Southeast Asia ancient gold ring with a natural quartz stone. This ring is over 1,000 years old. Weight: 4.06 grams

A pointed tower in burnt gray clay by Mihara Ken enclosed in the original signed wooden box titled Kaki. Here the artist has joined three slabs into an unconventional horn, slotted on one side to accept a flower. A single camellia blossom in rich red, a few green leaves against the gray body in the dark corner of a Tea Room would be incredible. It is 11 inches tall and in fine condition.
Mihara Ken was born in Shimane prefecture in 1958, and apprenticed under Funaki Kenji at the age of ...

Well proportioned and exceptionally light in the hand, this lovely tea bowl features a stylized depiction of a horse in stride in what appears to be a brown ferrous glaze on a background of ash glaze (灰油 hai-yu). A creation of Kyoto potter Kimura Moriyasu, this is a difficult style to perform, with results dependent on how the clay and glazes interact when exposed to the specific firing condition in the kiln.

The youngest of three brothers famed for their potting skill...

Ohara Koson
Frog on lotus leaf
Size: Shikishiban. Approximately 9.75 x 9.75 inches.
Date: 1900s.
Bears Koson signature and seal.
Publisher: Daikokuya (149).
Reference: K39.10 and plate 95 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent with small thin spot near top leaf.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of United States founding father,...

The gray-blue celadon displays finely crackled glazing with areas slightly darkened by time. A faint pattern made of white inlay can be seen along the upper rim, complimented in several areas by antique kintsugi repairs. The maki-e gold repair at the base—with its design of half waves and half flowering vines—though quite old, seem not quite so old as the repairs along the rim. The small delicate kodai (foot) supports this fine work with grace and effortlessness.

Though the exac...

A nice Nyonya plate with a painting of an old Sage and a poem centered around him. The poem says he is ninety years old and is about all his hardships. The Sage is surrounded by a floral design and the back has paintings of peaches and bats symbols of good luck and prosperity.Nonya wares are over-glaze polychrome enamelled porcelains made in Jingdezhen in the Kiangsi province of China for the Straits Chinese, or Babas, whose female counterparts are called Nyonyas, hence the term Nyonya ware. N...

A refined and elegant work of Hagi-ware done by a master potter who is not only a direct descent of the Hagi forebears, but who also credited with having revive the tradition when it fell out of practice. This piece features a well-formed kodai (foot), an exceptionally nice Hagi glaze and several “ishi-haze” or marks from small stones that partially explode in the kiln. Judging by the box and the signs of aging on the work itself, this appears to be an early work by this potter.

...

Japanese Stone Jizo Bosatsu Sculpture, Edo period before 1800, 17" high, 8" wide, 5 1/2" deep, weather worn and peaceful Statue.

Japanese Stone Nyoirin Bodhisattva Sculpture, Edo period, before 1800, 21" high, 10 1/2" wide, 6 1/2" deep, one(1) arm on the knee seated position. There are some small nicks on the edges.

Ohara Koson
Carp
Size: Shikishiban. Approximately 9.75 x 9.5 inches.
Date: 1900s.
Bears Koson signature and seal.
Publisher: Daikokuya (86).
Reference: K39.8 and plate 100 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.
Provenance: The Bedford, NY estate of Eleanor Jay and Arthur Iselin. Eleanor Jay was a descendant of United States founding father, John Jay. Their Bedford home is now the John Jay H...

Five porcelain tea cups by Kato Tsubusa enclosed in the original compartmentalized and signed wooden box titled Seihakuji Senchawan outside, and inside Seihakuji Chawan. Each is a unique shape, and they are roughly 9.5 cm (4 inches) diameter, 7 to 8 cm (3 to 3-1/2 inches) tall and all are in excellent condition. Someone has written in red on the box lid
Tsubusa was born in the home of Shino, Tajimi city. However after working some in pottery, he moved on to this white porcelain, a leap ...

A portrait of a japanese nobleman , a very fine n fantastic works of art by japanese painter

Fired in an anagama small-batch kiln, this other-worldly looking saké cup (guinomi) displays rich ochre hues in areas where the rough clay shows through and is covered in a lush Oribe green glaze which is difficult to achieve. The brilliant green color is the result of copper glaze applied to the clay body which is then fired at 1220 degrees C—creating an oxidation reaction. More difficult to produce than works with black Oribe glaze, if the exact conditions are not met, the piece may uninten...

A Japanese okimono of a tiger, fully carved out of Keyaki (elm) wood with fantastic detailing. The tiger sits hunched over with fixated eyes, fangs out, and tail wrapped tightly against its body. Signature on bottom reads : Chizan December, Meiji 18th year.

Size: 5.5" L x 6" W x 5.5" H

Antique Japanese hardwood ranma (transom) with a black lacquer frame, carved with scenic imagery of large temple lanterns, pine trees, stylized bridge, and an island village.

Size: 73.5" L x 1" D x 15" H

Gilt and Gold plated silver hairpin of Qing era

Antique Japanese hardwood ranma (transom) with a black lacquer frame, carved with scene of a bridge, surrounded by small islands with pine trees.

Size: 74" L x 1" D x 13.5" H

Antique Japanese hardwood ranma (transom), ornately carved with a descending plum tree (ume) branch, bearing flowers in bloom.

Size: 73.5" L x 1" D x 20.75" H