This is a very fine pair of Japanese satsuma vases that stand just 4 1/4 inches tall. Attractive form, enamel colors and very fine details. They look like they have spent most of their lives stored in the box. One has the original sticker and both are signed. The signature looks a bit like the Kozan mark but we are not sure. Some of the larger flowers remind us of work seen on Bizan and Yabu pieces.

The size of Cup : 3 1/4" D x 1 13/16" H
The size of Saucer: 4 5/8" D x 9/16" H
This is very fine Japanese white ceramic porcelain cup and saucer set. It is made by Tosho Kiln, Seto city in Japan. The quality of porcelain is superb with finely and thinly made body in the design of ribbed relief work. You can see thru the light when holding under light. Each cup and saucer has marking on Tosho on the bottom of items. It came with nice gift box...

The size of Vase : 14" High x 8 7/8" Dia, 4 5/16" Top Dia
35.5 cm x 22.5 cm, 11 cm top dia.
This very fine Japanese Porcelain Vase done with
Yomon (relief works, raised works) with pale yellow green glaze,
in design of Ho-O bird intricately done in Yomon(relief) works.
It is made same era of Seifu Yohei 4th. The vase
is very similar to Seifu. The vase is made from Taisho to Showa.
It came with Kiriwood Tomobako as well as wooden stand...

8 1/4” Dia x 3 9/16” High (21 cm x 9 cm)
This is beautiful Japanese Iro (color) Nabeshima Porcelain Bowl.
It is made by Imaizumi Imaemon 13th Studio Work.
The shape bowl is Kashiki which used for Confectionary Bowl.
The bowl has 5 different Flowers design intricately painted.
The foot of bowl has comb design of Nabeshima Bowl.
It came with Kiri wood Tomobako...

From our Japanese Collection, a very fine and attractive pair of imari fan plates, Meiji Period (1868-1912), executed in the typical imari palette of iron-red, blue, orange, and gilt, depicting birds in flight against a ground of floral motifs and a prunus tree, all rendered on white porcelain in the shape of an open folding fan...

The size of Charger: 12 3/8" Dia x 1 3/4" High. Very Fine Japanese Aote Kutani Charger. Aote is green in Kutani ware terminology which was Miyamoto kiln originated. The charger is made with fine crackle glazing earthenware body finish as many Kutani piece in modern age. It has wonderful workmenship and design of Oshidori(mandarin duck) with Plum tree and bamboo. It has fine handpainted decoration of enamels. The plate was decorated with Kutani artist name Kitamoto Gakuyo...

A Japanese Very Fine and Large Satsuma Vase by KINKOZAN-19th C. Japan, Meiji Period, late 19th Century. This exclusive large jar is well potted and massive decoration on body overall with gold and colorful polychrome enamels. It is applied a pair of large handles fashioned as shishi handles clasping a tasseled ring and a wide floral form rim, a brocade lappet collar and petal form band at the base bracketing a continuous figure narrative of large scale Samurai warriors and Japanese courtier...

The size of Platel: 7 1/4" Dia x 1 1/2" High ( 185 mm x 37 mm). This is very attractive Blue and White Japanese Hirado Porcelain Plate. It has the design of Sansui (landscape) design. There is 5 Ben (5 flower petal design which used for very old Hirado) in the center. One area with pretty geometric design. Backside has four flower design. There is Kaou (studio or artist) signature in the center of Kodai (foot rim). The design are done by hand painted with fine work of stencil...

VASE NAMED SPRING CLOUDINESS

Japanese Adachi ware vase from Fukushima, named 'Shunin' (Spring cloudy sky) made by Saito Sadao aka 'Joami' (1934-?), attached with original wooden box noted "Awarded for the Japan contemporary crafts exhibition in 1999" at the lid, red-stamped wrapping cloth, printed personal history, and etc. approx...

