A good cloisonne vase depicting Mt. Fuji in clouds using 'musen' (wireless) technique with pleasing affect. The foreground with pagoda in autumnal landscape against mountain and river landscape - the mountains again using wireless technique to suggest fading into the distance, and the river also using 'musen' to suggest the flowing of water. The back of the vase continues the light blue mottled sky. Silver plated rims. Not signed, so we stop short at saying it is Ando school. Excellent condition...

This is Indigo dye cotton tsutsugaki furoshiki textile of the last part of Edo era(1800-1867).It is made of hand-spun and hand-woven and natural indigo dyed cotton. There is it sum slight small hall. However, it is very good condition. It consists of several sewing together. size:118cm x 122cm (46.4" x 48.0")

Rare large pair of beautiful original Japanese bronze temple lanterns with gilt highlights. A Sasarindo crest on the section where the light would be placed; the Sasarindo is the bamboo leaves and gentian flowers crest of the Minamoto clan.
The doors are fully functional. Each lantern is made of 6 individual cast bronze sections. A pearl in a flame sits on top of each lantern. Two very intricate dragons wrap around the lanterns. There are abundant motifs of dragons, flames and clouds...

A large mizusashi extolling thevirtues of True Momoyama Bizen by Abe Anjin enclosed in the original signed wooden box. The iron like quality of the work comes from the temperature at which Anjin fires, 200 degrees higher than most Bizen potters. Scars and interconnecting symbols harken back to the days of group firing and kiln marks. The piece is 7-1/2 inches (19 cm) diameter, 7 inches (18 cm) tall and in excellent condition...

An antique money box or zenibako made out of keyaki wood. The front panel detaches and back side of the board may have been used to test the brush before writing notes and documents. The bottom side of the box contains an inscription possibly the location of where the box was placed. Interestingly, on the front of the box next to the lock is a traditional logo carved on the panel. The logo is often used by merchants and often seen on door curtains to storehouses in the Edo Period...

A pair of Satsuma vases decorated with two scenes one is a scene of a group of samurai strolling around the streets of Edo and another view is a group of court nobles walking in a garden like setting. The scenes are surrounded by geometric patterns and a dragon set in a medallion form. The bottom of one vase contains the character for the number 3. Age: Taisho Period. Size: Length 3.75" Width 3.75" Height 9.5" (both vases)

This is Apron textile of the baby shibori & nishiki-ori of the last part of Edo era(1800-1867). It is a very impressive design. It has a thin stain. It has a little snag and part which I rubbed against. The black part is a velvet, and the lining is crimson silk. size:39cm x 37cm (15.3" x 14.5")

A spectacular set of bira-bira-kanzashi hair pins in the form of cranes among blossoming plum and pine formed of silver which come enclosed in a custom made silk-lined wooden box. Two are 13 inches (33 cm) long, the other is 9 inches (23 cm) long and all are in fine condition. According to a label inside the box they are from Akita City in Northern Japan, sold by Takeyaso Hon-ten. The box is 15 x 17 x 5 inches (38 x 43 x 13 cm). I do have more images if someone is interested.

Japanese Buddhist devotional plaque made of bronze with design of lotus blossoms and braided cord tied in a bow. This keman would have hung in a temple as an offering for the Buddha. Age: Meiji Period (19th century). Size: 14.50" high x 10.25" wide.

A breathtaking white form of draped porcelain by Nagae Shigekazu enclosed in the original signed wooden box with the original Daimaru Department Store exhibition invitation. Light patterns are almost indiscernible on the surface, incredibly detailed and crisp when viewed close-up. What is surprising about this work is the weight, incredibly light. The piece measures 16 x 16 x 5 inches (41 x 41 x 12 cm) and is in excellent condition...

A free-form watercolor on silk image of a dancer by Nishimura Goun inside a Kurogaki (black persimmon) frame with patterned brocade border. Who could not fall in love with this unusual expression of early twentieth century Japanese Art. She speaks of an era when a new freedom was growing in Japan, the growth of Democracy and rise of women’s rights. She dances free of care and self-consciousness, a blue ribbon tying her hair...

This is Indigo dye cotton shibori & katazome yogi textile of the last part of Edo era(1800-1868).It is made of hand-spun and hand-woven and natural indigo dyed cotton. It has a stain to a little damage and lining. However, it does not stand out.It has one repair trace. It is very good condition. size:150cm x 140cm (59.0" x 55.1")

A Japanese Very Fine and Large Satsuma Vase by KINKOZAN-19th C. Japan, Meiji Period, late 19th Century. This exclusive large jar is well potted and massive decoration on body overall with gold and colorful polychrome enamels. It is applied a pair of large handles fashioned as shishi handles clasping a tasseled ring and a wide floral form rim, a brocade lappet collar and petal form band at the base bracketing a continuous figure narrative of large scale Samurai warriors and Japanese courtier...

A minimalist square hibachi utilizing fine Keyaki wood and the edge and side holders are fitted with a special Kurogaki or persimmon wood frame. Kurogaki wood is highly valued in Japanese woodcraft often seen made into writing boxes and tea utensils. The hibachi comes with a wooden legged frame and a cover to be used as a side table. Age: Taisho Period size: Length: 19.75" Width: 20.5" Height: 24"

Shapely vintage Japanese wood crane, bending with fish in beak, naturalistic. Artist signature reads "Taro". Showa Period c. 1950 Size: 20.75" height x 10.5" length x 6.75" deep.

A dramatic pair of Japanese okimono fighting cockerels, using the shokado method: mixture of bronze, gold and silver. The birds have naturalistic plumage and the fierce intensity of their fight is captured.

The artist has used this same technique in crafting a superior samurai sword onto this beautiful sculpture. The intertwined gestural pose of each bird gives the viewer the sense realism and drama of a cockerel fight...

A fascinating portrait of the noted ukiyoe artist, Tsukioka Yoshitoshi. The work was painted by his disciple, Yamanaka Kodo (1869-1945) in 1934 and was originally part of the collection of Kobori Sakae, who collected various old books and donated his collection to the Waseda University. Above the portait are two poems done by two noted poets...

Antique Japanese hardwood cabinet with beautiful inlaid decoration of birds and nature scenes. Flying birds, birds in branches and at rest are depicted with great naturalism: morning doves with peonies, cranes flying through golden clouds, and egrets walking through water lilies...