Antique Japanese hokai, lidded container for Ka-awase shell game. This unusual square shaped hokai has a footed base and it's sides are fashioned with many horizontal ridges. With faceted corners and intricate gold and black lacquer. A flower and lattice motif with reserves of birds and young pine shoots. The interior of the box is lacquered a dark brownish black. Extensive gilt copper hardware with incised details of scrolling vines...

Japanese lacquer inro depicting a Daikokuten with his hammer watching children, next to a Matsu plant. Excellent quality decoration with relief details, shine and original patina. Polychrome wooden netsuke depicting a seated sage with a fan, painted ceramic ojime. Inro signed Kajikawa with the kao under the base. Origin: Japan Period: Edo mid-18th century. Overall dimensions: 9 x 4.5 x 3 cm. Netsuke dimensions: 4 x 3 x 2.5 cm. State of conservation: Very good

Globular in shape, on a nashiji gold lacquer base, the decoration represents pines and bamboo in gold and black hira maki-e, hedatsu and kirigane of vegetation at the edge of a watercourse and stylized medallions of chrysanthemums. The interior is also in nashiji. Origin: Japan. Period: Edo (1603-1868) 19th century. Height: 5.5 cm.

An original pair of rare Edo period heavenly Tennyu temple beings. Each has a gold gilt finish with condition consistent with age. Both are complete and ready to be installed.
Left tennyo is depicted with drum suspended from her waist and holding a pair of sticks. The righ is holding a bell and holds Shuni mudra with right hand, symbolizing patience and discipline...

Phoenix soar among golden clouds on this amazing Lacquer box made for holding a Tsuzumi drum by Miura Meiho (1900-1975) enclosed in the original signed wooden box titled Houn Maki-e Tuzumi Bako. It is bound with silk chord which is held to the box with solid silver hardware. Inside it is lined with brocade. The box is 30.5 x 24 x 24.5 cm (12 x 9-1/2 x 9-1/2 inches) an is in perfect condition.

MAKIE LACQUERWARE DISH

19th-20th century, Japan. D 15.5 x H 2 cm (6.10 x 0.78in). Comical and lovely scene with an ogre on the cloud is trying to pick up the drum he dropped off...

Important 'Omizutori' festival lacquer plate from the late Meiji Period. Omizutori (お水取り), or the annual, sacred water-drawing festival, is a Japanese Buddhist festival that takes place in the Nigatsu-dō of Tōdai-ji, Nara, Japan. This ceremony is to cleanse the people of their sins as well as to usher in the spring of the new year. Once the Omizutori is completed, the cherry blossoms have started blooming and spring has arrived...

Wooden lectern covered with black lacquer, decorated with Japanese seignorial emblems (Mon) with gold powder. The emblems are treated in three different versions, all three of excellent lacquer quality in a very elegant style. The lectern can be dismantled into 4 parts, the box, the drawer, the top and the axis, the elements are assembled using mercury-gilded copper frames, which are finely chiseled with scrolls of stylized plants on a nanako background...

A beautiful hand crafted box by Nitta Kiun enclosed in the original signed wooden box titled Tanzaku Bako (Poem Card Box). It is 40 x 11 x 7 cm and in perfect condition. Nitta Kiun was born in Wakayama in 1944, and studied woodcraft under his father, establishing his own woodcraft studio in 1980. He held his first Solo exhibition in 1985, and was accepted for the first time the following year into the Nihon Dento Kogeiten National Crafts Exhibition...

A set of five Mokko-gata (elongated-lobed) kashi-zara wood dishes, each uniquely decorated with seasonal flora in raised lacquer with mother of pearl and lead inlay enclosed in an older wooden storage box. The artist has made excellent use of the natural wood grain, allowing it to fomr a backdrop like bushes and garden stones for the subdued tones of gold, silver and shimmering mother of pearl...

Small box and cover made of very thinly cut keyaki (Zelkova) wood, in oblong shape with rounded corners. The domed cover is decorated in black polished lacquer, black ishime lacquer, gold lacquer inlaid with small pieces of mother-of-pearl. An open folding fan wraps around the surface of the cover, continuing onto the sides, decorated with parting clouds, showing silhouettes of birds flying over waves.

Inside, the surface is covered in thin brown lacquer, allowing the wood grain to show...

A bucolic scene of temples and rugged seaside hills dotted with pagodas in silver and gold wraps around the black surface of this deep tray dating from the Momoyama to early Edo period (16th-17th century). It is 27 cm (10-1/2 inches) diameter, 8.5 cm (3-3/8 inches) tall. The bottom has been re-lacquered at some time in the past...

A lacquer tray made for the Urasenke Tea School enclosed in a wooden box titled Kanshitsu Umehana Bon (Dried Lacquer Plum Blossom Tray) signed Konnichi followed by the Ka-o signature of the 15th Grand Master of Urasenke Sen Soshitsu (Hounsai). The 5 lobed tray is 26.5 cm (10-1/2 inches) diameter and in excellent condition, signed underneath Tatsu.
Kuroda Tatsuaki (1904-1982) was born into a family of Kyoto lacquer ware artisans; in his mid-teens, he began to study lacquer art on his own...

Long armed shrimp, a symbol in any culture of a festive meal, decorate in red the shunkei lacquered surfaces of these turned bamboo basins called Haisen made for washing sake cups between drinks. Each bowl is turned from a bamboo node, celebrating the natural basin formed by the bamboo tree and used from time immemorial in Asia. They are 13 cm (5 inches) diameter, 9 cm (3-1/2 inches) tall and in excellent condition, enclosed in the original kiri-wood box signed Shunko.

Small box and cover made of very thinly cut kiri (Paulownia) wood, in the shape of a Daruma doll. The cover is decorated in gold, silver and red kiji makie technique (lacquer decoration applied to natural wood) with three tumbler dolls: rat, farmer girl, samurai boy...

Small box and cover. The base of the box made of kiri wood (Paulownia), the cover made of kiri and keyaki (Zelkova) wood, diagonally joined together. The outside of the cover is decorated with two black shijimi fresh-water clam shells in kiji makie technique (applying makie lacquer decoration to natural wood).

Inside of the cover signed with red lacquer seal: Tairei; bottom of box stamped seal of the wood worker who made the box: ‘To’ inside a double gourd.

Comes with the origin...

Eight-sided, flared shaped lacquer kobako box, following the decoration on the lid depicting a basket of flowers, composed of peonies and chrysanthemums in gold takamaki-e and hiramaki-e lacquer on a nashi-ji background. The edge is decorated with cherry blossoms in gold and silver takamaki-e. Interior and base in nashi-ji.

Japan – Edo period, 18th century
Height: 1.9 in / 4.8 cm – width: 6.1 in / 15.5 cm – depth: 3.5 in / 9 cm

A beautiful 2 Stage lacquered container covered in black lacquer decorated with flowering vines. The domed lid opens to reveal a circular tray removable to open a deep container. It is 8.5 cm (3-1/4 inches) diameter, 11 cm (4-1/4 inches) tall and in excellent condition.