well regarded member of the city’s literatus, and is remembered f...

Lovely hand painted Japanese Kutani tea caddy with inner lid. The jar features birds in flight, a slight crackle finish, gold accents, and is in excellent condition. There are no chips, no cracks, no hairlines, no repairs. It is signed on the bottom. The tea caddy measures about 5.75 Inches (14.6 cm)tall. Circa 1900.

Japanese Genroku Period Imari Tokkuri sake bottle in 4-sided rectangular form. From the early 1700's. Blue on white porcelain base with red and gold overglaze enamels in a floral design. 10 1/2" tall by 4 1/4" by 4 1/4".

A pair of 19th century screens by important artist Mori Kansai. Ink and applied gold flake on paper in a patterned silk border with black lacquered wooden frame featuring fine brass hardware. Each is 376 x 171 cm (148 x 67-1/2 inches). This was sold at auction on May 19 1917 from the collection of turn of the century actor Takata Minoru (1871-1916), and is published in the book Photographic Archive of Japanese Paintings, Maruyama Shijo School Volume 2 with copies of the original catalog photo...

Chinese painted landscape scroll. A 20th century copy of a scroll by the famous Yuan Dynasty artist Bian Lu. A beautiful landscape scene, with twisting mountain paths and overhanging trees. An array of red seals along the edges of the painting. Size: 81" H, 33" W (entire scroll) 50" H, 25" W (painting only)

Japanese cotton happi coat, ikat with sashiko stitching all over in brown thread, lined in light brown cotton, edged with black cotton on neck and very thin line of black cotton edging on all edges, side split detail, Meiji Period (1868 - 1912) Size: 31" high x 46 3/4" wide

Japanese large scroll painting of a colorful bird seated on a persimmon tree branch, a bright persimmon hanging overhead. Signature and red seal in left corner. Provenance: Collection of Trotter's Antiques, Pacific Grove CA. Size: 88" H, 19" W (entire scroll), 31" H, 11.5" W (painting only)

Antique Chinese scroll painting of an immortal man resting his feet with one of his sandals off, a basket of peaches and herbs sitting beside him. Calligraphy with signature "Li, Yu Ru" (1859-1930) and red artist chop. Size: 77" H, 29" W (entire scroll) 42" H, 22.5" W (artwork only)

Chinese scroll painting of a beautiful maiden in a draping kimono, accented with swaths of powder blue and pink, calligraphy along its side, signed Xu Cao with red chops. Size: 65" H, 29" W (entire scroll) 34" H, 13" W (painting only)

Very beautiful Kuro Oribe Chawan of early Edo period:

Only very little distorted half cylinder shaped (hanzutsu) tea bowl made of light, coarse, unrefined Mino clay. The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside, leaving an unglazed 'window' on one side. The 'window' is decorated with chidori (plovers) flying over an irrigation wheelin iron oxide glaze which has then been covered with a clear ash and feldspar glaze. This is a...

This is a child kimono of the Tohoku district of Edo period. This is Tsutsugaki where a face is very sharp. And it is very impressive with lining dyed in Akane. Generally, the dyeing madder-red was said to have been cut off early in the Edo era, but the dyeing madder-red was slightly handed down in the Hanawa area of the Akita area. And this lining was left. This cotton is spun by hand very much by Folky. This is original form. As for this, a face is upper Tsutsugaki. And natural madder without ...

This is Kagura-screen used in Kanto area for the Meiji period(1895). As for this, cotton spun by hand is used. This is a pattern very happy that a crane flies over the sea glistening with the morning sun. As for this, Tsutsugaki where a crane flies boldly in the morning sun is impressive. This has damage and a stain of the aging in several places. And there are several places of small repair traces. And it is in an in total regular state. This was released by big Tsutsugaki collector of Tokyo. ...

A heavy porcelain jardinere or plant holder very finely painted with flowering peony and other shrubs in shades of underglaze blue and standing on three Chinese Ming Dynasty style Lion head feet. This item was made in Japan during either the late 19th or early 20th Century. Condition: excellent - no damages and no restoration. 21cm (8.25 inches) high; 31cm (12.25 inches) diameter.

A fine small ivory okimono of Jurojin holding a peach with a deer at his side. The figurine measures 2.25" (5.7 cm) high. Signed on bottom, it is in excellent condition. Price $650 USD.
The ivory stand does not go with the okimono, but we like them displayed together. Stand measures 1.75" (4.4 cm) and has some age cracks, but it is solid. Stand price $125 USD.

An attractive lost wax (cire perdue) antique BRONZE BELL with nice relief scrolling-vine design on both sides and an original clapper for loud and sonorous sound when in motion. This bell comes with a custom made metal stand for display. Good condition. Size: W. 8.5 x H. 7 cm. Weight: 326 gr. We also have numerous other antique bronze bells in stock. Please search our website for "bell" or inquire.

An attractive lost wax (cire perdue) BRONZE BELL decorated with relief scrolling-vine design on both sides and an original clapper for loud and sonorous sound when in motion. Comes with a nice custom made metal stand for display. Good condition. Size: W. 9.5 cm x H. 8 cm. Weight: 426 gr. We also have numerous other antique bronze bells in stock. Please search our website for "bell" or inquire.

An ancient technique known as “haito” in Japanese was used to give this piece its distinctive look. Thought to have originated in neolithic times and commonly used during the T’ang and Song dynasties in China, an excess of fuel is added at the very end of firing which causes a thick layer of grey ash to adhere to the outside of the vessel. Below the ash glaze of this piece is a yellow amber reflective coating that shows through in areas giving it an almost imperceptible glittering effect ...

Chinese guilt bronze buddha, 20th century. A buddha with his hands in mudra, the gesture for meditation. The buddha is seated on a lotus blossom blooming out of another lotus blossom, atop a hexagonal base. It measures 14" tall, 5" wide at base.