Large Lidded Imari Bowl and cover decorated in underglazed blue with a scrolling design of leafy camellia, Meiji period. Dimensions: 9 3/4" X 5 1/2".

A good quality large Japanese Imari bowl made for the European market decorated with a cobalt blue ground inset with a scrolling arabesque of Peonies in a highly stylised manner. The stems picked out in yellow enamels and the leaves veins in iron red. The flowers conventionally painted in iron red and gilt. Reserved against this ground are two quite large Ruyi shaped reserves containing a Pine and a Plum tree growing from a conventionalised rocky out-crop. The base of the bowl decorated with ...

Large Imari style hard porcelain dish. Landscape and flower decoration in underglaze grand feu cobalt blue and low-fired irond red enamels, gold details. Japanese work from the end of the 17th century, Arita kiln. Below are traces of typical porcelain shards marks. Good condition, no restoration. Some wear from use visible on photos. Diameter: 36cm.

Old oxcart for Hina Matsuri, the Japanese girl's festival. Decorated in makie on lacquered wood, this style of the carriage was used by the aristocrats during the Heian period (I794-1185). This can be displayed with the "shittei (shitei)", three servants dolls and/or other small dolls. The carriage is tied to the stand in original condition which needs to be untied after the shipment. The strings have been putting pressure on the two front legs of the ox. The legs can be easily straight...

LARGE bowl - may be a flower pot, but without hole. On the flat bottom inside engraved with one five clawed dragon and on the wall outside engraved with a pair of five clawed imperial dragons over waves chasing a fire ball (tams).

Signed Guanxu, the eleventh emperor of the Qing dynasty.

Great antique condition with strong and vivid colors. No cracks or repairs.

Size: 12,5 cm height and 28,8 cm in diameter

Shipping and certificate of authenticity included....

Spectacular Early Meiji Period (circa 1880) Japanese Lion Mask used on the head of a float for the Gion Festival. This huge mask is an arresting image to behold. This fabulous carving is heavily lacquered in red, black and gold. The head can be raised to show his open mouth, creating a very impressive and imposing presence to behold. 38 inches (96.5 cm)w x 25 inches (63.5 cm)h x 24 inches (61 cm)d. From a widely renowned and published collection that has been exhibited at the Metropolitan Mus...

Large Indian bronze sculpture of Shiva Nataraja, Lord of the Dance. This form of Shiva demonstrates his most dynamic aspect: that of Shiva the Creator, Shiva the Preserver,and Shiva the Destroyer all combined in a dance which makes up the cycle of time. Each of Shiva's four hands show important clues as to his distinct importance: one hand holds the drum which makes the first sound of creation and one the flame of universal destruction. One hand is held in abhayamudra, the gesture that say...

The detacheable central Tirthankara surrounded by other Tirthankaras, two elephants holding his princely parasol, his throne supported by two lions. On the back there is a lengthy inscription, holding the date 1674 in Samvat, which is 1617 in the Western calendar. The shrine is inlaid all over with silver. H. 28 cm, W. 19 cm. Condition: some old damage and an old repair to the thinly cast back of the stand. Otherwise in wonderful original condition.

Large horizontal Ink on paper depicting a family of Cormorans on edge of waters edge perched upon a rock. Three swallows are seen in flying through. River reed is seen throughout the water with blooming pink reddish blooming blossoms.
Signed / Sealed Pan Tianshou Born 1897. Died 1971.

Dimensions: 14' long x 65" high

Chinese artist Pan Tianshou took charge of preserving and reestablishing traditional Chinese painting and arts education in the 20th century. He...

Large and rustic almost round platter, called ishizara in Japanese, used in kitchens and commoners’ households. Plain light greenish-yellow glaze that typically leaves the foot free. The many pinpoint spots where the glaze did not completely cover the stoneware has allowed dirt to penetrate, giving the surface a lively spotted face. Glaze has dulled over time from constant usage.
Five spurmarks in the center.
Mingei

Seto ware, Japan, Edo period, 1800-1850

H 2.75 x W 14.5 ...

Large Japanese 18th/19th Century Blue & White Porcelain Dish / Platter

This large porcelain dish is attractively decorated in underglaze blue, the design featuring pagodas and a blossoming tree in a rocky landscape. The flat surround of the dish is decorated with a moulded cross-hatch pattern and it has a foliate rim edged in iron-brown. To the base are the typical firing spur marks.

Maximum diameter 32.25 cm (12.75 inches). There is an old chip to the rim edge that appears to have been ...

A large Flower vase made by the Ando Cloisonne Company at the turn of the 19th Century. The vase has a beautiful enameled scene of mountains and flying geese. Regrettably this marvelous work of art has been damaged. The vase is done in wired, wireless, and other cloisonne techniques for which the Ando Company is known for. This vase is of the highest quality for the art of cloisonne and is signed with the special mark of Jubei Ando. A vase with this mark was made for presentation, exhibit, or...

This is a beautiful antique Japanese Imari bowl in excellent condition, no chips, hairlines, nor repairs.
The measurements of this bowl is 8 1/4 inches in diameter and 3 1/2 inches high and very solid (heavy). Signed.

Japanese antique Imari ware porcelain plate, painted in color glaze with flowers, 3 reserves are painted with scenes of birds in trees, a beautiful and large piece, Edo Period ( c1800). Size: 17 3/8" wide diameter x 3 1/4" high

Japanese indigo dyed sakiori hanten (work coat), woven with different hues of indigo blue, neck lined with black woven cotton, circa 1920. Size: 43 1/2" high x 49 1/2" wide

Antique Japanese inro, makie designs of phoenix (ho-o bird) on black lacquer. These large inro are sometimes referred to as sumo wrestler's inro, written "Kahei nuri". The last letter (kao like) is probably "nuri" which means painted or coated with. To roughly quote the Wrangham Index of Inro Artists – according to Soken Kisho, Kahei was a mysterious makie artist that lived in Kyoto during the 18th century. He was prominent enough to have his work called Kahei–nuri, after his name. ...

Beautiful large antique Japanese ranma (transom), highly carved with pair of birds in flight and gnarled pine tree. Central carving wood is Keyaki (Elm), framing Hinoki (Japanese Cypress). Period: Meiji/Taisho. Early 20th Century. Size: 87.5" length x 18.5" width x 1.5" thick.

Exquisite Japanese 6-panel byobu screen painting of grand mountain landscape with high peaks and distant waterfalls. In the foreground, men water their horses before ascending the narrow mountain trail. There is a beautiful sense of whimsy conveyed in the group of horse and men as they wade in the mountain stream in the shade of weeping willows. Far in the distance, the mountain range disappears in the mist. Painted in sumi ink on paper. Signed and with a large chop seal. Size: 69" hig...