The wood carving piece was once used to decorate an ox cart, a primary mean of transportation in the old days in Myanmar. This ox cart ornament is decorated with a parrot and flowers.

Age: Burmese, Mandalay period, circa 19th century.
Measurement: Height 36 C.M. (including stand 39.5 C.M.)
Length 38.5 C.M.
Condition: With a chip to the parrot’s tail and a crack on the base and the neck of the piece. Please refer to the enlargement photos for more details.
Shipping:...

A powerful image of Padmasambhava also known as Guru Rimpoche, the reputed founder of Tibetan Buddhism. Carved mostly of a single piece of precious dark purple sandalwood (zitan). Remains of colours and gold. Tibet, 17–18th cent. H 15 cm. Condition: Very good but of course with wear due to age. The trident (khatvanga) is missing.

A fine terracota PAGAN PERIOD Votive Tsa-Tsa Plaque depicting 3 deities and a Stupa in the center. Very good condition, no restorations. Mounted on a wooden stepped base. Size of Plaque: 2" x 2" (5 cm x 5 cm). Rare collector's piece!

Unusual and Rare Pagan Pinya-Ava Bronze Buddha subduing Mara on a rectangular platform. 12/14th Century, Burma. Fine quality and workmanship, Good condition. Size including platform: H. 10 cm. x W. 8cm. x D. 10 cm.

14 images spanning two pages each are sandwiched between the silk binding of this two sided accordion album by Zen Priest Inaba Shinden enclosed in the original storage sleeve. The images span from Mount fuji to the Daruma to Zen Circles, each annotated with some verse or Buddhist anecdote. It is in excellent condition, the album (closed) measuring 8-1/4 x 12 inches (21 x 30 cm).
Inaba Shinden (1906-1986) was an important priest of the Rinzai sect of Japanese Buddhism. Born in Aichi, h...

Exquisite Painted Bronze Qing Dynasty Chinese Guan Yin Bodhisattva of Compassion. Height: 4.75 inches (12 cm). From an important and published collection. Provenance available upon request.

An interesting American painted wooden box with a domed lid and four feet. The color is a dark eggplant black (black with a slight purple hue) with split rattan bands painted yellow. The interior of the lid is painted yellow, teal green, and off white. The same color palate and pattern is repeated on inside bottom and outside bottom. This sturdy box is in excellent condition, measuring 13" long, 7" high. It has a great look and based on the round head nails securing the rattan, the piece da...

Japanese Fukusa Panel Depicting Two Kabuki Actors Performing the Lion Dance. Polychrome and Gilt Threads. A fantastic painting with wonderful movement and lush color on chirimen silk. 26w x 24.5h inches, 66 x 62.25 cm. Framed.

Attractive folk art Buddha with most of it's original painting intact. Made in Sri Lanka in the 19th or early 20th century. H. 55 cm. Condition: some age cracks, some wear to the painting, traces of light repainting (face seems to be touched up a bit), one finger repaired. Overall in a very good condition.

Painted Tibetan Pig Mask. 13d x 11.5h inches, 33 x 29 cm.

Kondō Yuzō is one of the more recognized names in the world of modern Japanese pottery of the 20th century. Though known mainly for his sometsuke creations (blue and white porcelains), he did not settle on this style until well into his potting career that lasted nearly seven decades. The pieces shown here then would be from an earlier period and are evidence of his competency with varied styles and glazes—not just the ones he is most well-known for. The intricate brushwork on ea...

Hanging scroll with image of the descent of the Buddha to welcome the souls of the deceased and accompany them to the Western Paradise. He is standing on a lotus on clouds and holds his hand in gebon josho. The mudra is the appropriate level for common citizens to be reborn in. Mineral colors and gold on silk. The garment exquisitely decorated in gold. Japan, late Muromachi or early Edo period, 16th century.
Image: 38 ¼ X 15 ¾ inches. Mounting: 84 ¼ x 21 3/8 inches.
Missing areas...

Fun portrait of Daruma with googly eyes, in quick brush strokes. Above him an inscription that mentions the Buddha, the Bulguksa temple on Mount Toham in Gyeongju, South Korea, the name Seog’un, followed by the seals Lim-Chung…. And Seog’un. Other red seals in the lower left corner and to the right of the character ‘Bul’ (Buddha).

Black ink and some gray on paper. Mounted in brocade and framed in wooden Asian frame. Originally this was a hanging scroll but the mounting was cut ...

Painting on woven paper. An unusual and surprising technique. The paper is cut out then this woven paper is painted. However there is a subtlety because in some places only the vertical strips are painted and not the horizontal ones which shows us colored squares alternating with unpainted squares which gives a blurred effect anticipating our "pixels" and which, I think, gave the illusion of a woven fabric. Most certainly from the Qing period but perhaps before.It's a very rare technique. Movin...

Japanese Buddhist scroll painting with the image of Amida raigo, the descent of Amida Buddha from the Western Paradise to earth. He comes down to transport the newly deceased devotee to the Western Paradise. In the middle Amida, to his right the bodhisattva Seishi, hands folded in prayer, to his left Kannon holding the lotus throne for transporting the deceased to Paradise. A ray of light comes from Amida’s urna. All three figures are standing on lotus thrones, floating on white clouds. They a...

Hanging scroll of mandala with Guanyin sitting on a rock, surrounded by two worshiping deities in front of him and by a guardian figure in the upper left corner. Beneath him the gods of thunder and wind and rain in the clouds. Below these, Chinese figures in a mountainous landscape, occupied by different activities. On top of the painting a printed text. Unfortunately we were not able to identify the mandala and thus the meaning. Ink and color on Chinese paper. 19th century, China.
50 ¼ x...

Small painting of the 11-headed Kannon standing on a lotus dais, flanked by Bishamonten and Fudo Myoo.
In the front two red colored Nio are guarding the deities.
Inscription on the central base reads: Ichijoten (name of the temple hall), junsan koichi hongu.
The inscription on the bottom reads: Kazusa Shibayama Tenozan Kanon kyoji.
Rollers cut off and framed in mounting.

Black ink and colors on paper.
Japan, Edo period, 19th century.

Painted area: 22 7/...

Deceptively simple and notoriously difficult to apply with the calligrapher’s brush in one fluid, arching stroke; the symbol of the ensō has long been associated with strength, elegance, and the simultaneous being and non-being of the universe. A closed ensō (such as the one featured here) is more closely associated with the idea of transcendent perfection, while an open ensō represents movement, fluidity, and attainment in the corporeal world. Though the monk who created this piece, Hasega...