Flower vase with angular shoulder and angular hip, slightly curving in on the sides and standing on a bamboo node foot. Heavy but fine gray stoneware that turned reddish brown upon firing, covered with a celadon green glaze with curved striations made by tracing with his finger. The places where the glaze is scraped back to the stoneware, the clay turned red-brown during firing...

Grain rises majestically on the surface of this pale vase by pioneering female potter Suwa Sozan II enclosed in the original signed wooden box titled Mugi-mon Hanaire. It is 15 cm (6 inches) diameter 34 cm (13-1/2 inches) tall and in excellent condition.
Suwa Sozan (1852-1922) was born in Kutani country, present day Ishikawa prefecture, where he initially studied before moving to Tokyo in 1875...

A most extraordinary glaze like green velvet covers this tall bottle form vase by modern Japanese pottery master Imai Masayuki enclosed in the original signed wooden box dating circa 1970. The long tapering from is expertly rolled at the mouth, the soft absorbent textured glaze lying perfectly smooth over all. The hada, or feeling of the surface is unlike any I have ever seen, and a drop of water is instantly absorbed by the porous surface. The vase is 16 inches (45 cm) tall and in excellent ...

A unique Yin and Yang vase splashed with two moons, one dark, one light, by Hamada Shoji enclosed in the original signed wooden box titled Yakishime Kakiwake Henko. The Ma or use of blank space (here the Yakishime raw clay) is quite unusual for this Mashiko potter. Kakiwake refers to the application of two glazes separated. The vessel is 23 cm (9 inches) tall and in excellent condition.
Hamada Shoji (1894-1978) was born in Tokyo, and enrolled in the Tokyo Technical University at the ag...

An unusual Japanese Satsuma koro in the form of a barrel, the body decorated with symbols of good fortune & longevity, the white metal lid, pierced and engraved with a bird in flight amongst flora, the base with artist signature with Shimizu mon and seal.

Approximately 14cm high x 11cm wide. Fine condition with only some minuscule wear to the gold enamel on the top surface to report.

Please study the photographs.

Within the UK payment by bank transfer is pre...

A pair of unique three part tokkuri by Taniguchi Chojiro consisting of a top, which turned upside down forms the cup, a central ring on which the cup rests, and the bottle, which, when assembled, make the form of a temple bell. These are made after the infamous bell of Hokoji Temple which provided (a rather lame) excuse for Tokugawa Ieyasu to crush the Toyotomi family and claim the country for his own, therefore beginning the Tokugawa Dynasty which ruled Japan for over 250 years. This is seen ...

the silhouette of birds flit through the branches of the forest which rises up in white trunks on the verdant green of this flower receptacle by Yamaguchi Yoshihiro enclosed in the original signed wooden box titled Kasai Ju-in Mon Hanaike. The pebble textured surface is very unusual for Kutani ware, and bridges the glitzy world of porcelain and the more matte world of ceramics. The soft palette allows the vase to work in any decor, the abstract lines seeming to grow up randomly, without intent...

Two platinum spikes erupt from the black glazed surface of this Kurinuki vase hollowed out from a black of black clay by Masatomo Toi, the first Kurinuki vase he has created (we think he is on to something). It is 21 cm tall, 25 x 23 cm (10 x 9 inches including the spikes. It comes with a signed wooden placard, directly from the artist.
Masatomo Toi was born in Aichi Prefecture in 1992, and graduated the Design course at the Tajimi Ceramics Research Facility in 2019. Since he has been d...

The size of Bowl: 5 3/4" Dia x 1 7/8" High. Unusual design Japanese Ko Imari Porcelain Bowl. The bowl has very unusual design of Tea ceremony utensil and stationary type objects done in Sometsuke(blue underglaze), red and gold accented. There are four windows, two designs. Between the window design accented with gold lines. Outside has sort of fuyote type divided decoration. The condition of bowl is excellent, no chip, no crack and no hairline. Please note three spots on the center of bowl had g...