Burmese lacquered offering vessel with red lacquer.

Age: Burma, Mandalay Period, 19th Century
Measurement: Height 73.5 C.M. / Width 36.5 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese lacquered offering vessel with red lacquer.

Age: Burma, Mandalay Period, 19th Century
Measurement: Height 71.5 C.M. / Width 37 C.M.
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Rare and complete set Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves...

A set of rare and complete Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves...

A set of rare and complete Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves...

A set of rare and complete Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves...

A set of rare and complete Burmese manuscript (KAMMAVACA) made from thick cloth coated with gold and lacquer in nice condition. It was written in the Pali language using Burmese script. The square letters were written in thick and black cinnabar lacquer. This set has 16 leaves and 2 wooden covers made from teak wood. Each leave was inscribed on both sides with illustrations of deity figures from Hindu-Buddhist mythology on some leaves...

Burmese lacquered food container with handle, made of woven bamboo thread and coated with red black and green lacquer.

Age: Burma, Colonial Period, 20th Century
Size: Height 53 C.M. / Width 25 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

From our Southeast Asia Collection, a lacquerware masterpiece from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223...

From our Southeast Asia Collection, a contemporary but very beautiful Burmese shwei-zawa wall hanging from Pagan, Burma, executed in brilliant gold leaf against a shiny black lacquer ground. The scene depicted is most likely something from the Jataka Tales (the stories of the previous lives of the Buddha), though we are not positive which exact scene is being portrayed...

From our Southeast Asia Collection, a very fine gilded Burmese hsun-ok or offering vessel, late 19th to early 20th century. Gilded offering vessels such as this present example would have been owned by wealthy Burmese families, and used exclusively for bringing food gifts to the monastery...

From our Southeast Asia Collection, a fine and complete Burmese Kammavaca Manuscript, late 19th - early 20th century, containing all 16 leaves and the original teak wood covers.

Kammavaca manuscripts are a quintessentially Burmese artifact that reflect the general reverence afforded to the monastic system in that country. To Western eyes, they are usually just highly decorative ethnic handicrafts from an isolated and exotic culture...

From our Southeast Asia Collection, a fine and complete Burmese Kammavaca Manuscript, late 19th - early 20th century, containing all 16 leaves and the original teak wood covers.

Kammavaca manuscripts are a quintessentially Burmese artifact that reflect the general reverence afforded to the monastic system in that country. To Western eyes, they are usually just highly decorative ethnic handicrafts from an isolated and exotic culture...

From our Southeast Asia Collection, a fine and complete Burmese Kammavaca Manuscript, late 19th - early 20th century, containing all 16 leaves and the original teak wood covers.

Kammavaca manuscripts are a quintessentially Burmese artifact that reflect the general reverence afforded to the monastic system in that country. To Western eyes, they are usually just highly decorative ethnic handicrafts from an isolated and exotic culture...

From our Southeast Asia Collection, a large and classic 19th century Burmese Hsun-ok from Pagan, of well- known and documented form, constructed of wood that is first lacquered in black, and then covered in successive layers of cinnabar-colored lacquer called hinthabada. Over time, through use and handling, the cinnabar lacquer wears off to reveal the black lacquer base underneath as seen on this example, in an effect likened to the negoro effect seen in Japanese lacquerware.

These old,...

From our Southeast Asia Collection, a large and classic 19th century Burmese Hsun-ok from Pagan, of well- known and documented form, constructed of wood that is first lacquered in black, and then covered in successive layers of cinnabar-colored lacquer called hinthabada. Over time, through use and handling, the cinnabar lacquer wears off to reveal the black lacquer base underneath. The negoro effect here is not as pronounced on this piece as it is on our other recently posted hsun-ok (see item ...

PLEASE NOTE: WE HAVE RECENTLY RE-ACQUIRED THIS VERY FINE KO KAW TEE FROM A CLIENT WHO IS LIQUIDATING HIS ANTIQUE HOLDINGS DUE TO HEALTH ISSUES AND MEDICAL EXPENSES: WHILE WE ARE VERY SADDENED TO LEARN OF THIS CLIENT'S CONDITION AND CURRENT CIRCUMSTANCES, WE ARE GRATIFIED AT LEAST TO BE ABLE TO ASSIST THIS WONDERFUL GENTLEMAN IN THIS MANNER, AND TO RE-OFFER THIS FINE ITEM ONCE AGAIN: From our Southeast Asia Collection, a truly exceptional lacquered and gilded woven-bamboo basket known as a Ko Ka...

From our Southeast Asia Collection, an extremely fine and very attractive dome-shaped, two-piece lacquerware box from the famed U Aung Myint workshop in Myinkaba Village, Pagan Burma (Myanmar), from which the British Museum has commissioned pieces for display in London. See Isaacs and Burton, Visions from the Golden Land, Burma and the Art of Lacquer page 222-223. We had the honor, privilege, and education of watching artisans in this famous lacquer workshop creating modern masterpieces in the y...