Japanese iron tsuba, or hand guard for a samurai's sword, with openwork motifs of peonies and scrolling leaves, with silver and gilt inlay pollen, detailed on the reverse, with signature.

Edo period (1603-1868)

Dimensions: 2 3/4" x 3"

Japanese tachi-kake or samurai's sword stand, black lacquered and rich intricate shell inlay work, with a reishi mushroom shaped finial.

Late Edo period (1603-1868)

Dimensions: 10 1/4" x 8 1/4" x 25" H

A bag made of deer skin with indigo dye hemp rope. It was used for coins which were distributed among citizens in Edo period. Paper moneys were issued later, in Meiji period (1868~1912). The first half of the 19th century. 26cm x 62cm

Probably Echizen province, late 16th or 17th century. Bizen province artisans also took up Yoshiro zogan inlay work in the Kinai (ancient provinces and surrounds) manner. Brass (valuable in the period) and silver inlay flush with the iron surface was thought to have been introduced by an artisan named Yoshiro, for whom it is named. Slightly earlier, Heianjo school work tends to rest atop the surface into which it is inlaid. Late Muromachi or early Edo period. Length, about 12 inches...

A Rare pair of antique 18th – 19th century Japanese samurai kozuka knife handles, each made of darkened copper alloy exterior adorned with a hand chiselled in relief and highlighted with gold raised bouquet of flowers in takazogan on a shakudo jitta with a ground of fine nanako, and a silvered kabutogane.

CONDITION: Age and usage are showing; with its original patina

Please notice that the pictures in the listing are part of the description of the condition of the object...

Antique Japanese group of 6 tsuba (samurai sword hand guards), made of iron. Each tsuba is unique. From top left to right: suksahi tsube with aoi leaves and tiny inlaid gold details, sukashi tsuba with boat with sail in the mist and signed Masayoshi, sukashi tsuba with three gourds aubergine motif, sukashi tsube with boat and sail, sukashi tsuba with pine branch and mist, wangata tsube with two characters...

Japanese hand-forged iron tsuba, used to protect a swordsman's hand from sliding up the blade during use as well as to provide balance. The openwork motifs depict a man and ox resting below pine trees and a cottage with gold gilt, with a faint signature illegible from wear.

Edo Period (1603-1868)

Dimensions: 2 5/8" x 2 3/4"

Japanese hand-forged iron tsuba, used to protect a swordsman's hand from sliding up the blade during use as well as to provide balance. The openwork tsuba depicting two sages, their robes accented in gilt, one sage with a face of silver and the other with a face of copper. The front image is signed 'Soheishi Nyudo Soten' , the other side reads 'Goshu Hikone ju' (resides in Goshu-current Shiga prefecture).

Dimensions: 3 1/8" x 3 1/4"

Japanese tsuba, a sword fitting to protect a swordsman's hand from sliding up the blade during use as well as to provide balance. The tsuba depicts a scene of hunters, one on horseback and the other on foot wielding a staff, in pursuit of a leaping rabbit, in gilt and silver. The backside of the tsuba depicts a running fox in gilt and copper.

Dimensions: 2 1/2" x 2 1/8"

Shakudo tsuba with a relief decor representing foliage and flowers, with gilt highlights on a background of tiny dots. The tsuba is unsigned. Japan, late Edo period. Height: 7.2 cm. Very good condition despite a slight erosion all over the piece. Sold with its box.

A large Tembo tsuba. The Tembo (or Tenpo) style evolved from the Saotome school and the sukashi decoration of Okiagari here (an especially nice feature) carries over. Okiagari are self righting toys and the subject was a symbol of inspiration to Samurai in aspiring to improvement and the right path in life. There is, on a curious level of interest, some minute trace of old gold decoration (long since worn off) on the surface of this tsuba...

A simple, small but stout iron tsuba. The Myochin line of metal workers were armor makers who also produced tsuba. The simple decoration upper-right here could be a flower head or a snowflake. Udenuki-ana appear lower left. Good condition. Height 2 3/4 inches (69 cm), Width 2 9/16 inches (65 cm), and 6/32 of an inche (5 mm) thick.

A 16th century Yoshiro Zogan tsuba. The type is named for a Kaga province artist considered to have advanced the late Onin period brass inlay art to that of hira-zogan - flush with the iron surface. The school also took hold in other provinces, most notably Bizen. The mokko-gata form of this tsuba would appear to be uncommon for Yoshiro Zogan tsuba particularly of katana size. Eight ka-mon are inlaid in open work fashion...

A well forged, handsome mokume tsuba in mokko-gata form with katakiri-bori landscape decoration on both the omote and ura. The mokume grain is large and well controlled reminding one of ayasugi hada. In fact, this tsuba is indeed a tosho (swordsmith's) tsuba, being made by [Kai Ju] Kiyonaga and dated the third year of Bunkyo (1863) believed to be the same as KIY 298 referenced in Hawley's, Japanese Swordsmiths...

An armorer's (katshushi) tsuba by Miochin Munekane (signed.) Of smaller size associated with wakizashi. Engraved katakiri-bori flowers and vine decoration (six petals on vine, possibly clematis.) Artist line active between 1818 and 1887. Ex Robert Haynes collection. Good condition. A larger, sukashi tsuba at least by the same line, also signed Miochin Munekane, is in the Brooklyn Museum. 2 9/16 inches (6.5 cm) X 2 3/8 inches (6.1 cm) and 1/8 inch (.4 cm) thick.

A Japanese sword "menuki" of 3 sparrows that was converted into an obidome during the Taisho period. The bronze color of the metal gives a naturalistic brown coloration to the birds--their beaks, eyes and feet are highlighted in gold. The fitted back is in 9 karat gold. Age: Menuki 18th century.

A strong mokogata iron tsuba of tight mokume. I favor mokume work and this is a virtuous example worthy of any collection. Boar's eye sukashi decoration in the four corners. Uchikaeshi mimi. Tekkotsu evident along the mimi. Good condition with light rubbing of the patina. Edo period. 3 (7.6 cm) inches x 2 11/16 (6.8 cm) inches

A simple, four lobed armorer's tsuba with simple pierced decoration perhaps depicting a landscape with structure. The udenuki-ana (cord holes) have the effect of completing the illusion of a Sesshu-like landscape. The saotome were armorers turned tsuba makers who worked in this manner and scale. Good condition with good tekkotsu. Sengoku era. 2 15/16 (7.46 cm) inches x 2 5/8 (6.67 cm) inches