Beautiful Meiji Era ivory napkin ring with 2 scrimshawed monkey, one of which is chasing a fly. This piece would also make an excellent stand. Dates 3rd quarter 19th century and measures 1 7/8 inches across by 1 inch high. Guaranteed ivory.

It was carved by a late Meiji period (1868~1911) artist Tozan (東山). It depicts a smiling wood cutter taking a break and tying his straw sandal lace. A sparrow is resting on his straw hat. It is 6 1/5" high, 3 7/16" wide (from the bottom) and 3" thick (from the bottom). Aside from two hair line cracks; one on his back head and one on the bottom, it is in great condition.

It was carved by a late 19th century or early 20th century artist Ryuzan (柳山). It depicts a smiling mother holding an umbrella and carrying a child on her back. It is 7 1/2" high and 2 3/4" wide (from the bottom) and 2 3/8" thick (from the bottom). It is in great condition.

Round ivory kôgô box with shibayama technique, inlaid with gold and pewter or silver lacquer. Lake decoration in two cartouches on the side and the top of the kôgô, surrounded by rinceaux.

It could be the representation of views of Ômi, around Lake Biwa (present Shiga prefecture). The temple on the rocky mountain is probably the Ishiyama-dera, built around 762 A.D. in Ôtsu. It is part of the Kansai Kannon pilgrimage circuit...

This antique Japanese okimono was intricately hand-carved during the Meiji period (1868-1912) to portray a lifelike rhinoceros. The artist has skillfully captured the fine details of the animal's body, creating a rough texture that emulates the real hide of a rhinoceros. The material's natural color is brilliantly incorporated, particularly on the shoulders and head of the creature, lending it a strikingly realistic appearance...

DUE TO RECENTLY ANNOUNCED CHANGES, AND FURTHER PROPOSED CHANGES THAT HAVE NOT YET BEEN FULLY IMPLEMENTED OR PROMULGATED BY THE US GOVERNMENT, IT IS NOT CLEAR TO US AND MOST ANTIQUE IVORY DEALERS, EXACTLY WHERE (WHAT JURISDICTIONS), TO WHOM, UNDER WHAT CIRCUMSTANCES, AND WHAT TYPE OF NEW PERMITS MIGHT BE REQUIRED FOR US TO CONTINUE MARKETING ANY OF OUR ANTIQUE IVORY PIECES FOR SALE...

Carved to fit the hand perfectly, this Japanese ivory page turner offers elegant design combined with function. The artists skill becomes even more evident when the page turner is held. In excellent condition save for one small shallow chip about 2-3 mm, see last photo, very hard to see, but can be felt if you run your finger slowly along the blade. The page turner measures 18.5" x 1.25".

A very finely carved ivory okimono of a fisherman wearing a grass apron and carrying a basket containing a fish. Additionally (within the basket) is a small bound bundle of reeds or sticks...

An impressive magnifying glass with a carved ivory handle with 18 natural red coral beads. We believe the ivory handle to be a Meiji period Japanese parasol handle and sometime in its history converted to a magnifying glass. In very good antique condition with all beads intact, the handle measures 5 inches x 1 1/8". Magnifying glass with handle is 10.5 inches long.

Ivory okimono of a toad carrying an orchestra of five monkeys.
Four monkeys is playing instruments such as the shamisen (long-necked lute with three strings), the shime-daiko (small drum) and the flute. The fifth monkey is larger and is singing while holding a book in his left hand and plugging his ear with the other...

Okimono expertly carved from a single block of ivory depicting a hunter in the company of an Onagadori rooster. A child stands at the hunter's feet while he strokes the rooster's feathers. This okimono features the Yukiharu 之晴 signature in relief under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

A Japanese ivory okimono depicting a pair of figs decorated in polychrome. One of the fruits is ripe and shows partial peeling, revealing the inside. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 5.8 x 4.5 cm. State of conservation: Very good

A Japanese ivory brush holder carved in bas-relief with festive characters dancing and playing next to an elephant dressed for special occasions. On the opposite side a large Japanese "Matsu" pine seems to cover and shade the entire scene. The internal part is entirely patinated bronze with slightly gilded details of the symbols of the chrysanthemum and the pauwlonia flower, two symbolic elements linked to the emperor and the Tokugawa clan. Origin: Japan Period: Meiji end of 19th cen...

Kodansu in ivory in the shape of an elephant, resting on four feet, enriched by refined inlay applications in the sophisticated Shibayama technique. The upper opening, facilitated by a bronze grip, reveals its interior. It bears the signature, engraved on the side. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 26 x 4.2 cm. State of conservation: Very good

An ivory netsuke depicting a mouse with horned eyes and head turned backwards, crouching on an overturned candle while the wax flows. Origin: Japan Period: Edo late 18th century Dimensions: 3.4 x 5 x 2 cm. State of conservation: Very good

A bronze and ivory okimono depicting a street entertainer playing the shamisen, a Japanese musical instrument. The player wears a traditional kimono, rests his right foot on his box which he carries along with his umbrella on his traveling journey. It is signed Jōnan 城南 with engraving on the bronze. Origin: Japan Period: Meiji 19th century Dimensions: 21 x 20 x 15 cm. State of conservation: Very good

Ivory okimono which portrays an affectionate scene of daily life: a father holding his child in his arms while holding the toy desired by the child. The okimono is signed Tomokata under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 17.5 x 6.3 x 5.3 cm. State of conservation: Very good

Ivory okimono depicting Hotei, one of the seven Sages of Good Luck. He is depicted smiling and sitting on his sack, while he holds the stick. Next to him there is a child who hugs the end of the sack. Signed Tomihiro under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 17 x 4 cm. State of conservation: Very good