Pair of rare hanging apsaras, also known in Japanese as Kuyo Bosatsu or Hiten. The style of the face, the soft appearance of the hands, and the flowing robes are fine examples of the highest quality in Edo Period Buddhist sculpture. One apsara may have been holding an object to offer the Buddhas, while the other is carrying drumsticks and appears to be hitting the drum the apsara is carrying. The pair may have been part of a set long ago, but even so, it is rare to see this set...

Extremely detailed pair of bronze statues of guardians to the Buddha called Niō or Kongōrikishi. While Buddhism usually promotes pacifism, the Nio guardians are said to have justified the use of physical confrontation to fight back against evil. Nio are typically placed on either side of a temple door. One statue, named Misshaku Kongo or Agyo, has an open mouth to represent the first sound in the Sanskrit language "a", symbolizing birth and overt violence...

A pair of Japanese wooden carvings of the Nio, or wrathful guardians to the Buddha. While Buddhism beliefs are typically pacifist, the Nio justified physical force in order to defend against evil and are usually found on either side of a temple door. The Nio called Misshaku Kongo or Agyo keeps his mouth open to represent the first sound in the Sanskrit language "a", symbolizing birth and overt violence...

Pair of Japanese Meiji Period Wood Kitchen Gods, Daikoku and Ebisu. 8 inches, 20 cm and 7.5 inches, 19 cm. Daikoku, God of Earth and Agriculture, stands on bales of rice and wields his magic mallet. Ebisu, God of Ocean and Prosperity, holds a large red sea bream tucked under his arm. This fish is an ancient symbol of good luck in Japan. Daikoku and Ebisu often appear together in the Japanese kitchen...

Very unusual pair of komainu or guardian dogs to a Shinto or Buddhist shrine. The lef one has its mouth open and has drooping ears, the right one keeps its mouth closed and has the ears perked up. Very fine and smooth bronze cast with rich brown patination.
Makers mark chiseled into the bottom of each lion dog. The name consists of a single character that can be read in a variety of ways: Yasushi, but also Hiroshi, Yutaka, Toru or Akira; followed by "saku" or "made by"...

Rare pair of shrine guardians in the shape of foxes, both sitting on a two tiered elevation. The right one holds a moving jewel in its mouth, the left one a stick. Middle brown, dense wood with a beautiful patina where hands touched the backs and heads of the foxes and the bases. Red staining on inside of ears, inside the mouths, in nostrils. Crystal eyes. Bases made of the same wood...

Peacock in cast bronze and partially gilded shakudo in 2 shades of gold. Japanese work in the style of Miyao around 1900. No signature. Hardwood and boxwood plinth.Good condition, no welding and original patina. Very slight wear, insignificant for a century-old object. The body of the peacock is raven wing black which suggests that it is in shakudo which represented a significant additional cost, the shakudo alloy being obtained by adding gold to copper. Total height about 16cm.

PHALLIC ASSEMBLY

Unique sculpture based on Japanese phallic worship made from the root of wild tree applied its natural form to ten phalluses and two vaginas by minimal carving. Showa period, 20th century. 22 x 22 x 13 cm (8.66 x 8.66 x 5.11in)...

Highly unusual Buddhist shrine with the image of a horse looking back. The horse has a ‘brocade’ cover over his back and is standing behind a mesh wire fence, the way they would be kept in temple compounds.

Polychromed wood with some gold details. The roof of the shrine is a separate piece and can be detached, which allows for taking apart the zushi.

Japan, Meiji period, 19th century.
Height of zushi ca...

Sculpture of a priest sitting with his legs crossed, his hands positioned on his knees, formerly holding a scroll and a rosary. He wears a robe, carved in low relief, with the usual square pattern in red and green typical of a priest’s robe. His face is very rich in expression, his bare chest clearly shows his ribcage.
Wood with a polychrome lacquer layer on top of gesso.
Japan, Edo period, 18th century.

Height 18.5 in., width 17.25 in., depth 12 in.

Beautiful patina...

PORTRAIT BUST OF A WOMAN

Ceramic. Signed as "KIMURA, July, 1967". Japan. approx. H 36 x 22 x 25cm (14.17 x 8.66 x 9.84in). *Other items in the photos are not attached.


selected by titcoRet




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy before purchase, since your order will be assumed to have fully acknowledged our Sales Policy under any circumstances...

Rare Japanese Female Haniwa Sculpture, Kofun Period, 4th century AD. This female clay figure was set in the ground at the site of a burial mound for the wealthy and Imperial class. She is a fine and graceful piece exhibiting great feminine charm. Mounted on a wood platform. This clay female figure would have stood with others in a protective circle around the tomb-mound of a powerful ruler. Her hair is swept up into an elaborate coiffure, and she wears a fashionable dress of the Kofun Period....

Rare and wonderful Kyogen Theater mask dating from the Edo period, the golden age of Noh Drama. Kyogen are short, humorous skits performed between Noh acts to lighten the mood. He has gold eyes with a rich red lacquer finish. Red represents both drunkenness and healing. The large nose gives a striking sense of comic drama. This fine mask is brilliantly carved, accentuating the depth of the mask, and adding a sense of comic theater. 8.25 by 6.5 inches, 21 x 16.5 cm.

A powerful and extremely rare Japanese Edo Period Kyogen mask of a Nio Guardian King, ferocious native deities, often associated with the Naga Dragon Kings, who converted to Buddhism and now act as bodyguards for the Buddha. The Edo period was the golden age of Noh Drama. Kyogen theater was performed between Noh acts. This mask is a brilliantly carved work of art, accentuating the dramatic power of this important mythical figure. The mask was covered in layered colored gofun (oyster shell lacq...

A very rare late Edo Period Iki Noh mask of Hannya, the jealous, revengeful demon who was once a beautiful woman. Carved of Poloma wood with many layers of lacquer. Glass eyes and horse hair. 8h x 5w x 3d inches, 20.25h x 12.75w x 7.5 cm.

Edo Period Japanese Noh Theater Mask of Kawazu, an Oni with a Golden Hair Beard, circa 1700. A very rare early example with a powerful presence. 8 x 6.5 inches, 20.25 x 16.5 cm. Height with the beard is 19 inches (48.25 cm).

A rare Japanese Fushimi clay sculpture of a Sino-Japanese War soldier. Fushimi Clay Dolls were painted dolls made of unglazed ceramic that were sold in front of the gate to Kyoto's Fushimi Inari Shrine, starting in the 16th Century at the end of the Momoyama period. They are also called Fukakusa Dolls or Inari Dolls. A charming example of Japanese folk art of the Meiji Period. An important find for the folk art collector. 9.25 inches, 23.5 cm.

A rare Japanese Fushimi clay sculpture of a Sino-Japanese War soldier. Fushimi Clay Dolls were painted dolls made of unglazed ceramic that were sold in front of the gate to Kyoto's Fushimi Inari Shrine, starting in the 16th Century at the end of the Momoyama period. They are also called Fukakusa Dolls or Inari Dolls. A charming example of Japanese folk art of the Meiji Period. An important find for the folk art collector. 10 inches, 25.5 cm.