19th Century Chinese Blue and White Porcelain underglaze Blue Urn with Cover, 17 1/2", 10" wide-widest part, 5 1/2" diameter-top rim, sharp brilliant nice underglaze Blue decoration of double Happiness character among scrolling vine and Peony floral decoration, marked on the bottom but this urn or jar was made during early 1800's to mid 1800's, representing good quality of Blue and White Porcelain Product. There are few chips under the cover, please see the photographs.

A highly attractive, hammered silver vase of rounded body rendered in parallel hammered bands and opened neck. Stamped silver mark in the bottom. Showa, c. 1950. H 17 cm, D 12.5 cm. Condition: Perfect. Natural patina.

MOON JAR M

Contemporary white porcelain jar by Lee Yong-soon (b.1957, Korea), with his unique interpretation for the ancient jars of the Joseon dynasty, approx. D 20.5 x H 18.5cm (8.07 x 7.28in). Besides, two more different size of his moon jars are listed at the same time, and each one is attached with his autograph certification (in Korean) with his own signature and seal.


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An antique low single drawer storage Kotansu (personal chest) made entirely of Kirinoki (Paulownia) wood. Original hand forged heavy gauge iron hardware. Constructed using thick wood, straight dovetail joinery and hardened wood nails. Originally used to store Kimono or personal effects, it would work well in a contemporary home as a base storage unit on a large table or credenza .

Age: Edo Period (1800-1850)

Dimensions: 37 3/4" Wide by 10 3/8" High by 18 3/4" Deep

Cast bronze turtle shown standing on its 4 legs, part of its shell gilded with mercury. Well finish, very detailed carving. Beautiful old patina. 19th century.Qing or Edo. Probably used as a weight to hold the painters of the scholars. Long: about 11cm 4 inches Fine condition but the end of the tail broken.

The deity is represented standing with his hands held up. It make in cast bronze.The antique patina confirms the great age of the material. Khmer art of 12 ° or before. H: 135mm (5.3 Inches)

An antique Japanese Kotansu (small personal storage chest) made entirely of Kirinoki (Paulownia) wood. All original bronze hardware. Two sliding doors open to a spacious storage area with a split level shelf. 5 drawers provide additional storage and organization. Constructed using straight dovetail joinery and hardened wood nails. Makes a great side table or functional nightstand.

Age: Late Meiji-Taisho (1910-1920)

Dimensions: 24" Wide by 21 1/2" High by 13" Deep

Small bat-shaped water container. It is in porcelain covered with a beautiful green glassure and is pierced with 4 openings, a small one at the mouth, 2 others on either side of the ears and a large one at the back. Was to serve as a water cup, either as a dropper, perhaps as an oil lamp or an incense holder, or several functions at the same time. It is a rare and charming object which is also auspicious. Good condition, normal wear for a centuries-old object. I think early Qing Kangxi period....

Small kogo, incense box, in the shape of a crab in rest. Grayish brown grainy earthenware, much like Raku, with red glaze and with patches of green and white glaze. The eyes are accentuated with gold, as is a small area on it’s back.

Potter’s mark on the belly.

Japan, late 1700s.

H ca 1.25 x W ca 3 in.

Some of the gold rubbed, split in clay caused by firing at the rim of the lower section, which does not impact the stability of the piece. All in all very good conditi...

An antique Japanese chest called Kotansu (for personal storage) made entirely of Kirinoki (Paulownia) wood. All original bronze hardware with straight dovetail joinery and hardened wooden nail construction. Two sliding doors open to a spacious compartment separated by a center shelf. 5 drawers for additional storage and organizing.

Age: 1910-1920 (Late Meiji-Taisho Period)

Dimensions: 23 3/4" Wide by 18 7/8" High by 11 7/8" Deep

Japanese kappazuri stencil print by the artist Yoshitoshi Mori. Mori developed his distinct style using the kappazuri print technique and grew to fame, exhibiting his work around the world. His distinct style shows how he was influenced by his work as a textile designer and dyer of kimono fabric, a job he had when he first graduated from art school. This print shows figures under a row of lanterns on Nakamise Street in Asakusa. Signed in pencil and unframed.

Age: Showa Period (M...

A small porcelain teapot with molded chrysanthemum blossom decoration and arch-shaped handle. Thick greyish clay with craquelé. Condition: few tiny rim frits near the spout end, no repairs. Dimension: 12.4 cm high x 12.8 cm long.

Antique Vietnamese bronze vase with silver and copper inlay, Vietnam 19th century, Nguyen Dynasty.

DETAILS: The vase is composed of two separate parts soldered together. It is in a baluster shape and rests on a molded circular foot with a low round body rising to a tall trumpet neck.

The vase's body is inlaid with silver and copper and depicts a Vietnamese aristocrat on horseback and a man pulling a lady in a rickshaw in the countryside.

The neck is silver inlaid with the two longev...

A mid century Japanese Biraki Kimono Tansu (chest with hinged doors) made entirely of Kiri (Paulownia) Wood. Two large hinged doors open to a set of three Kimono trays. Side handles used for carrying the tansu from place to place. Front door plates feature Paulownia flowers and leaves.

Age: 1940's to 1950

Dimensions: 35 3/4" Wide by 22 3/4" High by 16 1/2" Deep

Chinese Tang Dynasty Glazed Pottery Groom Figure (12")

This pottery figure was made during the Tang Dynasty (AD 618 - 906). It is "heavily-potted" and made from a pale pinkish-coloured pottery that is relatively highly-fired. The body is coated in an attractive golden yellow / amber glaze that is very finely-crackled. In places the surface has acquired a silvery iridescence, a result of long burial in damp conditions. The unglazed surfaces, the head and legs, have been "cold painted" in colo...

Wooden netsuke representing a frog whose eyes are inlaid with horn. It is lying on a water lily folded on itself.

The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth. A frog-shaped gong can thus sometimes be used as a door hammer or to protect a house.

Signature near the holes for passing the cord, unid...

Wooden netsuke representing two frogs with horn eyes. They are hanging on a round water lily, on and under it.

The frog (kaeru) is associated with luck and wealth. Kaeru means both "frog" and "coming home" in Japanese. This extension of meaning is due to the ability of the frog to return each year to the pond of its birth. A frog-shaped gong can thus sometimes be used as a door hammer or to protect a house.

Signature near the holes for passing the cord, unidentified. ...

The mark of the potter is stamped in the middle of foot ring.

Konyu was born the eldest son of his predecessor Raku XI Keinyu. He succeeded his father at the young age of 15, was succeeded by his son Seinyu and retired at 63 and died at the age of 76. He was a mild-mannered man, and is said to have dedicated himself to the continuation of the Raku family and its legacy. Konyu was a lover of haiku, and particularly after retirement led a contemplative life, appreciating various arts as...