An unusual and charming votive image of carved wood depicting Guanyin seated in her grotto on Putuo Island with the secondary figures, the Dragon Maiden and Sudhana attending her on either side. Above a small grotto with the seated image of a Buddha and flanking it on both sides are the four popular companions from the Journey to the West (Xiyou ji), the monk Xuanzang, Sandy, Pigsy and Monkey. In the water below a pair of nagas and a large fish...

A bronze figure depicting the City God, (Chinese: Cheng Huang). Cold gilding and rest of coulors. The City God is one of the important Gods of Daoism, he is a kind of guardian deity of the City, a heavenly magistrate responsible for the protection of the territory, the safety and prosperity of the locality. Temples dedicated to Chenghuang were built allover China and annual processions of the God were carried out. Ming Dynasty. H. 29 cm. Condition: Very good, just some wear to gilt.

Descriptions:
A granite head piece was well preserved.
With characteristic facial features, the stone piece was retained on the surface with old conditions that only ancient time can cause.

Date: Tang Dynasty （AD618-907) ,

Height without stand: 14 cm

Chinese Dark Cherry Amber Bakelite Faturan Carved Censer with Dragon

It is 7.67 inches (19.5 cm) tall by 7.67 inches (19.5 cm) wide without stand. It is 1225 gram.

It has inclusions, and surface wears and scratches (as seen in the photos).

Tested with Simichrome.

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A large and imposing bronze image of the Songzi Niangniang (‘The Lady who Brings Children’), a primary Daoist deity. Fine expression and details. Covered with a dark brown patina all-over. Ming dynasty, most probably Wanli period (1573–1619), a time when it is known that large number of Daoist images were made. ****H 38 cm. ****Condition: Generally very fine. Minor remains of cold gilt and colouring. One tip of a finger broken off.

Guan yin in cast copper alloy. Incised decoration. True old patina. A little worn normally see pictures. No restoration. She must have been holding an object in her hand which is missing today. Hight: 15cm.

Chinese Dark Cherry Amber Bakelite Carved Kwan Yin Buddha on Wood Stand

It is 5.1 inches (13 cm) tall measured without stand by 3 inches (9.1 cm) wide. It is 266 gram measured without stand.

It has chips at the bottom, inclusions, and surface wears and scratches (as seen in the photos).

Tested with Simichrome.

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Probably Tibet. Miniature Buddha in cast bronze gilded with the mercury technique. Under the base curiously we can see a Vajra cast in relief. The sculpture is simple rustic, the details are little or not chiseled, however the gilding is of the best quality, very thick and tends to flake.Traces of pigment on hairs and eyes. The style of the base with elephant and Buddhist Lions in front and crosses at the back, makes me think of the 15th century style. No restaurations...

Buddha in very heavy cast bronze. Never been gilded. Very nice natural brown patina. Very well known model of the Kien-long period, which usually are gilded and marked with the reign and sometimes dated and which are always in embossed copper (see an example in my collection n°10). The one presented here is in cast bronze. Good condition, some minor wear and shocks, no restoration. Height: 17,6cm Weight: 1490g

Statue of Buddha Sakyamuni, in monk's robes, sitting on a lotus, his hands in didactic posture ("vitarka ludra"). Bronze, with fine patina. China, early Ming dynasty, Hongwu period (1368-1398). Height: 13 cm. Small accident on nose, otherwise very good condition. A very rare piece. NOTE: similar examples of Buddha statues of this period exist, though rare, for example a gilt-bronze Buddha, dat.1398 Hongwu, H 5.8 W 3.8 cm, East Asian Art Museum, Bath [exh.cat. Bath 2000, No...

Minute restoration on the nose's tip, otherwise is in good condition.

Height with Stand:43cm.

Height without Stand :27cm.

It was from an old collection.

Bamboo Poutai. Very finely carved. The artist knew how to make all the emotions and characteristics of the character. The delicacy of the movement of the hands slightly retracted in a precious attitude, the joy of the laughing eyes wrinkled with enjoyment, the softness of the mouth. The sympathetic fatness of the neck...

19th Century Chinese Bamboo Carved Shoulou & boy Figurine Signed

It is 12.2 inches (31 cm) tall by 7 inches (17.7 cm) wide. It is 1.4 LB.

It has small chips and hairline cracks and surface wears (as seen in the photos).

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Chinese Culture Revolution Carved Wood Gilt Lacquer Pierced Panel with Ethnic minorities Figurine

It is 2 inches (5 cm) tall by 24.4 inches (62 cm) long by 9.6 inches (24.5 cm) wide. It is 4.6 lb.

It has chips, hairline cracks, rubbing of gold and surface wears and scratches (as seen in the photos).

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Ming Dynasty Chinese Wood Sculpture of a General on Horseback, with original pigments. 11 x 5 x 3.25 inches, 28 x 13 x 8 cm. Purchased from Askenasi in Paris in 1978 by Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

Ming Dynasty Chinese Wood Sculpture of Emperor and Empress. Purchased from Askenasi in Paris in 1978 by Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs. 8.5 x 5 x 2 inches, 21.5 x 12.5 x 5 cm.

The head is carved in a grey stone that I think is limestone, it is harder than marble but it can be scratched with a steel tool. The naive sculpture seems to be made by a craftsman who was not a sculptor or a sculptor of a primitive people. It unquestionably represents a Buddha with his third eye in the middle of his forehead. There is some red pigment left in one nostril and in the corner of the mouth.The appearance of the stone seems very old...

Very deep and heavy Nuo mask of a serene unidentified character with very long ears, ancient polychromia, perfect condition, beautiful patina.
At least 18th. C, probably Ming Dy. 18 x 17 cms. Yunnan, China.(see bibliography)