A 1920's Wakasa lacquer clam trinket box. Both sides match and the two pieces fit together perfectly. Dating from the 1920's, it measures 4.75" across, 2.25" high, 3.75" front to back. Wakasa craftsman developed the process of layering lacquer coats of different colors during the Edo period.

Frills, filigrees and draperies gather pell-mell near the peak of this evocative vessel by Kawabata Kentaro enclosed in the original signed wooden box titled Loco. Consistent with this artists repertoire, the varying aspects are difficult to surmise in few words, raw clay, torn, cut, molded, squeezed and decorated with color in a variety of styles. It cocks its hip to one side, striking a sassy pose. A playful work to represent the eclectic style of this young man re-shaping the ceramic lands...

An unusually large vase by Seifu Yohei III with carved cloud designs covered in mottled red flambe glaze. The box is titled Dawn-cloud-glazed Vase, Made by the former Seizan (alternate name used by Seifu III) dated Late in the Year of the Earth-Horse in the Taisho era (1918), attested to by the 4th generation Seifu. He has employed the Teishitsu Gigei-in seal of the third generation on the lid. There is a large, broad repair to the foot in colored lacquer, so it is likely the vase was never o...

Japanese pencil-signed first edition shin hanga woodblock print titled "Kagurazaka Dori" (Kagurakaza Street after a Night Rain) from the series "Twelve Scenes of Tokyo" by Hiroshi Yoshida (1876-1950) dated Showa 4 (1929). The jizure (self-printed) seal is in the upper left margin. The artist's black ink brush signature and red seal is at the lower right corner of the image. The print is titled in English and pencil-signed in the bottom margin. The left margin contains the date and title in Jap...

A Very Rare/Fine Pair of Korean Silk-Brocade Woman’s Shoes (당혜(唐鞋)-19th C: Korea, Joseon dynasty, Late 19th century. A pair of shoes with a leather and red and light-yellow colored silk for a royal family’s women, the soles are pig skin, sewing done unbelievably very well done, they’re very rare with a good condition like these ones today. It’s in very fine condition, it measures 24cm long, ***조선시대 여인들의 신발에는 궁혜(宮鞋), 당혜(唐鞋), 운혜(雲...

A silver box with hinged lid, standing on four ball feet the base with Arabic inscription. An oblong silver tray on four feet and a fine small dish. Condition: some traces of usage, box not closing completely. Dimension: box: c. 12.6 x 6.9 x 4.4 cm, weight: 211 g, oblong tray: c. 16.5 x 11.5 x 1.2 cm, weight: 148 g, dish: 11 x 0.7 cm, weight: 44 g.

Antique / Vintage Chinese black silk piano shawl with embroidered red peonies - Large and heavy. Early 20th century. 63" x 63" silk ground, 19" fringe on 4 sides. Large and heavy ! Excellent condition.

Antique Chinese Qing Dynasty 19th century Han Chinese woman's robe, blue silk damask with embroidered collar and trims; 5 toggle-loop buttons. The robe is in great condition, no fray or wear. Measurements : Top collar to bottom hem 36", Sleeve to sleeve 65" when fully stretched, sleeve width 20", width between arm pits 25" narrowest, width of hem 36" widest.

Well defined bronze elephant koro incense burner, C.1920. 18cm tall by 15cm wide. Very good condition.

A wonderful, larger Chinese pottery figure of a female attendant. The figure dates to Ming Dynasty 1368-1644 AD.

An lady dressed in a robe glazed in Green and Yellow Sancai colors. She is placed on plint and carries a vase in front of her chest.

She carries a hat and her hair is nicely styled. Facial details were made with fragile pigment colors of which some remains.

Height: 31-32 cm - c. 12,5 inches. A massive figure in hand, weighing 1,6-1,7 kg.

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Japanese shin hanga woodblock print titled “Tasogare” (aka Dusk or Twilight) by Yamakawa Shuho (1898-1944) depicting a beauty in dressed summer kimono holding an uchiwa (non-folding fan) from the series “Four Images of Women” published by Bijutsusha in April 1928. This is the oban edition with gaufrage and mica highlights. The Shuho signature and red maple leaf seal are at the upper right. Plate: 14 1/4” x 9 3/8” (visible paper size: 14 5/8” x 10 1/8”); frame: 21" x 16 5/8." ...

SPICE JAR

Pottery, early 20th century, Korea, approx. 13.5 x 12.5 x H 10.5cm (5.31 x 4.92 x 4.13in). Some expected cracks and chips due to aging as is.


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A spectacular pair of large jadeite paradise flycatchers measuring over 15 inches tall and on stand over 17" high. Carved from the same block of jadeite, they weigh over 30 lbs. The flycatchers are standing on rocks with intricately pierced and carved open peony, floral buds, flower branches, and butterflies. An apple green butterfly is perched on the male’s head. The jadeite is a pale lavender having lots of apple green striations with some small emerald and dark green markings. The poli...

A Very Rare/Fine/Korean Carved Wood Block Printing Panel (능화판菱花板)-19th C.: Korea, Joseon dynasty, 19th century. This wood block printer carved panel engraved for book cover decoration or for other various materials decorations, this panel carving done by a very experienced skilled carver, and carved delicately with geometric patterns, a medallion floral decoration and two Chinese characters: “Happiness and Longevity”. It is in very good condition with dark black ink ...

Over the years we have taken a special interest in Raku-ware and especially in works produced by the Tamamizu kiln, such as the 300+ year old ceremonial tea bowl seen here. The first in this line of potters was Yahē (1662 - 1722), an illegitimate son of Kichizaemon Ichinyu (1615 - 1768) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho). Though he is the first potter of this branch, he is sometimes referred to as Tamamizu VI, deno...

Revered Chinese scholar and tea master, Lù Yǔ is known as the “Sage of Tea” and is credited with advancing the practice of tea through the writing of his life’s work,The Classic of Tea. Here we see a masterful rendition of this historic figure done by one of the most iconic Kyoto painters—and founder of the Maruyama school—Maruyama Ōkyo.

Student of Ishida Yutei (1772-1786), Maruyama studied primarily Kano and Tosa painting and was influenced greatly by western art, par...

Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords. The piece seen here is a classi...

A cast bronze vase. Finely executed. The finish is nice, made with a lathe and a scraper. Very elegant decoration of chains and tassels inlaid in gold and silver. At the neck a frieze of stylized dragons. Beautiful old patina, good condition, no restoration. No mark. High: 30cm.