An antique Japanese saddle pad covered with a Korean tapestry of two frolicking lion-dogs in green and white. It features gilded leather piping (which has come loose in some places, see photos), and typical Japanese backing cloth with deer-leather ties. The pad is roughly 116 x 56 cm (46 x 22 inches). Exceptionally rare,

A diminutive carved wooden Shishi, used as architectural elements placed under the eaves of Shinto and Buddhist temples to ward off evil spirits. Carved Hinoki wood with glass reverse-painted eyes. Mounted on custom steel metal display stand.

19th Century Meiji Period (1868-1912)

Dimensions: 8.5" x 7.5" x 4.25". Mounted on a step metal base 5 x 7".

Circular jingasa with a gradual domed top; Textured to simulate leather. The composition is of bamboo, paper, and many layers of Urishi lacquer work. The interior is finished in red with its original cotton gear straps and cushion. Excellent condition. With the mitsudome "God of War" mon...

House-shaped box with copper hinged lids. Open frame design with copper hard mounts, handles, and Keyaki wood construction. The Kandouko compartments hold the copper rectangular brazier and a square copper water container with lid, spout and a handle. Fitted with the essentials of travel for a hot drink and food. The brazier has a vent hole in the Sakura motif...

The battle of Dan-no-ura was a major battle of the Genpei war, occurring at Dan-no-ura, in the Shimonoseki Strait off the Southern tip of Honshu in the year 1185. One of the crucial factors that allowed the Minamoto to win the battle was that a Taira general Taguchi Shigeyoshi defected and attacked his Taira Clan from the rear. He also revealed to the Minamoto Clan which ship the 6 year-old Emperor Antoku was on...

Lavender clouds, rain on a foggy morning, snowy mountain landscapes, this is what comes to your mind when you look on this superb pale kurinuki Hagi tea bowl, made by Master and potter legend Kaneta Masanao, enclosed in the original signed wooden box.

Kurinuki is a technique carving and scooping out forms from a solid block of clay to produce boldly-cut forms, an approach the artist is famous for. Kaneta Masanao is an 8th generation Hagi potter...

A large Japanse woodblock print, by famed artist Tadashi Nakayama. The depiction is the shadow of a bronze Giboshi (architectural post) against a large Buddhist temple door, with silver leaf accent hardware. Signed, dated in pencil, number 24/50.

Dated 1961

Dimensions: 33"L x 26" H (overall) 31" L 24" H (image only)

A fine Japanese ikebana basket hand-woven from bamboo, cane, cedar root, and urushi lacquer. Signed by artist Jiro Yonezawa (b.1956). Jiro Yonezawa attended the Beppu Vocational Arts Training Center in 1981 and spent a year as an apprentice to Masakazu Ono. Later on, he continued his training at the Oita Prefectural Beppu Industrial Art Research Institute. He lived and worked in the United States from 1989 to 2007...

A fine Japanese ikebana basket hand-woven from bamboo, cane, cedar root, and urushi lacquer. Signed by artist Jiro Yonezawa (b.1956). Jiro Yonezawa attended the Beppu Vocational Arts Training Center in 1981 and spent a year as an apprentice to Masakazu Ono. Later on, he continued his training at the Oita Prefectural Beppu Industrial Art Research Institute. He lived and worked in the United States from 1989 to 2007. In 2008 he returned to Japan and built a new studio in Oita Prefecture...

We continue to offer you the most important chawans and present you this wonderful Tsutsui-Iga Chawan, dating back to the Momoyama period or even the Muromachi Era.

Cylindrical shape - hanzutsu - built up from clay coils and squeezen into shape, the foot roughly cut on a hand wheel. This technique is usually affiliated with the Muromachi period, but was used in Iga well into the Momoyama period...

Here is a fine example of a scholarly pursuit of finding the accoutrement for the use of calligraphy. A Japanese bronze tsuteke water dropper, in the form of an old sage or "Sennin" riding on the back of a turtle with its flowing hair-like tails. The turtle is lifting its head so that the angle would allow to pour water from its mouth. The hole is located on the back top of the turtle's shell, allowing for water to flow in...

Japanese green studio crackle ware vase with applied silver floral motifs. With tomobako. The foot is signed Shofu Katei (1870-1928). Small wear losses.

Shofu Katei was born in 1870 in Seto, Japan. He later moved to Kyoto where has was adopted into the prestigious Shofu family kiln to create Japanese ceramics. In 1908, he set up the Shofu Ceramics Company, Ltd. and was awarded a Green Ribbon in 1915.

Dimensions: 5" W x 7 1/2" H (Tomobako 6 1/2" x 9" H)

Japanese pair of finely cast bronze Nio Buddhist temple guardians. Dressed in traditional robes with auspicious motifs. Each figure stands on a four legged base with cartouche impression underneath.

Meiji Period (1868-1912)

Dimensions: 3 1/2" x 2 3/4" x 8" H

Among popular Japanese symbolic animals are frogs. There are many species of frogs in Japan as a result of flooding rice fields in Japanese agriculture. These creatures are often used in poetry and art, and are sometimes carried by travelers to make sure they return home safely from their journeys. The word "frog" in Japanese means "return" which is why the frog is considered a Japanese lucky animal and seen as good fortune in things returning...

A whimsical Japanese boxwood carving of a toad, with inlaid eyes, crawling atop a functioning cylindrical box carved of bone. The box is hand-carved with flying insects and leaping frogs in a lily pond, the base carved with a floral band. Signed by the artist.

Dimensions: 3 3/4" x 2 1/2" x 6 3/4" H

This appears to be an incarnation of Shindara Daisho of the 12 guardian deities (Juni Shinsho). He has glass eyes and stands on the original Daiza.. The Deity is 21 inches (53.5 cm) tall, total height with stand is 33 inches (83 cm). Later Edo period (18th-19th century). The left hand has been replaced.

Sugimoto Sadamitsu (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age. Originally a resident of Tokyo, at the age of 33 he moved to Shigaraki and started creating high-quality tea-ware implements, most notably, fine tea bowls in the style of early Raku masters...

Japanese low table with keyaki (elm) root burl top and deer antlers for the legs.

Showa Period

Dimensions: 17 1/4" high x 32 1/2" long x 25" wide