Illustration of a scene from the Noh theater titled “Ohara Goko” by Kogyo Tsukioka (1869-1927) from the series "One Hundred Noh Dramas" published by Daikoku-ya in 1923. Very good impression quality with silver and gold metallic highlights and extensive embossing on the blue robe. Standard vertical oban print measuring about 14 7/8"V x 10"H. Very good overall condition. There is a slight wrinkle in the paper at the upper right corner.

From our Southeast Asia Collection, a superb Indonesian ebony wood carving of a Legong dancer, expertly rendered capturing the marvelous grace and elegance of this traditional Balinese dance.

As Wikipedia describes it, "Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions. Legong probably originated in the 19th century as royal entertainment. Legend has it that a pri...

From our Southeast Asia Collection, a superb Indonesian ebony wood carving of Ruana, expertly rendered with such animation and ferocity that the character looks almost demon-like, so much so that we actually find this particular piece a bit creepy.....But that is ultimately testimony to the tremendous skill of the carver.

For those unfamiliar with the differences between ebony wood and the other woods in the hardwood / rosewood family, ebony wood is especially dense and heavy and very d...

A beautifully carved and polychromed alabaster figure of a standing female divinity, wearing a dark green sari scattered with a gilt floral pattern, both hands held out towards the front, youthful face with large eyes and simple gilt diadem encircling her black-painted hair, Indian, 19th century. Size: 31" high x 13 1/2" wide x 7 1/2" deep.

Japanese woodblock print by Yoshitoshi, Tsukioka (1839-1892) entitled "The Fever of Taira no Kiymori". A triptych print, the scene is of the tyrant Taira no Kiyomori as he writhes in fever just before death. According to legend, the evil Kiyomori burned down a temple and is fetched for retribution by Emma-o the King of Hell, Kiyomori's wife and son kneel and pray for his salvation while demons and the souls of Kiyomori's victims surround him. Print date: 1883. This print is in good conditi...

Chinese pair of Famille Verte porcelain plates with blue glaze and color overglaze on white ground, design of fish and underwater plants, each plate has delicately scalloped surface radiating outward, Kangxi Period, mark on bottom, circa 1700. Size of each: 5 1/8" diameter x 7/8" high

Description:

A black-glazed covered box was molded with an interesting motif of butterfly on the surface.
The box was an excavated piece obtaining with obvious evidences of burial earth and whitish incursions in the glaze.
Some similar boxes were in the book of (The Collection of Chinese Box), a book of a famed connoisseur and antique dealer,Ma Wei-Du.

Date: Tang Dynasty, 618-907

Provenance: Henan province.

Width: 7.2cm. Height: 4.5cm.

A CUSTOM-MAD...

Unusually large Chinese late Qing compressed globular form incense burner with slightly everted rim supported by three short legs and covered overall with an amber-colored monochrome crackled glaze that extends to cover the bottom of the feet. The glaze drips down the walls into the unglazed interior. This censer is likely from a South China kiln. A custom-made heavy hardwood stand is included. Estimated to date from the 19th century. 10” diameter x 4 38” high (7” high including the s...

Chinese Northern Song (960-1127) dynasty qingbai (yingqing) porcelain glazed bowl with relatively straight sides and slightly flared rim decorated on the interior with combed abstract swirling floral patterns. The smooth, thin, crackled olive-green glaze pools in the center and accumulates at the exterior foot. The low foot is unglazed, revealing a gray-white body. 10th/11th century. 7” diameter x 2 3/8” high. Very good overall condition. This bowl is from a Phoenix, Arizona collection...

A Pair of Burmese wooden seated disciples, with calm facial expression, lacquered and gilded with inlay of colorful glass pieces on the borders of the robes, one of them sitting in adoration posture. Traces of original lacquer and gilding remain in excellent condition.

Age: Burma, Mandalay period, 19th Century
Measurement: Height 39-39.5 C.M. / Width 25-27.3 C.M.
Condition: Nice conditon overall (some expected degradation due to their age). Please refer to the enlargement photo...

Rare Burmese 18th Century Shan State hand carved white Marble Disciple in adoration. Solid and heavy piece. Polychrome with some discoloration due to age, condition: good. Size: H. 20" x W. 11.5" x D. 7.5"

Exquisite PAIR of rare hand carved gilt wooden Cupid Angels from Mandalay, Burma. Finely gilt and decorated with colored mirror inlays, 19th Century. Good condition, size: H. 26.5" x W. 15" x D. 5.5" including base.

Khmer bronze tray in circular form with nice patina.

Age: Cambodia, 12th Century
Measurement: Width 33.1 C.M. / Diameter 4.1 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Beautiful Chinese marble planter carved with designs of blossoming lotus, willow trees, and peonies. Size: 19 L x 10 D x 11 H

Chinese antique painting table, all solid jumu (elm) wood, very strong traditional construction, original dark brown worn lacquer finish, beautiful grain especially on surface of table top, 19th century. Size: 32" high x 40 1/2" wide x 19 1/2" deep.

Small Chinese square table, beautiful deep golden brown finish, carved aprons with bats and flowers, great side table or stool. Size: 19" high x 19" wide x 19" wide.

A large and richly imbued Chinese hat stand vase, extraordinarily detailed with fine painting that is rarely encountered in this quality. This vase is dated pre-1920. The palette is the much sought famille rose, along with more subtle hints of profuse colors. The condition of this vase is perfect, no hairlines, chips, or other damage. The painting is impeccable and the vase stands at an impressive 11.25" high by 4.75 wide at the mouth.

Only one of the most beautiful wood and lacquer Chinese baskets or round box ever to pass through my hands, this stunning beauty measures 9" high with the finial x 9" diameter and has strong decorative appeal, as well as being a genuine antique. The lid has a foo dog finial and is surrounded by Buddhist symbols, truly stunning details and exquisitely carved in low relief. The box dates circa 1890, really beautiful when you consider that the box is over 118 years old.