Height: 3.5 cm (1.4 in)
Length: 5.4 cm (1.2 in)
Depth: 4.2 cm (1.7 in)

Quality carved netsuke of a man crouching, grinding grain with a stone wheel; signed on a red lacquer tablet; good condition

A Japanese boxwood netsuke depicting Shojo crouched in a typical posture, with his hand resting on his knee, while sleeping from the effects of too much sake, the kimono is finely carved with geometric motifs as well as the long hair on the back. Similar examples of the Nagoya carvers are illustrated in Meinertzhagen, MCI, p.844, Davey, MTH, p.189, no.570 and Lazarnick, NIA, p. .1063. Edo period 19th century Sizes: 3,3 x 2,7 x 2,6 cm. Condition report: Good condition

Antique Japanese small netsuke (inro toggle) carved in the form of a rural house under a large pine tree. The 2 story house, which is visible from three sides has multiple windows and a tiny figure standing in one. The pine tree with exaggerated branches grows on the side of the house, it's branches curving over it's roof. Carved of bone.

Age: Edo Period (1603-1867)

Dimensions: 1 1/2" high x 2" long x 1" wide

A Japanese boxwood netsuke of a Shinto priest wearing the geta and holding an umbrella with his right hand and the lantern with the other. Edo period 18th century Sizes: 7,5 x 2,5 x 2 cm. Condition report: Good condition

Netsuké in wood by Kokeï A rabbit with its small forming netsuké carved in cherry wood by Kokei. There is no the two hole, the himotoshi is naturally formed by a leg. Unlike most netsuké bearing Kokei's signature which are fakes or plagiarisms, this one is from the artist, indeed the quality is excellent. Everything is good, the volumes, the precision of the carving, the expression of the animals and the feeling of life. The signature is under a back tab. Japan early 19th century...

Wood netsuke of three peanuts. A naturalistic grouping, dark stained. An ivory plug may bear a highly stylised signature.

Provenance : Arlette Katchen, Paris.

Japan, 20th century

Width : 1.6 in. (4.3 cm)

A boxwood netsuke of a toad on a wooden container. Excellent fineness of the details to simulate the grain of the wood and the toad skin. Meiji period 19th century Sizes: 3,3 x 2,5 x 2,6 cm. Condition report: Good condition

Tenuki is depicted standing, his head covered by his huge scrotum. It is carved in a wood that seems to me to be cherry. The sculpture is simple and vigorous. The netsuké is ideally compact in shape. The patina of the wood is very old and beautiful. There is a 2 characters signature which I have not translated but can do on request. It is probably a well-known artist. I think beginning of 19°, but maybe before. Height: 55mm Very worn.

The arquebuse is technically perfectly detailed, its mechanism works. The barrel of the cannon is made of iron inlaid with bronze silver and gold. The carriage is made of very dense black wood, probably ebony inlaid with mother-of-pearl. A small metal key allows it to be dismantled, leaving the incised signature of the artist to appear under the barrel Kuni-Tomo familly perhaps Sada-Hisa who liked to depict birds and flowers on his tsubas? Edo period 19th century or earlier...

The immortal is powerfully carved in wood, probably cherry. Gama Sennin holds his stick in his hand and his toad on his shoulder. He is unusually tall. The sculpture is powerful, the folds of the dress are elegant and the expression is serene. Although Gama-Sennin is attested male there are rare examples of its female representation. The softness of the features make me think that this would be a woman...

Height: 3 cm (1.2 in)
Width: 3.4 cm (1.3 in)
Depth: 2.2 cm (0.8 in)

Japanese wooden netsuke of a seated mask maker; shows a critical expression observing his work; excellent workmanship and form; signed Ryuraku, good condition

Height: 3.3 cm (1.3 cm)
Width: 3.3 cm (1.3 in)
Depth: 1.9 cm (0.7 in)

Japanese wooden netsuke of a seated nobleman holding his fan; excellent workmanship, patina and form; signed Masayuki; good condition

Wooden netsuke of the demon Oni hiding in a foot warmer (anka) in order to protect himself from the bean seeds that are thrown at him. The beans are represented by two inlaid stones. His right arm stands out, a part of his head is visible through a small hole in the foot warmer.

The Setsubun festival came from China it is introduced in Japan around the 8th century. Its celebrates the arrival of spring...

The falcon is represented resting on a branch. His expression is attentive and we can guess that he is hunting. The artist knew how to infuse him with all the ruthless savagery in his gaze. It is signed by Haru Mitsu. It is finely carved in wood, probably cherry,the pupils inlaid in black horn.I remember having read that this artist liked to exaggerate certain parts of the body of his subjects, here it is clear that the claws, eyes and beak are strongly exaggerated...

A Japanese unusual stag antler netsuke depicting the head of a swan in finely carved and engraved deer horn, himotoshi under the neck. Meiji period late 19th century Sizes: 2,4 x 6,3 x 1,8 cm. Condition report: Good condition

Ivory netsuke representing a bamboo shoot (takenoko).

Netsuke constitute the major part of Japanese ivory of great quality. Since the Japanese costume (kimono) had no pockets, the objects were passed under the belt and the netsuke, held by a cord, was used to hold them.

From imaginary animals to natural and domestic elements, the subjects represented in netsuke are varied. The netsuke could represent elements of daily life...

Circa 1900 Japanese ivory netsuke of a Kappa creature on the back of a catfish. According to Japanese folklore kappa were the size of a small child, but with the strength of many men and lived in streams, ponds, and rivers. Hand carved and artist signed, please note this kappa's facial and eye details. He also features a dish type indentation on the top of his head for holding water when on land. Measures 2.75 inches long

Height: 3.8 cm (1.7 in)
Length: 3.2 cm (1.3 in)
Depth: 2.5 cm (1 in)

Quality wooden netsuke of peasant sharpening his adz on a grindstone; finely carved throughout with a wonderful patina; signed Tomokazu