Antique Japanese Buddhist Pilgrim's coat. Buddhist monks associated with the teachings of Kukai (or Kobo Daishi) would embark on a pilgrimage to visit the 88 temples on the island of Shikoku. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple. Normally a monk would carry around a special stamp book however it is not unusual to stamp the monk's coat as seen here. Made of asa (hemp).

Age: Me...

Charming antique Chinese small teapot with Daoist figures encircling body, lid with flowers and figures, signed on body and on recessed base.

Size: 3.5"H 5.5"L 3.5"D

Republic Period

Lovely pair of Chinese jade and agate peony floral arrangements, flowers in various colors of pink, yellow, orange and cream with dark green leaves of jade, cloisonné planter base with scholar motif design. Good condition.

Republic Period

23"H x 18" Diameter for each

Antique Japanese studio ware porcelain vase, carved all over with a raised design of a dragon in swirling clouds over churning waves. The clouds are covered with a glaze that gradates from a deep blue at the top to a light blue where they meet the waves. Both the dragon and the waves are kept white with a very pale light pink glaze on the dragon's flames. A band of repeating lingzhi pattern in blue underglaze encircles the rim and foot of the vase. A four character signature on the bottom h...

A vibrant double vase covered in signature naïve designs by Yamashita Moe enclosed in the original signed wooden box titled Morinoyoru (Night in the forest). It is 12 x 24.5 x 27 cm (5 x 10 x 11 inches) and is in excellent condition. Her work is filled with joie de vie, and one cannot escape a smile when viewing it. Even the box is painted with a bright green silhouette of the vase, titled and signed in pink!
Yamashita Moe graduated the Kyoto Zokei University of Art in 2004. Her work h...

The size of Box: 4 1/4" Square x 2 3/8", Medallion size: 2 5/8" Dia x 1/4" High dome shape. The size of Presentation Box: 9 7/8" Long x 7" Wide x 3 1/4" High. The title of work: Now and Then. The design depicted from Saru Suberi (Japanese name flower), English as Crape Myrtle flowers with such a delicately made by very thin/fine silver wires. This fine Japanese Cloisonne, Shippo Medallion was created by Fine Japanese Cloisonne Master Artist, Shinya Okamoto from Chiba Prefecture, Japan. I am pro...

Statue of a Taoist deity, in formal attire, seated on a throne. Wood, decorated with polychrome pigments. Small votive box at the back. China, Qing dynasty, end of 19th century. Height: 22.7 cm. Traces of candle soot on the front, old insect attack beneath (no danger), otherwise good condition.

Small silver vase with flared and hemmed neck. A finely chiseled snake is wrapped around the neck and an enameled chrysanthemum. The lower body is enamelled in polychromy by silver wire partitions. Under a round base there is a signature in a golden cartouche of Mitsu Shige. Period: Meiji. Height: 10cm (4")

Meiji Period (1868-1912) Japanese Raku Chawan with Amazing Glaze for Tea Ceremony Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century. Size Width 11.3cm Height 8.3cm Weight 340g + Box 260g Condition Overall good considering the age. Supplied with fabric bag shifuku and wooden box

Very rare Edo Period (1603-1868) Japanese Antique Hohin Teapot for Sencha/Gyokuro with wonderful Wabi Sabi atmosphere Size Length 10.5cm Width 8.5cm Height 6cm Weight 190g Condition Overall good There are minor chips and lack of glaze Please see the photos for reference

19th Century Chinese Solid Silver Coral Carved Bracelet with Flower & Bird Marked "China Silver"

It is 6.6 inches (16.7 cm) in inner circumference by 1.6 inches (4 cm) wide. The coral plaques range from 25.2 mm to 26.5 mm long by 13.3 mm to 14.4 mm wide. It is 35.9 gram.

The silver is tarnished and has surface wears and scratches. The coral plaque have trace of glue at the back and inclusions (as seen in the photos).

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1960's Chinese Jadeite Carved Farmer with Wood Stand

It is 5.5 inches (14 cm) tall without stand by and 2 inches (5 cm) wide. It is 198 gram without stand.

It has inclusions, chips and surface wears and scratches (as seen the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is re...

1900's Chinese Malachite Mixed Metal Silver Inlay Box with Chirography

It is 2.15 inches (5.5 cm) tall by 1.15 inches (3 cm) wide. It is 58.7 gram.

It has a hairline crack and small chips at the malachite, oxidation, tarnished, surface wears and scratches at the metal (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund o...

A peepal tree leaf finely painted in ink, colour and gold, depicting two Buddhist disciples in a landscape setting. Pasted on grey cardboard, with inscription in gold and red seal on the left side. Mounted in a lotus leaf shaped frame and base, carved from hardwood. Condition: lower left corner with a stain, some traces of usage. Dimension: total height: c. 25.8 cm, 19.3 cm wide, Bodhi leaf: c. 16 x 13 cm, weight: 352 g.

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of the Ta...

Antique Japanese mokugyo, fish bell, carved of keyaki (zelkova, elm) wood with traces of red and white lacquer. This wooden temple bell was used by Buddhist priest during religious ceremonies and chants. Laid on it's side on a pillow, the bell was struck to a rhythm to match the cadence of the chant. The carving on the bell is of two fish embracing a pearl, a symbol of unity. The fish themselves symbolize wakefulness, in this case to remind the chanters to focus on the sutra.