The creator of this exceptional tea bowl is Koto Kenshi, a native of the town of Hagi in Yamaguchi prefecture who has been producing many fine works since opening his studio in 1970. This piece features a milky ashen glaze with a portion of the foot of the tea bowl exposed, displaying the reddish coarse clay beneath.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical feature...

Father to internationally known Hagi potter Kaneta Masanao (the 8th generation Sanzaemon potter), though he never achieved the same level of notoriety as his son, his pieces have a grace and elegance all their own as demonstrated here with this charming tea bowl. With its milky crackled glaze and split foot (wari-kodai) showing the rich clay this piece was fashioned from, it possesses strong character and has a calming presence, bringing a sense of stability. Perfect for those deepen...

Heavily influenced by Koryo potting styles and techniques, the Tobei lineage has been crafting exceptional tea-ware implements for 13 generations. The piece shown here was made by the 12th generation (Tahara) and, due to its excellent character, was endorsed by the 15th tea master of the Urasenke School of Tea, Hōunsai. The natural ash glaze gradates from a glossy lavender towards the top to a light tan nearer the bottom. Along one side is the characteristic milky glaze so often seen in this ty...

The fine crackled feldspar glazing of this Hagi composition contrasts nicely with the red ferrous clay of the base and the wrought silver globe resting atop. Along the lower half can be seen a geometric windowed pattern giving this incense burner a sense of dimensionality.

Legendary potter Miwa Kyuwa (1885-1981) has been credited with reviving the Hagi tradition of pottery after the war. Unmatched in the field, his works are held in private collections and in museums around the worl...

Description:

A Longquan bowl was in nice conical shape and was fired into a crackled glaze imitating the rare Guan wares.
It was an excavation piece for some time from the dry-feel condition to the glaze.
A later touch-up of gilt paint was done to the only defect found on the rim.
From the tint of the body clay, the way the foot ring was shaped and the accumulation of glaze around the mouth rim, all the characteristics stated out that it was a piece from Southern Song Dynasty...

A very well and thinly potted porcelain bowl with a polychrome decoration ( Famille-rose ) of the "Eighteen Luohans" . To the base a red six-character Mark. Qing Dynasty, Guangxu period ( 1875 - 1908 ) Diameter : 15,8 cm. Condition : There is a very flat chip to the inside of the footrim. Further in an absolutely perfect condition.

A set of three 19th century Indian jeweler's moulds, made of bronze, each one representing a Hindu deity. The first one shows a female deity, maybe Sarasvati, with four arms, holding her four attributes in her hands, riding a horse and surrounded by foliage. An inscription is incised at the back of the mould. Height: 6.3 cm. The second mould shows god Khandoba (a form of Shiva), holding a sword, riding a horse together with his wife, and accompanied by a dog running under the horse. Height: 6.2 ...

Three small amulets cast in the form of deities standing in formal dress. Bronze, with partly encrusted reddish-green patina. China, Han dynasty. Height: 52, 54 and 54 mm. All in good condition.

A group of three mat weights. The first one is of circular form, with two tiger heads. Dimensions: H 35 mm, D 50 mm. The second one is oval shaped, looking like a chimera with wings. Dimensions: H 32 mm L 52 mm. The third one is a bird holding a branch in its beak, with an oval base. Dimensions: 34 mm, L 44 mm. All are made of gilt bronze, with a fine patina. Gilding partly missing, otherwise very good condition. Provenance: French provincial auction sale in the early seventies. NOTE: Origin...

Descriptions:
A group of Burmese metal figures was decorated on the surface in painted gold.
They were well preserved in old mood.

Date:18th Century.

Height Range: 4.8cm to 8.6cm

A rare green glaze Jun ware water dropper found excavated at Borneo Indonesia. In fact, Jun ware is not for export to South East Asian, possibly brought by the merchant as example or personal use. Condition is good except slight tilt because glaze is thicker at the base and tiny chip to the spout.

Diameter approximately 17 cm. There is a hairline at the bowl. There are some hairline at the cover. There is a soft chip at the cover. More pictures are available.

Description:

Done by top-quality marble stone, a great Buddha’s head was well carved.
A typical piece of the early to mid-Tang periods, the marble head was well carved by the hands of the excellent craftsman.
The religious piece was well depicted in details: on top, the spiral ushnisa and the features of the face –the full cheek, almond eyelids and well-defined lips, all were meticulously rendered by affluent and sleek carving skills.

Due to natural cause or some...

This is an amazing piece of Satsuma from Yozan. The vase stands 5 1/4 inches tall and it is covered with eye straining detail. It is better than the images show and in hand has a jewel like aura. Condition is excellent.

Descriptions:
A granite head piece was well preserved.
With characteristic facial features, the stone piece was retained on the surface with old conditions that only ancient time can cause.

Date: Tang Dynasty （AD618-907) ,

Height without stand: 14 cm

Description: A traditional Chinese religious sculpture was in a image of Louhan and was preserved with original paints and gold leaf. Date: 14th-15th Century. Material: Wood. Height: 44cm Width: 26cm Depth: 19cm Condition: Overall in good condition except some wear at the lower part of the torso. Stand, part of left palm and religious weapon holding in the right hand were lost .

Description:
A white-glazed amphora was in grandeur look.
By an ovoid belly, the wall sprang from the solid flat base, expanded rapidly then curved to form a bulging shoulder.
Under the dished mouth, the long ringed neck rested to the broad shoulder on which was circulated with a raised ridge.
The jar was mold with double dragon-handles which were decorated with scrolling crest on top and two knob-like pearls on the spine.
It was joyfully found that one of the small pearls o...

A very good white glazed censer with well balance potted, standing on three short legs, covered overall with monochrome white glaze. Condition is perfect with no any chip, no any crack and free from any restoration. Ming dynasty circa 1368-1644 found at Kalimantan Island. Height: 12 cm and Mouth Diameter: 14 cm.