Antique Japanese cotton futon cover, dyed indigo (now faded due to antiquity), and then dyed used a paste resist technique with pastel blues and pinks to create a large Sakura emblem at the very top of the textile, flowering roses, and two rivaling komainu or Japanese lion dogs. Minor damage due to age. Meiji period (1868-1912) Size: (futon only) 62" height, 49" width (entire board) 84" height, 72" width

Antique cotton woven futon cover, dyed indigo and then dyed again with a paste resist technique with the image of the ho-oh or fenghuang, a mythological bird in Asian culture, about to touch down upon a kiri wood branch with budding flowers, representing Japan. Minor damage due to age. Meiji period (1868-1912) Size: (with board) 84" height, 72" length, (futon only) 67.5" height, 50" length

This Umakake was used in the Shinshu region during the Edo period, and Umaya-zaru was drawn with Tsutsugaki. Umaya-zaru was believed to be the guardian deity of horses. These days, it is a very rare item that is rarely seen. Cotton cloth is hand-spun and thick. The cleverly designed Umaya-zaru is interesting. There is no stain damage at all. Size:Width 33cm x Length 178cm Box G.

This is a Japanese antique child kimono hand Yuzen-dyed on handspun & natural hemp safflower-dyed fabric, from the Edo period. There is a slight slight stain, but it is not noticeable. There is no damage and it is in very good condition.Size::Length:99cm(38.9inch) / Cuff to cuff, across the back:93cm(36.6inch)

Six-panel byobu 屏風 screen painted on silk with floral motifs with numerous chrysanthemums. The ocher silk provides a warm backdrop for the delicate floral motifs that adorn the screen. The chrysanthemums, with their elegant shapes and shades of white, yellow and pink, are painted with precision, creating a visual effect that captures the essence of nature's beauty...

Antique Japanese large silk embroidered tapestry, view of temple with Mt Fuji rising out of mist in the background, large trees on either side of water with a bridge across leading to the temple, sail boats, huts on far bank, Autumn foliage on trees, some toning, silk border frayed, late Meiji Period. Total size (with border): 78" high x 55" wide Size (of embroidery only): 69" high x 46" wide.

This is a tsutsugaki yuzen dye silk children's kimono from the Edo period.(1800-1867) The design of beautiful cherry blossom trees and herds of horses is gorgeous, elegant and lively. It can be seen that the influence of samurai culture remains strong. There is a light stain, but it is not noticeable. No damage. It is an item that can be recommended for collection. Size Length 103cm Cuff to cuff, across the back: 87cm

This is Egata used for the Taisho era period. As for this, a ramie spun by hand is used. This is drawn in Tsutsugaki. This is a natural indigo plant, and both sides are dyed. Egata dyed only by indigo dyeing in Okinawa dyeing and weaving is rare. This does not have stain damage at all. The state is good. Size 115cm x 115cm (45.2 "x 45.2")

Tsugaru kogin kimono made of vegetable indigo dye hemp whose warps and wefts are hand plied. It is made in Tsugaru region in Aomori prefecture in Tohoku district. This kogin is called "Nishi-Kogin" which has stripes in shoulders. It is for enforcement of shoulders for a charcoal maker who brings a burden. Kogin is a kind of sashiko and its yarn is white cotton, making the hemp kimono warmer with thick sashiko in the colder district. It has several different kinds of kogin pattern...

Tsugaru kogin kimono made of vegetable indigo dye hemp whose warps and wefts are hand plied. It is made in Tsugaru region in Aomori prefecture in Tohoku district. Kogin-sashi is one kind of needlework (sashiko), stitches with white cotton yarn go horizontally and make geometrical patterns. It makes the hemp kimono warm with thick kogin in the cold district like Aomori, where it is hard to cultivate cotton. Both sleeves are "tsutsu-sode...

Antique Turkish rug, hand-woven, all wool in bright red, green, navy blue, and cream natural dye colors. In rural areas, often times goat hair is incorporated in the weave along with sheep's wool. Motifs of praying arches and medallion repeats with tribal influences.

late 19th century

Dimensions: 3'3" x 4'10"

Antique Japanese Buddhist Pilgrim's coat. Buddhist monks associated with the teachings of Kukai (or Kobo Daishi) would embark on a pilgrimage to visit the 88 temples on the island of Shikoku. Upon arriving to each temple, the monk would bathe before giving offerings and reciting prayers as well as receive a stamp distinctive to each temple. Normally a monk would carry around a special stamp book however it is not unusual to stamp the monk's coat as seen here...

This is a cotton textile of the Edo era. This was introduced by Muneyosi Yanagi in the world in the 1900s. And it became very famous after it. It is woven by cotton and silk dyed with natural plant dye beautifully. You can enjoy cotton of Japan by touching it and the delicate change of the thread will be comfortable to your eyes. There are four places patchwork such as figure 1...

This flag is a very superior item produced by a bold line of Tutugaki, the delicate line of the sumi painting. The image of red Kintarou is an item to keep off an evil and smallpox. And the people prayed it in hope of the growth of the child. There are 22 places of embroidery marks of the flag. It is the embroidery that it is very unique, and is charming. 22 embroidery has each meaning. This has a thin stain...

This is hemp Umakake used in Iwate for Edo period. As for this, hemp is spun by hand and is thick. This item is a state of the most common damage about hemp Umakake. When Umakake is used many times, damage increases. And the hemp added to a good texture when use and washing were repeated many times. The good-quality natural indigo plant becomes the color such as this item...

This is Yogi which a rich merchant used in a district for Edo period. As for this, good-quality Tumugi-Silk is used. This is dyed by Yuzen- dyeing. As for this, brown is used for a basic color. The brown items were popular in the big city for Edo period. As for this, the shading off which is one of the technique of the Yuzen dyeing is very impressive. The shading off expresses the three-dimensional impression of the pattern...

This is Noragi used in Shiga area for the Meiji period. The trace which this is a white thread, and was repaired many times is very impressive. As for this, good expression was left by calm good work. This was left until the present age without being canceled. This has approved beauty by the family from generation to generation. 86cm x 118cm (33.8 "x 46.4")

This is the Tsutsugaki curtain used in the Edo period. This was made in the Kyushu region. It is made of fine cotton that is hand spun. This is a person expressing a wooden raft that flows through the river in the season when the cherry blossoms fall. This pattern is a pattern called flower raft. This is a very idyllic depiction of the boatman's expression. The design of the boatman on the raft to go down the river where the cherry blossoms are falling is very elegant and beautiful. This can ...