Antique Japanese tall and graceful lotus blossom. Made to be part of a Buddhist altar arrangement. The lotus represents enlightenment blooming from out of the mud. Carved of wood and lacquered gold. Lotus petals are carved separately and joined. Fitted with a custom metal stand.

Age: Meiji Period (1868-1912)

Dimensions: 27" high (including stand)

Small shrine with the esoteric Buddhist figure of the Fudo Myōō who personifies Dainichi Nyorai. He is standing on a rock pedestal – symbol of his steadfastness - with a rope in his left hand and formerly with a sword in his right hand (broken off and missing). Behind him a flaming red mandorla. The patterns on his garment and his jewelry painted delicately in gold and mineral colors.
Japan, Edo period, 18th century.

Height of zushi: ca...

Shrine with the very rare image of the death of the historical Buddha Shakyamuni, called nehan-zu, and his entrance into the state or perfect peace, called nirvana or nehan. The Buddha lays stretched out on a rectangular lotus base, his head resting on his right arm. Although normally in nehan-zu one will see gathered around the bed 52 kinds of beings, human and animals mourning the Buddha, there are none present in this zushi. From the ceiling of the case hangs a curtain of sorts...

Sculpture of Fudo standing in front of a flaming halo from which three phoenix heads emerge. Fudo holds his sword in his right hand, his rope in his left. His flaming halo is curved, surrounding him in a dramatic way.
Exquisite carving in very soft wood, probably cryptomeria (sugi), lightly stained with a shade of darker brown.
Japan, Meiji period.

Height 10.6 in. (27.6 cm).

Excellent condition

Circular hand shrine, or zushi, in two halves. Inside, one half shows the bodhisattva Kokuzo carved in relief with a sword in the right (to cut through ignorance) and a wish-granting jewel in his left hand. He sits on a lotus base, placed on a rock. Details of the carving and the background painted in gold, black, red and malachite green. The other half shows a lotus pond, a rock and a cloudy sky painted in delicate lines of gold and silver, heightened with black...

Nichiren Buddhist shrine containing a sculpture of Kishimojin in demonic appearance, her hands folded in prayer. Kishimojin, or Kishibojin, or Kariteimo, is a complex deity. Originally, she was a demon who stole and killed other people’s children in order to feed her numerous own children. After Buddha Shakyamuni made her see how she made people suffer, she repented and devoted herself to protecting all children. Instead of the flesh of children, she fed her own children pomegranate henceforth...

SOOTY GOD

Image of 'Hotei' (God with a potbelly who is one of the Seven Gods of Good Luck) enshrined for long years in a kamidana (household Shinto altar), Edo period (1603-1868), Japan. Made of wood but turn to be more solid like a stone due to such mature and aesthetic fumigation as is. approx...

Japanese antique pair of zenko, good spirit kitsune (foxes) specifically associated with the goddess, Inari. These figures are carved of wood and painted with gofun, a white paste made from oyster shells. Details are painted using black and red pigments. Gold lacquered hoshi no tama, resembling flames and symbolizing magical jewels that hold part of the kitsune's power, are held by each fox on the tip of it's tail...

Extremely rare Japanese antique usagi (rabbit or hare) mask for a Noh performance. Carved of wood and covered with gofun, a raised paste made from ground oyster shells. The surface of the usagi mask is carefully textured so that every hair is visible and some areas are polished from wear. The eyes of the hare are a pink color, similar to those of an albino snow rabbit.

Usagi is the creature most closely associated with the moon...

Large zushi, made on order for a temple, containing a seated group of En no Gyoja, the father of Shugendo, with his two attendants Zenki and Goki inside a cave. En no Gyoja is sitting with a staff in his right hand, and a hand scroll in his left. The two attendants are crouched before him. The green attendant (Goki) holds a ewer and a stick to ring a bell or mokugyo; the red disciple (Goki) holds an axe...

A Buddhist shrine, made for a temple, containing the 8-armed, weapon-bearing goddess Benten; her head adorned with a gilt bronze crown in the shape of a Shinto gate, decorated with birds, sun and moon, and beads. On the top of her head sits the snake-bodied water deity Ugajin. Behind her head a circular mandorla with three flaming jewels. Benten sits on a double lotus throne, placed on top of a rock formation...

15th Century Japanese and carved wooded with gold gilt Japanese mounted flame. Once used as a flaming back drop to an important Japanese religious statue. Original gold pigment in great condition with undertones of black lacquer.
Custom forged iron stand mounted for home display.

Muromachi period 1336 to 1573 C. 15th Century

Dimensions: Base 9" long X 4" wide 34 1/2" high

Antique Japanese natural burl wood low stand or pedestal. Stunning original warm lacquer lighter tones with darker touches of brown and black. Shapely form as the burl sways right then drifts upward and to the left as it flattens out onto a perfect surface.
Would make for an excellent side table for a contemporary home.

Edo Period C. 19th Century

18" x 13" x 22 1/2" High

A fine Japanese Aka-gashi wood okimono of a recumbent shishi (chinese lion). Pleasant patina and grain. Masaharu engraved signature under the base. Meiji period late 19th century Sizes: 14,4 x 35,5 cm Condition report: Very good condition

Twelve Shinsho are guardian Buddhas of Yakushi Nyorai and they are 12 worriors and armoured. They have 12 animal symbols on the head. This one looks "Sarugami", monkey judging from the apprearance. Early 18th century. In good condition but some parts are lost. Height:29cm Width:12cm

A Japanese ranma (transom) with a Hinoki (Cypress) frame and a Kusunoki (Camphor) wood hand carved Chiku Bai theme in highly detailed three dimensional relief. Artist signed Tosho Nakajima. Most likely mounted in a wealthy Japanese home or a fancy Ryokan (country inn). Its main theme is a majestic Plum Blossom tree (Bai) accented with Bamboo (Chiku).

The ranma was often mounted above the Fusuma sliding doors between rooms to allow the air to circulate freely. This allowed each room to s...

This large and expressive sculpture is made, as expected, from joined segments, each separately carved. This technique is a diagnostic "telltale" which helps to date the piece. The figure sits in a devotional posture, leaning slightly forward with hands joined in a gesture of worship. Extensive remains of gesso and pigment. The piece measures 14-1/2" in height and is free of re-carving or repair. Kindly examine the photographs, as they are part of the description. The piece has a wonderful, expr...

A pair of antique Japanese folding keyaki doors with iron mounts. The door is constructed with mortise and tenon joints. The panels are divided into 7 parts framed with carved decoration and hinged with iron mounts. The carved decoration is finely painted with polychrome mineral pigment with gold gilt accents. The subject matter of the temple doors is a scrolling lotus motif and 8 phoenixes.
The phoenix represents power sent from the heavens to the Empress. If a phoenix was used to decorat...