An album page in woodblock print technique probably from the "Ehon Matsu no Shirabe", showing a young beautiful lady standing near a small river. Condition: faded, creased, thin area, one worm hole, reverse with tapes. Dimension: 23.6 cm x 17.1 cm.

This is a beautiful and rare original antique Japanese Polychrome Woodblock Print "Itsutomi" Ukiyo-e by Utagawa Toyokumi dated 1793 or 1795, Edo Period, depicting a beautifully dressed and elegant Lady with her Shamisen instrument on the floor. Calligraphy markings/seal. Overall in very good condition with very small inconsequential tear on the outside (right frame, see photo). Size: 15.5" x 10.25" (39.5 cm. x 26.5 cm). This Woodblock has now been framed under glass.

Two prints placed under glass, representing two young women, one feeding her little pet, a rat and the other practicing Ikebana, composing a bouquet of irises which will be presented in the vase placed next to her. The hairstyle is typical of women drawn by Suzuki Harunobu, but also by other artists of this period. As it would seem that the Chinese characters simply describe the scenes represented and not the name of the artist, only specialists will be able to know who it is...

Japanese Edo period woodblock print depicting a beauty standing under a pine tree viewing a bustling scene of boats on a waterway by Keisai Eisen (1790-1848). A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, "kiwame" censor's seal, and seal of the publisher Sanoki all appear at the lower right. Dates from the 1820s to 1830s. Vertical oban print measuring 15"V x 10"H. Most likely a panel from a triptych...

Japanese Edo period woodblock print depicting a young salt-water gatherer by Kikugawa Eizan (1787-1867) from the series "Seiro Niwaka" (Yoshiwara Nikawa festival). Eizan, who was the master of Eisen, specialized in designing prints of beautiful women. The "kiwame" censor's seal and the seal of the publisher Yamaguchiya Tobei are at the lower right. The artist's signature is at the lower left. Dates from the 1810s to 1820s. Vertical oban print measuring 13 5/8"V x 9 1/8"H...

Small shunga book (vol. 1) with indistinct title in oblong format. 14 colour prints with erotic motifs and texts, five scenes in black ink and other pages with text only. Japan, late Edo, early 19th century. H 8 cm, L 18 cm. Condition: Good impressions and bright colours. Some wear to paper.

Japanese woodblock print of a beauty and child from a series depicting powerful individuals by Ichiyusai Kuniyoshi (1797-1861) published by Hayashiya in 7/1852. The image is signed at the right side "Ichiyusai Kuniyoshi ga" (used circa 1850) within a gourd shaped cartouche. The red Yoshi Kiri seal is beneath the signature. Vertical oban size measuring 14 1/2"V x 9 5/4"H. Fair impression quality. Very good overall condition with minor soiling...

Japanese woodblock print depicting a beauty lighting a floor lamp titled “Kakinomoto no Hitomaro” (image no. 3) from the series “One Hundred Poems by One Hundred Poets” (Hyakunin-isshu Emyo) by Utagawa Kunisada (1786-1865) published by Sanoya Kihei in 1844. The image is signed “Kunisada changing his name to Toyokuni II” with the red Toshidama seal below. The two cartouches in the shape of playing cards at the upper left hold a picture of a poet and his poem...

Japanese woodblock print titled "Poem #68" from an untitled set of women compared to the one hundred poets by Toyokuni III (also known as Kunisada). Signed "Kochoro Kunisada ga" at the lower right. This series was published by Sanoya Kihei (Kikakudo) circa 1844-1848. The print depicts a beauty in a kimono kneeling and holding a lacquer tray of snacks. Above her is a book-form cartouche containing the poet with whom she is being compared...

Japanese Edo period woodblock depicting the poetess Gon Chunagon Atsutada (906-943) gathering sea shells from the series "Lessons for the Young from Thirty-six Poetic Immortals" by Kuniyoshi (1797-1861) dated circa 1842. Vertical oban size (14"V x 9 3/4"H). Very good overall condition. A few tiny wormholes and a few slightly thinned areas in the paper. This series is illustrated in plate 106 of "Utagawa Kuniyoshi," an exhibition catalogue based upon the Raymond A...

Japanese Edo period woodblock print depicting a beauty taking a boat ride on the Sumida River from a series titled "The Seven Variations of the Iroha" by Toyokuni III (also known as Kunisada) dated 1856. "Iroha" refers to a distinct form of Japanese poetry. The signature of the artist (signed "Toyokuni ga" in a red cartouche with yellow snow) is located at the lower right. Standard vertical oban print measuring 14 1/8"V x 9 1/2"H. Good color and overall condition...

Japanese Edo period woodblock print titled "Four" (yon/shi) depicting the actors Onoe Kikugoro IV and Ichikawa Kodanji IV in the roles of Oiwa and Izaemon from a series titled "After The Seven Iroha" by Toyokuni III (also known as Kunisada) dated 8/1856. This series was published the same year as "Seven Variations of the Iroha." The title cartouches of the prints in this series feature ciphers written seven different ways. "Iroha" refers to a distinct form of Japanese poetry. The publisher's s...

Edo Period Japanese woodblock print by Toyokuni III (also known as Kunisada) dated 1854 depicting a beauty of the nobility practicing the art of painting. Signed at the left "Toyokuni ga" in a red cartouche surrounded with yellow snow." 14 3/8"V x 10"H. Very good color and in clean overall condition with lacquer and embossed highlights. The print is not backed and the baren marks and image are clearly visible on the back. No tape or tape stains. There is a tiny bit of thinning at the upper left...

Japanese Edo period woodblock print depicting a beauty preparing to wash titled "Yellow" from the series "Five Colors of Ink" (Goshikizumi) by Keisai Eisen (1790-1848) published by Aritaya Seiemon between 1843-1846. A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, Yoshimura Gentaro censor's seal, and seal of the publisher all appear at the lower left. Vertical oban print measuring nearly 14 3/8"V x 10"H. Very good impression quality and color...

Antique ukiyo-e woodblock print of a woman with a look of frustration on her face, wearing a black kimono, decorated with light pink and blue sakura blossoms, and a salmon pink under robe. Behind her are several cottages with trees and mountains, and stylized signatures in the top right corner and middle left side. Ukiyo-e is a genre of woodblock print that was popular during the 17-19th centuries in Japan. The print is set behind glass in a large frame, and the back of the frame lists artist: ...

Antique ukiyo-e woodblock print of a woman in a blue checkered kimono, standing with her back to her front doors and a beautiful mountainous scene behind her. By artist Kunisada, signed under his assumed name Toyokuni II. Set behind glass in a large frame. Back of frame states "censor's seal between 1859 and 1874". Size: (entire frame) 22" height, 17" width (artwork only) 14.25" height, 9.5" width

Antique ukiyo-e woodblock print of an anxious person in a brown checkered kimono, with light blue trim and obi with black flowers, assisting a rather bored looking woman in a gorgeous, long black kimono with pink and blue blows, blue trim, and a pink under kimono and obi. By artist Ichiyosai Toyokuni Okada. Size: (entire frame) 21.5" height, 17" width (artwork only) 14.75" height, 9.5" width

Beautiful, original woodblock print by ukiyo-e woodblock artist Utagawa Kunisada, also known as Toyokuni III (1786–1864). It is #22 in a series called Sono sugata Yukari no usushi-e, or "Stories of Reincarnated Beings". In the center of the print there is a young child, hunched forward as he eagerly listens to stories from an adult woman in a pink kimono with blue and grey sleeves, with a sheathed sword across her lap. A bowl of treats and a black lamp with flowers sits between them. Two young...