An unusual large bottle-shaped vase by Morino Taimei enclosed in the original signed wooden box. It is fawn-speckled blue on black-mottled tarnished silver, a striking combination. The shape of the mouth he has taken from traditional Korean forms. The vessel is 27 cm (11 inches) tall and in excellent condition...

A small Nabeshima plate or bowl decorated with three stylized chrysanthemun medaillons among radial motifs. The back showing the "shippo" pattern with ribbons and foot ring with comb pattern in underglaze blue. Condition: fine, minimal wear, no restorations, hairlines or chips. Dimension: diameter: c. 15.5 cm, 3.5 cm high.

Old (1930's) 15 Pieces Japanese Satsuma Wisteria & Butterfly Tea Set Marked Osurusa Zo

The teapot is 6.7 inches (17 cm) tall by 8.3 inches (21.2 cm) wide. The sugar bowl is 5.4 inches (13.7 cm) tall by 6.1 inches (15.5 cm ) wide. The creamer is 5.1 inches (13 cm) tall by 6.5 inches (16.5 cm ) wide. The saucer is 0.78 inches (2 cm) tall by 5.3 inches (13.5 cm) wide. The cup is 2.2 inches (5.5 cm) tall by 3.7 inches (9.5 cm) wide...

TEABURI BRAZIER

Refined Japanese ceramic 'teaburi' (small hand-warmer brazier) of minimally roundish cylinder form coated with calm glossy pale glazing, early 20th century, approx. H 20 x D 17cm (7.87 x 6.69in)...

Width: 12.4 cm (4.9 in)
Height: 4.9 cm (1.9 in)

Quality Japanese Satsuma bowl featuring Samurai having a discussion in a rural setting; floral decoration to the exterior; finely gilded throughout; marked Senzan; excellent condition

Two Sometsuke tea containers decorated with scholarly scenes and lengthy calligraphic prose by Seifu Yohei I enclosed in a double wood box (ni-ju-bako) annotated by the fourth generation Seifu. They are 6.5 cm square, 13 cm tall. One has a some damage to the inner rim, a chip in the lid and a nick in the glaze of the bottom corner. Repairs can be performed at cost if desired
Seifu Yohei I (1803-1861) founded the Seifu dynasty in Kyoto...

A lot of drama in this crispy glazed tsubo deeply scored by the artists fingers, the trailing divets filled with running ash glaze by Murakoshi Takuma, two deep punctures in the side where it sank into the kiln supports, and a large artist performed gold repair where it had adhered to the kiln floor. The gold glimmers from the darkest part of the vessel, where it was charred black from laying in the embers...

An artist whose bold creations work well in a Western setting, here is a seminal piece decorated with huge white peony blossoms by Miyake Yoji enclosed in the original signed wooden box titled Nuki-e Kinsai Botan Mon Henko. Here the artist has set the luscious white flowers and leaves outlined in gold on a ground of rusty yellow, an intriguing combination. It is 27 x 15 x 34 cm (10-1/2 x 6 x 13-1/2 inches) and is in excellent condition...

Silver streaks the thickly potted blue sides of this large vase by important artist Morino (Hiroaki) Taimei enclosed in the original signed wooden box. The patterns drape over the rim, and rise from the base like seaweed dancing in the current below a wavy line at the shoulder, the blue glaze filled with floating paler bubbles. The vessel is 28 cm (11 inches) tall and in excellent condition...

Frills, filigrees and draperies gather pell-mell near the peak of this evocative vessel by Kawabata Kentaro enclosed in the original signed wooden box titled Loco. Consistent with this artists repertoire, the varying aspects are difficult to surmise in few words, raw clay, torn, cut, molded, squeezed and decorated with color in a variety of styles. It cocks its hip to one side, striking a sassy pose...

An unusually large vase by Seifu Yohei III with carved cloud designs covered in mottled red flambe glaze. The box is titled Dawn-cloud-glazed Vase, Made by the former Seizan (alternate name used by Seifu III) dated Late in the Year of the Earth-Horse in the Taisho era (1918), attested to by the 4th generation Seifu. He has employed the Teishitsu Gigei-in seal of the third generation on the lid...

A small porcelain teapot with molded chrysanthemum blossom decoration and arch-shaped handle. Thick greyish clay with craquelé. Condition: few tiny rim frits near the spout end, no repairs. Dimension: 12.4 cm high x 12.8 cm long.

1930's Japanese Sumida Gawa Porcelain Kannon Buddha

It is 15 inches (38.2 cm) tall by 4.6 inches (11.7 cm) wide. It is 2.9 Lb.

It has skip glaze, glaze cracks and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

KIHARA CHAWAN

Japanese semi-porcelain bowl with such calm iron-glazed picture as the transitional ware between Karatsu and Shoki-Imari ware, Kiwara kiln in Nagasaki area, Edo period (1603-1868), approx. D 12 x H 6.9cm (4.72 x 2.71in)...

11th generation Raku Kichizaemon Keinyu (1817-1902) White Raku Sake Bottle Tokkuri.

The mark of the potter is stamped at the bottom. Keinyu used this mark after his retirement...

Japanese Studio Celadon Glaze Porcelain Okimono Figure Marked Ito Tozan 陶山

It is 5.1 inches (13 cm) tall by 5.1 inches (13 cm) wide. It is 1Lb.

It has surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us within 10 day...

One of the most prominent potters of the Meiji period and one of only five to ever be appointed as Imperial Court Artist, the name Tozan is synonymous with fine porcelains including: Kyo-style tea and sake-wares, pieces for the western export market, distinctively home-grown Japanese motifs, and expertly crafted Chinese-style pieces such as the one seen here.

Apprenticed to Kameya Kyokutei, Tozan (1846-1920) took it upon himself to visit many kilns and to gain technique and advice ...

Wow! This is quite a tsubo by revivalist Takahashi Shunsai enclosed in the original signed wooden box titled Shigaraki Kama Hana Tsubo. A wack of ash blasts the shoulder over raw shiseki studded terracotta clay scorched the color of bricks. Fired on its side, opposite is charred and covered in molten ash where it had been buried in the embers. This is truly a classic Shigaraki work down to the belt of cross hatches at the shoulder and two stage mouth. It is 26 cm (10 inches) tall, roughly ...