Incense burner of Northern Song period with good condition, excepted minor hairline and fritting. Diameter: 14 cm and Height: 8.6 cm. Please see the comparison piece on the last enlargement.

Found in the Philippines. Featuring a circular body, resting on a short straight foot and is decorated with a carved central floral spray, adorned with combed lines. The box is covered overall in a pale green celadon glaze, except for its base, which is left fully unglazed and partially burnt to red. Measurements: diameter (3.9"inches) across. Condition: in perfect condition. No repairs, UV light checked. Photos by: The Oriental Room®️ Feel free to contact me at theorientalr...

A Northern Song Dynasty Early Longquan-Type Yellow Celadon Bowl Found in the Philippines. Featuring rounded walls rising from a short straight foot to a slightly flanged rim and is decorated with carved stemmed flowers around a central medallion. Its exterior is decorated with slanted lines in relief, radiating from its foot and is covered overall in a yellow-green celadon glaze. Its base is fully glazed with exposed spur marks. Measurements: diameter (8"inches or 20cm across). Condi...

A Chinese Qingbai Glazed Melon Shaped Ewer with Lion Cover. Circa, 10th-12th Century, Northern Song Dynasty. Found in the Philippines. Featuring a six-lobed melon formed body, tapering to its shoulders onto a straight cylindrical neck with a slender curved spout set opposite a looped strap handle. Its fitted cover is adorned with an applied figure of a seated lion and is covered overall in a pale bluish-white 'Qingbai' glaze and its base is completely glazed. Measurements: height (8.5"i...

A Rare Northern Song/Jin Dynasty Chuyang county of Hebei Province Ding ware with well balance potted, the clay body are very fine, hard and thin with few impurities. Deep carved incised with the Lotus which generally used as a decorative theme in Ding ware. Exterior is plain and have minor teardrop effect and glaze covered till foot rim and unglazed mouth rim. Covered overall with Ivory white glazed. Condition with two very short hairlines, the sound is ping sound when we tapped lightly. Diame...

A master piece in museum quality was from a private collection.

Over 100 years old, this exquisite lacquered box set was crafted in the fourth year of Taisho (1915). On the underside of the lid are painted butterflies and the sides and top of the box set feature Chrysanthemum flowers in gold, sumi, and mother-of-pearl. Long considered an auspicious symbol of longevity and rejuvenation in Japan, when first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum. Over time, it bec...

A nice and rare original set of Qinghai ewer, these are a fluted side bowl, ewer and original lid with lion figure. Southern Song Dynasty. Condition is good, only the bowl had been re-stuck, otherwise is perfect with no any chip and no other crack. Height maximum: 26 cm.

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

This small vessel, similar in a shape to a tokkuri, is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time bl...

This striking chawan is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre. Fired at extreme temperatures for days in an anagama, the iron in the clay and in the glaze fuse, drip, and coalesce—while at the same time blending with the molten ash of t...

The creator of this lovely Hagi chawan, Hirose Tanga (b. 1939) is the master-potter of Tenpozan kiln in the city of Hagi. When I acquired my first tea bowl by this artist it reminded me of bowls produced by Yoshida Shuen (apprenticed under NLT Miwa Kyusetsu). As it turns out, Yoshida worked alongside Hirose in establishing Tenpozan and in training young potters in the art of “Oni” Hagi which utilizes a rough textured clay and a milky translucent glaze. Bowls made using this technique display...

Description:
An old wood scholar rock was well preserved.
it was in good shape with strong literati taste.

Date: Qing Dynasty, 19th Century.

height: 53.5cm including stand.

A Custom-Made Cotton Box is included.

Description: A big wood plank was originated from an old traditional Chinese architecture. Decorated with high-relief carvings of scenes as scholars, goats, monkeys and trouts, this wood tablet was looped for hanging. Date: Qing Dynasty(18th Century) Material: Camphor wood. Length: 100cm Height: 45cm Depth: 8cm Condition: Basically in good condition but with some old restorations on the faces of the figures.

A wood brush pot was in nice form.
It was well preserved despite the bottom cover was lost and was replaced by an old plank of wood.
The surface was in kind of dry-feel and in pale tint. But I believe it can be transformed easily by rubbing with wood wax and changed to a beautifulcolor.

Date: late Qing to early republic periods, 19th/20th C.

Height: 15.5cm

One Crack line is found inside.
And there are some old restorations on the outside.
Width: 11.5cm

AN OLD JAPANESE PAINTING OF MONJU BOSATSU.

Monju Bosatsu - Manjushri Bodhisattva of Wisdom. The painting appears to have great age and even though not in the best of condition it still has a compelling presence. It is painted on a composite sheet of thin paper, the joins can be seen as angled lines across the sheet and mounted as a kakemono. The painting is signed with a single seal impression in gold.

The painted area is approximately 106cm by 40.5cm. The painting has ho...

Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style—referring to the heavy influence from Korean forms and glazing—this exquisite Edo period Karatsu-ware tea bowl features a white stripe running horizontally along the outer surface of the bowl known as Hakeme. This type of white slip brushing serves as a high-contrast background for the iron spotting and pigmentation brought ou...