An exceptional work by Kondo Takahiro, three sided decorated with concentric squares triangles and circles in rushing fields of blue wrpped in a yellow cloth pouch and enclosed in the original signed wooden box titled Jikku tsubo. It is 59 cm (2 feet) tall and in excellent condition enclosed in the original signed wooden box. Created in 1994 it was exhibited at Takashimaya Department Store Gallery that same year in the exhibition "Blue Time 1200"...

Hints of the finest powdered gold gleam on the edges of this ghostly white tea bowl dating from the early Edo period. Iron-like freckles pepper the surface which is subtly clouded with soft color. The base is almost entirely covered in glaze, the glimpses of earth worn dark with age and use. It comes wrapped in a silk bag with an age darkened kiri wood box titled Hagi Chawan and named within Kan-no-yuki annotated by Yabunouchi Chikusojochi (1864-1942) 11th head of the Yabunouchi school of tea...

Meiji (1868-1912) Japanese Shofu Katei Studio Moriage Porcelain Vase with Mt. Fuji

It is 9.25 inches (23.4 cm) tall by 5.5 inches (13.9 cm) wide. It is 2.25 Lb.

It has manufacture defect of dark spots at the inside and inner rim and surface wears and scratches (as seen in the photos).

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Massive Meiji period Japanese Satsuma globular form tripod jar or “koro” (incense burner) in the form of a gathered pouch (Daikoku's bag), the bulbous body elaborately decorated in overglaze enamels and gilt highlights with “karako” (Chinese children) and other figures engaged in various leisure and scholarly activities in a garden setting. Late 19th century. 17” high x 16 1/2" diameter. Good overall condition with some typical rubbing of the enamels and gilt...

Cup Height: 6 cm (2.4 in)
Width Including Handle: 9 cm (3.6 in)
Saucer Width: 14.2 cm (5.7 in)

Japanese Satsuma cup and saucer; fine gilt panels with figures; intricate diaper work throughout; very good condition

Two lug handles leap from the sides of this traditional form by Karatsu Legend Nakagawa Jinenbo enclosed in the original signed wooden box titled Chossen Karatsu Mimitsuki Hanaire. Mottled glaze covers the rough clay darkened by flame with flashes of white and blue and crispy chunks of ash and debris clinging to the sides. It is a work which embodies the best of this highly sought artist. The vessel is 9 inches (23 cm) tall and in excellent condition...

A set of figurines depicting a courtly Chinese couple by Miyanaga Tozan enlclosed in the original signed wooden box titled Choan no Haru from the Tang period tales. Each is expertly molded and painstakingly decorated in a Kyo-satsuma style signed in gold on the base of each. They stand roughly 13 inches (33 cm) tall each and are in excellent condition. The title calls to mind any number of ancient Chinese poems...

Japanese Imari Porcelain Barber Bowl, or Shaving bowl, Ca. Edo period, between late 1700's to early 1800's, 10 5/8" diameter-top rim, 2 5/8" high, typical Imari color of underglaze blue between three(3) cartouche of Japanese garden fence scene decoration around wide rim in overglaze iron red, blue urn filled with bouquet of flowers in the entire center, some of the iron red enamel is worn in the middle caused by many years of usage. Gold highlights on the leaves on the wide rim is somewhat worn...

A rare set of five tiny Gosu cups for drinking Gyokuro steaped tea from the Shidehara kiln of Sanda in Hyogo prefecture dating from mid to later 19th century (Late Edo to Meiji). Fish circle the cups as they swim among water plants. Each cup is 2 inches (5 cm) diameter and in great condition.
Shidehara was a kiln established in the Sanda district of Hyogo prefecture in the mid 18th century. They created works based on continental styles of Gosu, Sometsuke, aka-e and later celadon...

A refined set of 5 later Edo Sake cups in a hybrid E-gorai style from the Kosobe kiln of Igarashi Shinbei decorated with pale blue designs (gnarled plum trees?) under thick cream colored glaze on very thinly potted clay blended with shiseki for great effect. This is likely the work of the second or third generation Shinbei, both known for their Korai-Utsushi (Korean style) wares. Each cup is 2-1/2 inches (6.5 cm) diameter. They are in surprisingly good condition, with no cracks...

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422...

An interesting Japanese Arita saucer form dish decorated in a transitional style incorporating elements of the Kakiemon style, notably the asymmetric elements within the reserves to the outer rim of the dish, with Katamono style motifs dating to the late 17th century or early 18th century and made for the domestic market. For a more sophisticated version of this type of design in Katamono style dated 1680-1700 see Shibata Volume II no 422. The dish probably date from the period 1690-1710. The ...

Japanese Imari Porcelain Leaf Shape dish, late Meiji or early Showa, 1940, 6 1/4" x 6 1/2" wide, 3/4" high, very simple beautifully overglaze enamel Japanese Garden, Plum trees in early spring, Irish in summer, Chrysanthemum flowers in fall and Bamboo in winter, 4 seasons design above broad leaf on the bottom. The condition is good.

It is a privilege to introduce this incredible sculpture by the young female ceramicist Furui Akiko enclosed in the original signed wooden box titled Tsubomi (bud) dating from 2017. It is made up of hundreds of rolled sheafs of shaved clay covered in a white slip and fused together. The amount of work which goes into each sculpture is obvious, making her work great value.
Furui Akiko was born in Aichi prefecture in 1987. She graduated the Aichi University of Education in 2010, and had h...

3 pieces Japanese Kutani Earthenware Tea Set, Ca. 1940's, consisting of Tea Pot(8" high), Sugar with cover(7 1/4" high), Creamer(5 1/2" high) with beautiful floral branches and bird flying between enclosed panels with overglazed brick red and brilliant green color on the crazed glaze. Tea pot spout is glued small piece together around 1/2" area, handle of Sugar bowl is glued together. Marked on the bottom "Great Japan Kutani made".

A moulded rinka-gata form dish decorated in underglaze blue with additional enamels in the so-called Kakiemon palette. The outer register painted in underglaze blue with repeating pattern of a landscape with small weathered rocks from which grow auspicious Pomegranates and Peonies. The centre painted with a Chrysanthemum spray. The reverse painted with a simple Karakusa scroll and a six character mark for the Ming Emperor Chenghua. See British Museum Franks 516 for a similar Kakiemon dish with i...

A good quality large Japanese porcelain mug or tankard decorated in under-glaze blue with iron red, green and yellow enamels with Peonies and Chrysanthemums. It weighs 444 grams and has a capacity of over a Pint. It stands 15.5cm high and has a mouth diameter of 7.8cm, foot-ring diameter of 7cm and a body diameter of approximately 10cm. Tankards with a letter “B” are not unknown, they appear on mugs with applied floral applique, but examples of this plain form do not seem to appear in the ma...

A Japanese porcelain wine ewer or Chosi of cylindrical form decorated in underglaze blue with alternating horizontal bands of flowers (auspicious gobenka)and pinnate leaves (resembling Asters). The design perhaps influenced by the Chinese Aster pattern of the Kangxi period and the later, Mid Qing, provincial Chrysanthemum pattern (see the Desaru Wreck). The ewer dates to the first half of the 19th Century. The Chosi measures 10.5cm in diameter and stands 15cm high. The foot-ring measures 7cm. ...