Rare pair of Taisho Period, C.1920 clay Shinto Inari foxes. One has a scroll in its mouth, the other the Hoju sacred gem. Very good condition. 13" high by 7" wide. Ask for shipping quote from CA warehouse.

A radical Tea bowl by Sakuchi Ensen enclosed in the original signed wooden box titled Hisshoku Nanban Chawan. This has everything, texture, color, size. Inside circles of flame burn white in the charred dark earth, while the outside is charred black with smatterings of red, blue and green. It is 13 cm (5-1/4 inches) diameter, 9 cm (3-1/4 inches) tall and in excellent condition. It comes complete with the original wrapping cloth and artists profile (shifuku and shiori).
Sakuchi Ensen (...

A bag made of asa (hemp) and dyed with kakishibu (persimmon tannin). Warp and weft are hand-plied. It has and cotton lining. Late 19th to early 20th century. 27cm x 60cm

A bag made of hand-spun cotton with shibori (tie-dye) and katazome (stencil-resist-dye) pattern which is vegetable indigo dye. It has cotton lining with kasuri pattern which is also hand-spun and vegetable indigo dye and thinly padded with cotton. Generally in good condition except for a few stains. The first half of the 20th century. 30cm x 41cm

Pair Chinese Sancai glazed Parrots, 1940-1950, 9 1/2" high, 4" wide, 4" deep-base, few flaking glaze chips.

Living National Treasure Yoshimichi Fujimoto (1919-1992) Aka-e Tokkuri (sake bottle) with iconic floral design.

Light in weight, this work is a masterpiece in transition from pottery to porcelain. On a plump chamfered shape and a milky white background, the iconic flower patterns drawn with a relaxed brush stroke showing vivid colors.

After graduating from Tokyo Fine Arts School, Yoshimichi Fujimoto studied under Hajime Kato, and then learned Kutani ware porcelain while se...

Kato Juemon (1894-1974) Aka Oribe Chawan with box signed by Sen Soshitsu XV Grand Master (Iemoto) of Urasenke Tea School (b.1923)

Fine Red Oribe Chawan for tea ceremony made by Kato Juemon (1894-1974).
Of irregular Kutsugata shape with unglazed foot ring.
The mark of the potter is stamped on the bottom.
Juemon Kato (1894 (Meiji 27 year) - 1974 (Showa 49year)) is a renowned Japanese ceramist. He was born in Kasahara-cho, Toki-gun, Gifu Prefecture (currently Tajimi Ci...

This is a rare Japanese antique handspun & natural indigo dye cotton soft tenugi fabric in meiji period (1868-1911). It is a Swallow and plum character pattern. size: Length:80cm / 31.4" Width: 30cm / 11.8"

An antique Japanese Cha Tansu (tea chest) made entirely of Rosewood (Shitan). Beautiful configuration of sliding doors, shelves and drawers. Each display shelf has an arabesque border and the center and top shelf have a horizontal scrolling design. The top, back and sides all have floating panels and the chest has an open air design with areas for storage.

Age: Late Meiji-Taisho (1900-1920)

Dimensions: 42" Wide by 42 1/2" High by 13" Deep

An antique pair of Japanese Fusuma doors made of Hinoki (Cypress) and Sugi (Cryptomeria) woods. Natural Urushi lacquer frame and hand painted design of Bamboo trees on one side and Pine trees with Bamboo on the opposite side. Bamboo symbolized tenacity and perseverance while the Pine tree represented a long life making these doors auspicious and full of good luck.

Age: Meiji Period (1880-1890)

Dimensions: Each 35 1/2" Wide by 71 1/2" High.

Overlapping crescents in pale colors decorate the textured white clay of this tall vase by Kamoda Taro enclosed in the original signed wooden box dated 1989 and titled Kaku (With Corners). It is 12 x 15.5 x 32 cm (5 x 6 x 12-1/2 inches) and in excellent condition, hand signed on the base in a colorful cartouche.
Kamoda Taro was born in Mashiko the eldest son of legendary ceramic artist Kamoda Shoji. The day to day of the family kiln was forced upon him with the early death of his father...

A Japanese gold lacquered wood incense tray (kobon) worked in hiramaki-e and Shibayama inlaid with polychrome mother-of-pearl and horn. depicting a wildlife scene of a pair of pheasants near a stream and a peony plant with swallows in flight. Nashiji ground at the back. Meiji period 19th century Sizes: 20 × 15 × 1 cm. Condition report: Good condition – structure a little crooked

Hiroshi Yoshida
Hirosaki Castle
Series: Eight Scenes of Cherry Blossoms
Date: 1935.
Size: Oban. Approximately 15.75 x 10.5 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating a first edition self-printed by the artist.
Medium: Japanese woodblock print.
Reference: Abe catalog #192.
Condition: Pencil note at top margin. Paper lightly toned.

Ruby red Beijing glass, Qing Dynasty snuff bottle. The neck has an old silver repair. H: 7.8cm/3in and W: 6cm/2.3in.Free shipping.

Rare phallic charm from Lamphun Northern Thailand- serendipitously enough, where they have an annual sausage festival. Originally these were worn by men at the waist and were thought to protect the wearer from any harm to his penis and in a more general sense they also are believed to bring luck especially in terms of “wealth generating or protection”, so a woman might keep one in her cash box to increase your money flow or in her purse to prevent it being “snatched”. These have their or...

The size of Bowl: 7 1/2" Dia x 3 1/8" High. Most unusual and attractive Japanese Ko Imari Sometsuke Porcelain Bowl. The bowl is made from fine quality porcelain as well as the fine glazing. It has pretty design of Shiranuki design and flower design outside which used blank area with nice contrast. Shiranuki Design is special work on the design with blue background where white design area has the blue underglaze knocked out. Inside has very intricately painted Senbiki(lineworks) flower design wit...

Chawan tea bowl, or perhaps a soup bowl or a mukozuke. Fairly thin stoneware modeled in the shape of a drum with 8 nails (protrusions) along the upper edge that would hold the drum skin in place. Deep green glaze. Eight vertical lines engraved and filled in with gold.

A triangular shape is cut out of the foot by way of a potter’s mark. In the center of the bottom a round Raku seal impressed.

Raku ware, Kyoto, Japan, first half 19th century

H 3.75 x Diam at widest point 4.5 i...

Large and rustic almost round platter, called ishizara in Japanese, used in kitchens and commoners’ households. Plain light greenish-yellow glaze that typically leaves the foot free. The many pinpoint spots where the glaze did not completely cover the stoneware has allowed dirt to penetrate, giving the surface a lively spotted face. Glaze has dulled over time from constant usage.
Five spurmarks in the center.
Mingei

Seto ware, Japan, Edo period, 1800-1850

H 2.75 x W 14.5 ...