Rare bronze mythical turtle koro or incense burner from the early Meiji Period Ca. 1880. In the form of one of Japan's most famous legends is this mythological giant turtle known as the 'Minogame' or straw raincoat turtle due to the tail resembling a farmers straw coat. The Minogame is regarded as a very auspicious creature in Japan representing long life and good fortune. Sitting on its back is a nest of bronze waves holding a Hoju sacred gem koro or incense burner. 43cm long x 25cm wide x 25c...

Agata cup of a beautiful yellow and amber color. Decorated in hight relief of Chilong, Lingzhi and Fenghuang (dragon, mushrooms and Phoenix) with highly symbolic value, in fact the male principle chilong and the female fenghuang should signify a marriage, the presence of immortal Lingzhi making the union eternal. The artist used a part of the stone which is different, naturally spotted and cracked to cut the Chilong which is thus subtly spotted like a leopard. However, this part of the less soli...

Chinese Han Dynasty Glazed Pottery Lian Tripod with Bear Feet

This pottery vessel, its form known as a "lian", was made during the Han Dynasty (206 BC - AD 220). It is made from a red pottery and relatively highly-fired. The wide cylindrical body stands on three feet moulded into the form of bears. There are a series of recessed decorative bands around the body. It is coated in a green glaze that has in places acquired a silvery iridescence, a result of exposure to moisture during its long ...

Tall Chinese Ming Dynasty Glazed Pottery Figure

This pottery model of an official figure was made during the Ming Dynasty (1368 - 1644). It is quite highly-fired and made from a pale pinkish-brown pottery and includes an integral hexagonal plinth on which the figure stands. The head has been made separately and slots into the hole at the neck. The figure has been coated in green and amber glazes that have, over much of their surfaces, acquired a silvery iridescence, a result of long burial i...

Cup with handles cut from white Celadon jade. Decorated with “nails” in relief in the archaic style. The two handles stand out widely from the cup. The handles of this type of cup were most often damaged and restorers have partially reduced or even completely eliminated them. The one presented here has exceptionally preserved its handles in their entirety. One of the two has probably been slightly damaged and ground as we can see in the photos. The studding design appears simple but is techn...

A boxwood netsuke depicting a snake coiled around a turtle, with eyes made of horn. Origin: Japan Period: Edo 19th century. Dimensions: 3.7 x 5.5 x 4.8 cm. State of conservation: Very good

Kodansu in ivory in the shape of an elephant, resting on four feet, enriched by refined inlay applications in the sophisticated Shibayama technique. The upper opening, facilitated by a bronze grip, reveals its interior. It bears the signature, engraved on the side. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 26 x 4.2 cm. State of conservation: Very good

A Japanese Satsuma ceramic vase with a globular body that captures attention thanks to its reserves of various shapes. Inside them, a narrative rich in detail is revealed, in which not only are fascinating scenes of daily life revealed with festive characters, but also spaces are opened up for evocative landscape depictions. Under the base, the Kizan signature in gold testifies to the authenticity and origin of this work of art. Origin: Japan Period: Meiji end of 19th century. Dim...

A Chinese famille verte saucer-dish painted with a leaping iron-red horse beside willow and peony within a diaper border, Kangxi period, c. 1700-1720. 22cms diam. Good condition.

A fine Chinese gold-splash two-handled bronze censer, delicately cast, of bombe form, early Qing, 17th/early 18th century, 12cms diam., Xuande six-character mark. Provenance: Collection of a lady, Wimbledon, South West London. Purchased from James Trigg, Antiquarius, Chelsea, London, May 1977 and sold with the original receipt.

An E-karatsu Yobitsugi bowl made of various shards attached with wide bands of gold to a discarded base: the pieces dating from the Momoyama to early Edo periods. It is 22 x 20 x 6 cm 8-1/2 x 8 x 2-1/4 inches) and comes enclosed in a modern kiri-wood collectors box titled E-Karatsu Hachi.
This method of using pieces from multiple works with lacquer repair is called Yobitsugi. Yobitsugi is a form of kintsugi that entails combining pieces of different objects together in order to create a ...

A large Namako Glazed Tea Bowl by Kashima Aya enclosed in the original signed wooden box. The technique is deceptively complex. In fact, the initial form is created, then a thin layer of ceramic is made separately, dried, then cracked, and the individual pieces are applied like mosaic to the prepared form. The space in between the tiles is then abraded, the tiles glazed with color and the space n between glazed with iron. Each piece requires a great amount of painstaking dedication to complete...

Caribbean-Blue glass fills this crusty earthen bowl by Ogawa Machiko enclosed in the original signed wooden box titled Saiyu Bachi. It is roughly 27cm (11 inches) diameter, 10 cm (4 inches) tall and in excellent condition.
Ogawa Machiko was born in Sapporo on the Northern Island of Hokkaido in 1946. She studied under future Living National Treasures Fujimoto Yoshimichi, Tamura Koichi and Kato Hajime at the Tokyo University of Arts, graduating in 1969, then went on to further studies in ...

A very unusual form of overlapping bubbles in snow white porcelain by Yatsugi Miho enclosed in the original signed wooden box titled Hakuji Chawan Hitoawa (A Bubble). It is 13 cm (5 inches) diameter and in excellent condition, directly from the artist.
Yatsugi Miho was born in Tokyo in 1973, and initially graduated advanced studies at the Tokyo National University of Agriculture and Technology in 1998. In 2018 she completed training at the Ibaraki Prefectural Kasama Togeidai Facility in...

Very pretty and rare boxes of a pair of gold and polychrome lacquered ducks in perfect condition. On a base of taka maki-e lacquer (feather reliefs) and nashiji (gold powder) inside. Period: Meiji (1868-1912). Length 14.5 cm x height 7.5 cm. Wooden box.

Large Bronze UTHONG Buddha, 18/19th Century. Size: height 80 cm x width at base 58 cm. Knee to knee 52 cm.

DOLL

Combination of incomplete Japanese Ichimatsu doll made of ‘toso’ (type of wood composition) and a synthetic resin ball. Showa period, 20th century. Doll: 22.8 x 12 x 7.5 cm (8.97 x 4.72 x 2.95in), Ball: 8.5 cm (3.34in). Crack of gohun (white pigment) at side part of doll.


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LARGE GOLD BECKONING CAT

Large type retro ceramic ‘Maneki-neko’ (https://en.wikipedia.org/wiki/Maneki-neko) coin bank, 1980s, Japan, approx. H 40 x W 24 x D 20 cm (15.74 x 9.44 x 7.87in). in rare very fine storage condition with just some expected slight scratches and seal-peeling.


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