Japanese pair of very large gold lacquer on carved wood Lotus Flowers, 11 flowers in each pair for 22 all together, of them fully bloomed Lotus Flowers. Edo Period, Early 19th Century. They were likely used on the altar of a Buddhist temple, representing the full cycle of life. They have a rich gold patina. This size and condition are extremely rare and almost never found. Height of the tallest: 41.5 inches, 105.5 cm. Excellent Condition. From a prominent and widely exhibited collection...

Rooster and Hen Sculpture, wonderfully and finely detailed bronze over white metal with accents of red lacquer. This Art Nouveau pair is from a London collection. Japanese Art Nouvaeu flourished in Europe in the late 19th and early 20th Century. The Rooster and Hen is a popular subject in Japanese art. Symbolic of Yin and Yang, male and female. Rooster: 8 inches, 20.5 cm tall. Hen: 4.5 inches, 11.5 cm tall. Excellent Condition. From a prominent and widely exhibited collection.

Edo Period (circa 1850) Japanese Noh Mask of Shojo, representing a happy, merry soul. He has a reddish complexion from drinking sake. This mask has a wonderful, happy presence. Beautifully carved to create a compelling expression. Lacquer over Paloma wood. 8.5 x 5 inches, 21.5 x 13 cm. Excellent Condition. From a prominent and widely exhibited collection.

This signed Meiji Period (circa 1880) Japanese Theater Mask of Tengu by the artist, Kogyo is an extraordinary example of the character, with its dramatic and spectacular face. The most fabulous one we have seen. This mask represents the mischievous Forest God seen in Kyogen plays performed between Noh Dramas. It is for the most discerning collector. Lacquer over wood with silk hair. 9 inches (23 cm)h x 6.5 inches (16.5 cm)w, 21 inches (53.5 cm)h with beard. Excellent Condition...

Japanese Buddhist Temple Carving of a Stylized Cloud Formation. This very early 16th to 17th Century carving is the oldest one we have seen, possibly from the Momoyama Period. Carved of poloma wood. A rare early work of art. 40 inches (101.5 cm) long x 12 inches (30.5 cm) high. Fine Condition. From a prominent and widely exhibited collection.

Cranes cut on the frosted surface rise from ice blue, their necks curling out as handles as they preen. A quintessentially Japanese subject executed with impeccable Japanese craftsmanship. The vase is 11 inches (28 cm) tall, 6-1/2 inches (16.5 cm) diameter and in perfect condition; enclosed in a covered wooden box.

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

Fine example of a Jomon Period (13,000-300BC) Dogu Head, the earliest known Japanese figure. This figure was purchased in Japan in 1962 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare...

A very rare and fine example of a Jomon Period (13,000-300BC) Terracotta Plaque of a Dogu, the earliest known Japanese figure. This figure was purchased from the H. Taneguchi Gallery of Kyoto in 1985 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune...

Very Rare Japanese Jomon Period (13,000-300BC) Terracotta torso (broken off at waist) in the form of a female figure with a bird head. Overall incised decoration. Accompanied by a small terracotta disc found in the same grave lot. Figure: 4.5 x 4 inches, 11.5 x 10 cm; Disc: 2.25 x 1.5 inches, 5.75 x 4 cm. Very Good Condition.

Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 10 inches, 25.5 cm tall.

Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 7.5 inches, 19 cm tall.

Landscape Oil Painting by Ryonosuke Fukui (1923-1986), purchased directly from the artist in Japan in 1962. Excellent Condition. 16.5 x 13 inches, 42 x 33 cm.

Maquette (scale model) of Faun Sculpture by Yasuhide Kobashi (born 1931), commissioned by Lincoln Kirstein for the Lincoln Center for the Performing Arts in its opening years. Purchased directly from the artist at the time the sculpture was first displayed in Lincoln Center in the 1960s. Signed on the Bottom of the mount...

Late 18th, Early 19th Century Edo Period Japanese Wood Horse Sculpture in a galloping pose. The horse still has a good amount of its original colors and gold gilt. It would have been offered as a gift to a Shinto shrine from someone with the means to afford more than the usual horse plaque, but not quite the means to afford to give a real horse to the shrine, a gift only the most wealthy could afford to give. A wonderfully rendered sculpture and a special image for equestrian art collectors. 20...

White Rabbit Ceramic Sculpture by Takegawa Chikusai (1809-1882), created in his final year, 1882. Takegawa Chikusai was responsible for putting Banko Yaki, and the Banko-gama kiln (established 1829) and its home of Yokkaichi City in Mie-ken back on its feet and on the map. Banko Yaki had previously been made in the early Edo Period in Kyoto. Takegawa Chikusai's work was bequeathed to the Yokkaichi Museum's permanent collection, so this is an extremely rare opportunity for you to own a masterpie...

Very old and wonderful carved wood figure of the buddhist god Fudo Myoo, he stands with laso in one hand and sword in the other, made of wood with mineral pigments, glass eyes, metal details including sword, large and dramatic with fire nimbus, Muromachi Period, inscription on the back of nimbus says Yuwayadera (name of temple), nimbus is signed that it was restored by Minamoto Haruhisa April 16, 1560. Size: 62" high