A Set of 6 Chinese Blue and White Sweet Pea Pattern Jars. Circa, 1644-1911, Qing Dynasty. These set of pots feature an underglaze sweet pea pattern decoration with matching covers that have a mythical beast figure on top. One of the jars is topped with an antique Narra cover. Measurements: largest (height 9”inches, width 8”inches), (height 10.5”inches, width 7.5”inches), (height 4”inches, width 3.5”inches), x2pcs (height 2.5”inches, width 2.8”inches), smallest ( height 3�...

Sakiori obi for an everyday kimono. It is handwoven of cotton and silk strips of old kimono and cotton yarn for warps. Some wefts are from kimono with kasuri. In excellent condition. 20th century. W:16.5cm, L:2m92cm

Gorgeous Taisho Period Ca. 1925 lacquered wood Kamakura-bori style carving from Niigata Prefecture by the famed carver 'Murakami'. In the original signed box, the tray features the plant 'Yatsude' Fatsia Japonica exquisitely carved. 9" by 9". Great condition. Ask for shipping quote.

Striking Japanese sweets shop sign with the kanji 'ame' sweets and the name of the store ' Koko Ame Ya' written on the bottom in stylized kanji. Koko means 'with the intention of doing good for all'. 16" tall by 13" wide. great condition. Ask for shipping quote.

This Umakake was used in the Shinshu region during the Edo period, and Umaya-zaru was drawn with Tsutsugaki. Umaya-zaru was believed to be the guardian deity of horses. These days, it is a very rare item that is rarely seen. Cotton cloth is hand-spun and thick. The cleverly designed Umaya-zaru is interesting. There is no stain damage at all. Size:Width 33cm x Length 178cm Box G.

A fine Chinese scholar's agate brusher washer with many of the stems and leaves worked away from the vessel in an open worked manner. The stone is a translucent light grey to almost clear color with the stems and leaves having light russet colors terminating in the leaves to an orange hue. The overall appearance resembles a lotus leaf curling on the edges with stems, leaves, and seed pod that are worked over top and around all sides including the bottom. They are finely back carved and underc...

Yuki-boshi (snow hat) or yuki-kabuto (snow helmet) made of palm tree fiber and vegetable indigo dye cotton inside. It has washi painted with Paulownia oil for waterproof, between outside and cotton indigo lining. It is from Shonai region in Yamagata prefecture in Tohoku district. It is said it was worn by "matagi", a hunter. The second half of the 19th century. In good condition with belts inside are left, which is rather rare. 40cm x 57cm

Winter peonies. Painted with ink and pigments on paper. Signed Bungyo and sealed. The inscribed calligraphy is from a haiku poem by one of the most famous haiku master from the early Edo period, Matsuo Basho(1644-1694), who was a samurai and established a unique haiku style of ethereal serenity expressed in wabi sabi.

冬牡丹　千鳥よ雪の　ほととぎす

huyu botan (winter peonies)
chidori yo yukino (even plover in the snow)
hototogisu (singing just like a Japanese...

Tatou-gami made of recycled old washi (Japanese handmade paper) with kakishibu (persimmon tannin) for waterproof. Tatougami is used for wrapping kimono, precious items and so on. This was used for wrapping old books. It has four cords made of washi too. The second half of the 19th century. In good condition. 62cm x 67.5cm when it is flat.

A Chinese cloisonne enamel vase, late Qianlong, circa 1780-1800, with gilt bronze dragon head and tongue handles. Height 20.2 cms. With wood stand.

Rare Large 19th Century Silver-Inlaid Iron Box with Exquisite Floral Design and Stylized Taeguk (Yin/Yang symbol) with Key Fret Border and Double Happiness Symbols. Silver-inlaid iron boxes are usually smaller than this rare large example. The floral design is also more detailed here than what we usually see, altogether making for a deluxe item. The condition is not perfect and is commensurate with the age of the item, and actually adds to the beauty and storied history of what must have been an...

Balinese antique pair of Dwarapala temple guardians. Carved of stone, these figures once guarded a temple entrance, a warning to humans and negative energies not to pass. Their ferocious appearance is a warning that only those with good intentions will be ushered through and guided to ascend a higher path.

Age: Mid-century

Dimensions: left: 23" high x 11" wide x 9" deep. right: 24" high x 11 1/2" wide x 9 1/2" deep.

Beautiful Autumn Landscape with maple leaves. Painted with ink and pigments on paper. Signed Tetsuzan and sealed.

Some light marks are present on the painting itself, otherwise the painting is in very good antique/vintage condition. Some insignificant light marks are present on the scroll mounting, otherwise the piece is diplayed well and in very good condition. It is accompanied by an original paulownia wood storage box with the artist’s signature and seal.

Painting: W11” x H53...

Japanese chestnut. Painted with ink on paper. Signed Tsunenobu and sealed. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74). When his father died, Tsunenobu became a pupil of his uncle, and derived elements from the style of both men. In Hoei era (1704 - 1711) in the Edo period (1603-1868), he worked on a Kenjo no shoji (sliding screens of the 32 Chinese sages), whic...

Silk meisen lined kimono with geometric pattern in red, green, yellow, black and gray. Both wefts and warp kasuri yarn are paper stencil dye. Mid 20th century. In good condition. W:126cm, L:145cm

Silk meisen lined kimono with geometric pattern in blue, white, pink, green and black. Both warps and wefts kasuri yarn are paper stencil dye. In good condition. Mid 20th century. W:124cm, L:152cm

A Chinese snuff bottle made of snowflake glass, with red overlay. Both sides with a carved and engraved chilong-dragon. The stopper is made from green glass and a bone spoon. Condition: the stopper eventually not original, traces of usage, bottle inside with some snuff residue. Dimension: c. 8.3 cm high.

Diameter approximately 20 cm. There are some crack glazes. No hairline and no repair. In good condition.