An oil on canvas by Ono Sue titled “Inaka no Kyokai, Paris” or Rustic Church in Paris set into a double wood frame. The canvas is 15-1/2 x 18 inches (40 x 45 cm), the frame 24 x 27 inches (61 x 69 cm) and all is in excellent condition.
Ono Sue (1910-1985) was born in Niigata prefecture, and after serving as a school teacher for one year, moved to Kyoto in 1934 to pursue a career in oil painting under Yasui Sotaro...

A celadon vase inlayed with Chrysanthemum designs by Teishitsu Gigei-In Suwa Sozan I enclosed in the original signed wooden box featuring the Imperial Art Academy Seal and titled Kiku-Zogan Hana-Ire. Tendrils of blossoming chrysanthemum climb up the sides in dark inlay on the slightly pitted celadon sueface, a perfect rendition of Korean style wares from an earlier era with the addition of the Japanese design motif. It is 10-1/4 inches (26 cm) tall and in excellent condition...

A long “Hengaku” framed painting meant to sit above the transom by Yoshimura Horyu featuring monkeys riding on the back of a deer. One has fallen and is being dragged along like a water-skier by vines tangled in the deers horns. A very humorous scene by this rare Osaka artist. Pigment and ink on silk mounted on gold with a carved rosewood frame. The frame is 154.5 x 50 cm (61 x 20 inches) and is in fine condition, with toning to the silk typical of age...

A sometsuke vase titled Time and Space by Kondo Takahiro published in the retrospective hard cover book “Kondo Takahiro ‘91-‘99” and enclosed in the original signed wooden box with exhibitions labels attached. It is 21 x 14 x 17 cm (8 x 5-1/2 x 7 inches). This piece was used as the cover of the book which is included with the sale.
Takahiro (b. 1958) was born the grandson of Living National Treasure Kondo Yuzo...

Five Japanese Edo period woodblock prints depicting famous samurai from the series “Abridged Stories of our Country’s Swordsmanship” (Honcho kendo ryaku den) by Kuniyoshi (1797-1861) published by Kazusa-ya Iwazo circa 1845-1846...

Is there a tea ceremony connaisseur, who does not like to have a true Edo Ko-Hagi Chawan with beautiful loquat color?

Take a look on this rounded wan-shaped bowl. The light, sandy clay with enclosures is expertly thrown. Including the foot ring the bowl is covered with a mixed feldspar and ash glaze.

The light iron oxide in the clay produded a beautiful loquat color known from Korean Ido chawans...

Momoyama to early Edo period made, little distorted half cylinder ki-Seto (yellow Seto) chawan with a great wabi-sabi atmosphere, rarely seen on ki-Seto items.

Ki-Seto is said to have been the outcome of the attempts of potters to recreate Chinese celadon wares. A fortunate mistake, for a new ware was born. The ash glaze looks like deep-fried tofu and has been given the name aburaage-de. Almost all Ki-Seto wares are serving utensils - exept some few tea bowls...

A fantastic, extremely rare and important Edo Period Daki Ningyo, with a fine shibori outer kimono, and a red chirimen silk crepe inner kimono with a fawn-spot pattern. Featuring a beautifully sensitive life-like face. Looks wonderful in a seated or standing pose. All aspects of this Daki Ningyo are of the finest quality. We are confident that you have never before seen one of this age and quality offered for sale. Height: 25 inches, 63.5 cm.

Beautiful Japanese Daki Ningyo standing at the unusual height of 26 inches (66 cm), making him a very rare and striking figure of the merchant class. He is wearing an Inro with a pair of Kokishiki dolls inside. It is most uncommon to see this type of Ningyô outside of Japan, for they are highly prized by the Japanese. A widely held theory has it that these dolls were commissioned by patrons of Geisha as presentation gifts. This one is outstanding in every way...

Elegant and sophisticated Shino Chawan, wonderful dialogue of brown and cream Shino crackle glaze, made during the early to the mid Edo period.

It is decorated outside with the Imperial Seal of Japan, the Chrysanthemum Seal and inside with two stars. This design I have never seen on other tea bowls before.

No cracks or repairs, just aesthetic inborn kiln cracks. Gorgeous and rare.

Box and shipping included.

Size: 2,8'' height and 5'' in diameter

Antique Japanese small choba tansu (merchant chest), made with kiri wood (paulownia) in a original finish. Multi sized drawers with locks for safe storage, shelved interior with sliding doors, small safe box with working key included. Meiji period c1870 Size: 31.5" H, 31.5" W, 16.5" D

Antique Japanese very large ceramic jar with a highly textured form, wide mouth, large dripping area of natural ash glazes in blues and browns with bare tapered foot. Tokoname kilm dates from the Momoyama period 17th century. Size: 24" H x 18" W

Here is a real beauty. Perfect in form, shape and design: Ao-Oribe (Green Oribe) Chawan from the early stage of Edo period. Little distorted half cylinder shaped (kutsugata) tea bowl with slightly flaring mouth made of light, unrefined Mino clay.

The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside...

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting Nikki Danjo Naonori changing into a rat from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with margins evident. The print was removed from an album and is lightly album backed and slightly trimmed...

This is an amazing piece of Satsuma from Yozan. The vase stands 5 1/4 inches tall and it is covered with eye straining detail. It is better than the images show and in hand has a jewel like aura. Condition is excellent.

Japanese Edo period woodblock print by Yoshitoshi (1839-1892) depicting the cannibal Shutendoji surrounded by captive women from the series "One Hundred Ghost Stories of China and Japan" (Wakan hyaku monogatari ) published by Daikoku-ya Kinnosuke (Kinjiro) in 1865. Vertical oban size (14 1/4"V x 9 5/8"H). Very good overall condition and color with nice gauffrage highlights and margins evident. The print was removed from an album and is lightly album backed and slightly trimmed. The image has a...

Tsuchiya Koitsu
Plum Warbler
Date: 1940.
Size: Oban. Approximately 16.25 x 11.25 inches.
Publisher: Doi Hangaten.
Carver: Harada. Printer: Yokoi.
This seal combination indicates an early post-war edition.
Reference: Koitsu catalog no. TK-DH-60.
Medium: Japanese woodblock print.
Condition: Very good. Slight creasing. Soft corner bends. Faint foxing at upper left margin. Small adhesive spot on back.
This design is difficult to find, especially in t...

A superb Japanese antique satsuma vase with eggshell white crackle underglaze, incredibly detailed artwork of a pheasant perched upon a gnarling branch with berries, wonderful intricate gilt banner design along the top, narrow neck with gilt rim, gilt ring along the foot, signature on bottom - Ryozan of the Yasuda Company.

19th century Meiji Period

Size: 8.25" H, 5" W