An iconic work with dynamic floral pattern in pale white on pink by Kiyomizu Rokubei V enclosed in the original signed wooden box titled Taireiji Ichirinsashi. It is 19.5 cm (7-3/4 inches) tall and in excellent condition. The vase retains the original wood stand and stamped cloth pouch. Undeniably Taireiji was the most important development by this innovative artist, and pieces are exceedingly rare...

Exceptional set of 6 fan shaped Shino ceramic plates in the original signed box. Taisho Period, C.1915. Inscription on the box reads "Shino Yu Ogi Gata Sara" meaning Shino glazed fan plates. Excellent condition. Size 7" by 5" . Ask for shipping quote.

Unusual green striped overglaze on a tsubo jar. Usually found on shochu sake or soy jars from Shigaraki, a famed pottery area outside of Kyoto. Signed by jinpuku. 15" tall and 12" in diameter. great condition. ask for shipping quote from california warehouse.

Quintessential Oribe tea ceremony sweets plates with feldspar iron markings of chrysanthemums and rich olive greens. Hanko seal on back. Set of 5 plates. No chips or cracks. Taisho Period C.1920. 6" long and about 4" deep. Ask for shipping quote.

The Takahashi family is along with the Ueda family the oldest potter family in Shigaraki and Takahashi Rakusai III b.1898-1976 was largely responsible for the revival of unglazed Shigaraki pottery in the 20th century. Working in the third generation he was designated a "Shiga Prefectural Intangible Cultural Property" in 1964 for his countless efforts. He was succeeded in 1976 by his son Takahashi Rakusai IV who was designated by government as "Intangible Cultural Property"...

Fine Shigaraki ceramic Mizusashi tea utensil by Rakusai IV in the "suehiro' flaring style. Ca. 1970. Signed box. Rakusai IV was born 1925 in Shigaraki and is probably the most famous Shigaraki potter. The Takahashi family is along with the Ueda family the oldest potter family in Shigaraki and largely responsible for preserving traditions, especially after the second world war...

An exquisite Edo period incense burner, the fine red clay covered in running bamboo glaze from the kilns of Takatori on the southern Island of Kyushu wrapped in a silk pouch and enclosed in a period Kiri-wood box. The lid is solid silver pierced with roiling fronds. It is 7.5 cm diameter, 7 cm tall excluding the silver lid, and in excellent condition.
Takatori-yaki, is a traditional style of Japanese pottery that originated in the early 17th century...

Fabulous Ca. 1960 Tamba Pottery ceramic vase. Very art deco with undulating rim and wonderful wood fired patterns on each facet. Signed on the bottom, 'Tankyu'. 29cm tall x 22cm in diameter. Great condition. Ask for shipping quote.

Japanese tenmoku ware ceramic vessel with ribbed handle, short front spout, and wide open top. The thick oil slick glaze stops just short above the foot left in buff. Tenmoku glaze is made with feldspar, limestone, and iron oxide. The more quickly a piece is cooled, the blacker the glaze will be. Tenmokus are known for their variability. During their heating and cooling, several factors influence the formation of iron crystals within the glaze...

A beautiful ivory white vase in the shape of a handled-wooden-bucket, the outside wrapped with woven bamboo forming an outer bamboo basket shell, with the handle wrapped in bamboo rope. It is 42 cm (16 inches) tall and in excellent condition, enclosed in an age darkened wooden box titled Tobe-yaki Kabin signed by the maker. Inside the lid is an inscription stating the vase was received as a gift on the 6th day of the 11th month of Taisho 8 (1919)...

A raw earthen bottle hand formed for sake and engraved with a poem by Otagaki Rengetsu. It is 5-1/4 inches (13.5 cm) tall and in fine condition. The poem reads:
Fuyubata no On the Daikon Leaves
Oone no kuki ni In a winter field
Shimo Sae Te Frost gleams
Asatode Samushi Going out in the morning I feel cold
Okazaki no sato Here in Okazaki village
Much has been written about the life and work of poet/artist Otagaki Rengetsu...

A pair of Kinsai Tokkuri on red ground by Eiraku Zengoro from his Kutani kiln dating from the late 19th or early 20th centuries enclosed in the original signed wooden box. Complete with lids, they are 5 inches (13 cm) tall each and in excellent condition.

Antique Japanese vase decorated with scroll vine motifs around the mouth of the vase and animal like figures near the mid-section of the vase. The glaze used for this piece is emulation Jun ware which was developed in the Song Dynasty in China and in Japan, Song dynasty style glazes captivated connoisseurs and tea masters. The popularity and preferences of these glaze still continue to this day. Age: 19th-20th century. Size: Height 14" Diameter 7"

A vase by Kiyomizu Rokubei V featuring auspicious calligraphic characters opposite a boy staring at the moon from atop his ox decorated by Domoto Insho enclosed in the original signed wooden box. It is 22 x 15 x 37 cm (9 x 6 x 14-1/2 inches) and is in excellent condition.
Kiyomizu Rokubei V (Shimizu Kuritaro, 1875-1959) initially studied painting and decorating technique under Kono Bairei, one of the foremost painters in Japan in the Meiji era...

A classic Gu vase of exquisite white porcelain by Miura Chikusen enclosed in the original signed double-wood box. It is 13-1/4 inches) tall, 19 cm (7-1/2 inches) diameter at the rim and in excellent condition. This type of Sinophile work was very popular throughout the Meiji and Taisho periods, and Sencha steeped tea had a profound impact on Japanese culture at the time. For more on that see the book ‘Tea of the Sages: The Art of Sencha’ by Patricia Graham (1998)...

Antique Japanese hirado ware white vase with base. The vase is a beautiful white color. The simple shape is accented with dragon shaped handles on either side. The work is done by the kiln of Kanzan Denshichi (1821-1890)...

A large Kiji porcelain vase with florals (stylized millet?) in raised relief by Miyanaga Tozan enclosed in the original signed wooden box. The architecture and infinite care shown in the carving on the surface proves this to be a superb piece deserving of the name of one of Kyotos top porcelain artists. The vase is 10-1/2 inches (27 cm) tall, 11-1/2 inches (30 cm) diameter and in excellent condition. Miyanaga Tozan I (1868-1941) is one of the most important names in Kyoto ceramics. He was bor...

A misshapen bowl excavated and assembled from several pieces using the kintsugi gold technique. Originally a kiln flaw, it was likely destroyed after creation, later to be excavated and assembled as was popular in the later Edo period. Misshapen,and with a large kutsuki on one side, it is 4 x 5 x 3 inches (10 x 12.5 x 8 cm) and comes in a wooden box.