A moon rises behind the silhouette of a ragged tree by Kimura Hyakuboku enclosed in the original signed wooden box dated 1934 and titled Rokagami. Bordered in soft gray silk with dark wood rollers suiting the scene. It is 21-1/2 x 69 inches (54.5 x 175 cm) Kimura Hyakuboku (Shunzo) was born in Tokyo in 1884. While attending Kyoto University, he found himself attracted to Zen, and left the prestigious School to travel the Buddhist path...

Antique Japanese painting of Bodhidharma, an important figure in Buddhism as he is said to have brought Chan Buddhism over to China as well as to have started the training of Shaolin monks, later leading to Shaolin kung fu. The scroll is signed by the artist Eiryu. Meiji-Taisho period. Size: (entire scroll) 57" length, 16.5" width (artwork only) 42" length, 12" width

This tranquil pond scene is done in sumi on gold leaf and has a black lacquer wooden frame. Appearing to date from Meiji or early Taisho, the various cranes and songbirds are depicted with light and playful brushstrokes giving the piece an air of serenity and calmness...

Japanese Meiji period painting on silk finely rendered with three birds perched on a tree branch set against a rising full moon. Signed “Gokyo” (artist unidentified) with a red seal below. Appears to date from the 19th century to circa 1900. Measures 47”V x 19 3/4”H. Very good overall condition with minor discoloration from foxing and a faintly visible horizontal soil line at the mid-section. The painting is executed on fine silk gauze...

An unusual image of a towering stone among pines by Yasuda Hanpo enclosed in the original signed wooden box dated 1935. It is titled Sosui Manken (In the shade of Towering Trees. Light pigment and ink on paper in a cloud-patterned satin border with large bone rollers. 46.5 x 207 cm (18-1/2 x 82 inches) and is in exceptional condition.
Yasuda Hanpo (1889-1947) was a Nanga artist studied under Mizuta Chikuho and Himejima Chikugai...

Japanese literati painting finely detailed in the Chinese style with a snowy mountainous landscape scene featuring houses, figures, a waterfall, and gnarled trees. An inscription at the upper right is signed “Sorin Gaishi,” the pseudonym for Takaku Aigai (1796-1843), followed by two red artist seals. Takaku Aigai was a prominent Nanga School artist and a protégé of Tani Buncho...

An interesting comment on the circle of life, the huge cicada, with only a three day (above ground) life, is dissected and carried away by a line of tiny ants, birth and death, the mighty and the tiny, and the cycle of life continues. This image is by Ishikawa Chikuson and comes enclosed in the original signed wooden box. It is performed with ink and light color on handmade paper, mounted in a field of soft-blue silk extended with beige...

This poem, inscribed with Rengetsu’s unmistakeable flowing calligraphic script, is set on a backdrop of colored washi paper decorated with gold flecks and intricate renderings of magical forest spirits. The spirits are drawn using “gofun”—a calcium carbonate powder obtained by heating and grinding oyster shells collected around the Inland Sea coast...

A large screen depicting a samurai replete with the Jakumei crest of the Takeda Clan rearing his horse in a shout of battle, wand extended at arms length giving the order to charge. The horse appears to be fighting panic, possibly at the deafening sound of the guns of Oda Nobunaga, a sound which brought in the modern era of warfare to Japan in a pitched battle between Oda forces and those of Takeda Shingen...

Sitting demurely, legs folded with her back to the viewer, an oil painting by Yoshii Kosaburo dated 1937 and encased in the original period wooden frame. Oil on canvas, the painting is 15 x 18 inches (38 x 46 cm), the frame 21 x 23-1/2 inches (53 x 60 cm) and is in fine condition. The frame has marks and wear typical of age. It comes with some period documents (Japanese) on the artist. Yoshii Kosaburo was born in 1899, and initially studied under Imperial Art Academy Member Nakagawa Hachiro...

Signifying strength and resilience, bamboo—together with pine and plum (sho chiku bai)—is an auspicious symbols running through the heart of Japanese art and culture. The young bamboo depicted here—sprouting from a patch of rocks—were composed by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Rengetsu was born into a Samurai family but was soon after adopted by the Ōtagaki family...

Original Japanese 4-panels screen. Painting on silk representing Buddha surrounded by bodhisattvas, Kanon and Hiten and Hoho twins among the clouds in a mountainous landscape. Good condition considering its age. Origin: Japan. Period: 19th century. Signed and 2 seals : Akihura. Size: 51 (x4) x H163 cm (20"x4xH64").

Four kiri panels are set into a rosewood framework, each uniquely painted by Osaka Literati paragon Mori Kinseki. It is 12 x 12 x 11-1/2 inches (30 x 30 x 29 cm) and is in fine condition. The brass insert too, looks almost unused. Included is a small folding fan in the original box by the artist as well. Mori Kinseki (1843-1921) was born the third son in a family of Inn owners in the hotsprings town of Arima, Hyogo prefecture, in 1843...

A pair of gold screens with bold shishi on genuine gold leaf. It is signed Miyauchi Gohogan Shinsai Fujiwara Morimichi sei and stamped Hogan Morimitsu no In. Each panel is 37-1/4 x 68-1/2 inches (94.5 x 174 cm). The screens have been restored, with some old repairs visible. These appear to be remounted from what is likely a different composition, possibly a set of fusuma doors. This is possibly from the Kano Tanshin of the later Edo, who used the name Morimichi, although there are a numbe...

A symbol of health and prosperity, these ripe eggplants were painted by Hasegawa Gyokuhou (1822 - 1879), a disciple of one of Kyoto’s leading Shijo school artists, Matsumara Keibun (1779 - 1843). The attached stylized calligraphic poem, which speaks of accomplishment and being productive in one’s endeavors, was done by one of Japan’s most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by...

This poetry and artwork, done by one of the most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875), tells the story of a personal moment of joy and contemplation upon returning home one autumn evening accompanied by the brilliant moon above.

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly gr...

This soulful image of a Japanese hamlet in the depths of winter was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces. Due to her rumored great beauty, she soon married but after the death of her husband in 1823, ...

This playful image of a Japanese raccoon dog (tanuki) enjoying a flask of saké was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces. Due to her rumored great beauty, she soon married but after the death of her hu...