Here is a rare and fabulous Muromachi to Momoyama period (16th century) 42 plate koshozan kabuto signed by Haruta Tokisada, a famous armor craftsman of Nara active during the later Muromachi. The shape is exquisite, slightly bulbous in back, with a relaxed center just lower than the front. Three clusters of silver clouds are incised in damascene in the Mabizashi (visor), above which are 12 large hoshi rivets fastening a decorative iron plate to the front of the hachi...

This katana (69.09 cm [27.2 inches] cutting edge) was purchased in May, 2014. Signed Kashu Ju Kanewaka Tsukuru/Zo. It was left in the care of a second party subsequently invited into the investment...

An iron mokogata form iron tsuba with surface and patina indicating significant age. Some folds apparent in the iron, tekkotsu ("iron bones" describing irregularities in surface resulting from gradual wearing away of softer iron, leaving more refined, harder iron), rim slightly raised around the hammered plate. The raised decoration of the hare and vine in quintessentially Japanese taste - thick gold overlaid details. This would work nicely on a Yamashiro or other slender, old blade...

An armorer's tsuba, with very slightly raised rim on the strong, flat iron plate. Pierced decoration of a shrimp with pleasing, subtle swell along the antennae and legs (mostly on the ura.) Small, irregular brass inlays for the eyes (missing from one eye - not conspicuous.) The kogai-ana plugged with a copper rich alloy. Oval form about 2 7/8" (7.3 cm) by 2 3/4" (6.985 cm). Thickness at rim about 5/32" (.39 cm). Late 16th century to early 17th century - perhaps Momoyama period...

A katchushi (or armorer's) tsuba, probably Myochin, with pierced decoration of ship's rudders (the significance being a comparison of rudders steering a ship to values guiding a Samurai's life choices.) The strong, homogenous, dense iron plate with only light tekkotsu and smooth to the touch. Dark patina. Momoyama to early Edo. Good condition: Lamination folds with openings evident on the surface of one side. Ex Skip Holbrook collection. 3 3/32" x 3 1/16" x 1/8" (7.8 cm x 7.7 cm x .32 cm)

An armorer's iron tsuba, possibly for a wakizashi as it is somewhat diminuitive in size. Or perhaps more in keeping with its apparent age, an early example of a proportionately small tsuba used with an uchigatana as was first the fashion. Sukashi decoration of a conch (horagai) traditionally used for ritual practices and for signaling on the battlefield...

An iron, Ko-Tosho (early sword smith's) tsuba. The slightest taper from seppa dai towards rim. Pierced decoration. Purchased from Andy Quirt (ex Skip Holbrook collection) at the February 2016 Tampa show, he thought it depicted gourds. I guess the beholder might see different things. I see Japanese eggplants on leafy vine (two fruit and two leaves) supported by a bamboo trellis. An uncommon and well executed, balanced decoration. The hitsu-ana appears to be original to the tsuba. Late Muromachi...

A katchushi mutsu-gata sukashi tsuba. The six lobed, thin plated armorer's tsuba with good tekkotsu and with openwork decoration was described by Skip Holbrook (ex collection) as Saotome made and depicting three birds. The Saotome were a line of armorers (katchu) turned tsuba makers...

A simple, four lobed armorer's tsuba with simple pierced decoration perhaps depicting a landscape with structure. The udenuki-ana (cord holes) have the effect of completing the illusion of a Sesshu-like landscape. The saotome were armorers turned tsuba makers who worked in this manner and scale. Good condition with good tekkotsu. Sengoku era. 2 15/16 (7.46 cm) inches x 2 5/8 (6.67 cm) inches

A 16th century Yoshiro Zogan tsuba. The type is named for a Kaga province artist considered to have advanced the late Onin period brass inlay art to that of hira-zogan - flush with the iron surface. The school also took hold in other provinces, most notably Bizen. The mokko-gata form of this tsuba would appear to be uncommon for Yoshiro Zogan tsuba particularly of katana size. Eight ka-mon are inlaid in open work fashion...

A matching Edo period Myochin signed Go-mai-do Gusoku yoroi lacquered black and threaded with blue chord emblazoned with a seven star crest. It features a 24 plate suji kabuto with elaborate tehen kanamomo signed Myochin Ki Munemasa saku. The blossoming Shikoro features large back-turned Fukigaeshi and mabizashi covered in leather and also emblazoned with the seven star crest. Inserted in front is a sharp kuwa-gata maedate...

Japanese russet lacquered leather zunari jingasa with riveted plating. Finely disguised as metal which is completely constructed of lightweight materials strengthened by lacquer. The interior helmet is lacquered in red. The front features a large gilt mon of the Ashikaga crest. The finial form takes shape of a chrysanthemum flower. Mounted on custom display stand.

19th Century Edo Period (1603-1868)

Dimensions: 13: x 12" x 6" H

Unusual circular russet iron jingasa, with 16 triangular riveted plates. The iron is flattened to a thin gauge for lightweight comfort. It sports a finial top and a hand mount ring to a silk cord decoration.
The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather.Kasa shares its etymology with the Japanese word for "umbrella" (which is also pronounced "kasa", but wri...

Hard to find Japanese red lacquer Chochin Kabuto. This example of munition has the ability to fold for compact storage. The front 2 prongs are made for the meadate ornament. The underside of the shikoro (neck guard) in black lacquer, and the lames plates are secured with blue silk cords. Mounted on custom steel stand.

Red lacquer menpo may be purchased separately. (#1371484)

Edo Period 19th Century

Dimensions: 13" x 12.5" x 10.5" H (18" H on stand)

The menpo features the gentle countenance of a deep vermillion red lacquer. It is composed of three parts; The removable nose armor with white horse hair mustache and its Nara style gilt teeth and open mouth, the cheeks and lower jaw with strap holder posts and its central vent hole for perspiration to escape out. The ears are pierced with both plum blossom design, and finally the four attached yodare with pale ocher silk. The reverse backing is lacquered in black and red. The menpo is mount...

The russet iron menpo depicts an older man's face with wrinkles and a long hair mustache (missing). The removable nose plate has small perforated holes for the insertion of horse hair for the mustache. The rivets are rendered in a plum blossom configuration, and the strap posts holder is in the form of petals and stems. The ears are pierced with plum blossoms. The yodare has four plates laced with blue, calico, and pale orange silk cords. The backside is lacquered in red for the face and black f...

Probably Echizen province, late 16th or 17th century. Bizen province artisans also took up Yoshiro zogan inlay work in the Kinai (ancient provinces and surrounds) manner. Brass (valuable in the period) and silver inlay flush with the iron surface was thought to have been introduced by an artisan named Yoshiro, for whom it is named. Slightly earlier, Heianjo school work tends to rest atop the surface into which it is inlaid. Late Muromachi or early Edo period. Length, about 12 inches. More pictur...

Four Japanese Tsuba dating from 16th/17th century with display stand.
-iron circular tsuba with gold incised patterns on edge with interior incised groves.
-iron clover shaped tsuba with interior heart shaped openings, applied gold groves of trees.
-iron persimmon shaped tsuba with moon showing through a cherry blossoms and leaves. Back side has bamboo with gold leaves. Overlay uses silver, gold over raised iron bamboo and cherry tree.
-iron clover shaped tsuba with arrow ...