A square cover or shawl made of shiny purple silk beautifully embroidered with birds, flowers, butterflies and tendrils. The long fringes multi-colored. With light blue silk lining. Condition: fine, lining with one hole. Dimension without fringes: 151 cm x 151 cm.

Yuasa Koufuu is an accomplished Japanese calligrapher. She is the recipient of many honors and prizes in Japan. Her style is very graceful and reminiscent of the famed Edo Period master, Rosetsu. In this delightful piece, Yuasa Koufuu describes the beautiful scenery in a mountain river. Frame: 20 x 14 inches, 51 x 35.5 cm; Artwork: 13 x 9 inches, 33 x 23 cm.

This pair of pillow ends is the oldest Korean embroidery we have ever offered. They are about 200 years old, from the early 19th Century. Please look especially at the close-up photos to appreciate the very fine technique employed in the details of this marvelous and rare pair. The peonies are a symbol of love and prosperity, and the butterflies are a symbol of happiness. Only very old fabric has such warm colors, and only the old embroiderers would have had the dedication and work ethic require...

This pair of earmuffs are kept together with a silk ribbon. Worn to protect the ears in winter, the outer side has delicate embroidered flower motif, and the inside is slightly padded and has ear pockets which slip of the ears.

Flames of red flash form the bird resurrected on the side of this large Cloisonne vase by the Ando company of Nagoya; Japan’s premier cloisonne studio. The color is hard to describe, seeming to be lit from within. A combination of wire and wireless design using gold wire with silver rim. Ando mark on base, the vase measures 37 cm (14-1/2 inches) tall, 32 cm (12-1/2 inches) diameter and is in excellent condition. It comes enclosed in a fine, custom made kiri-wood box.

Large Khmer bronze tray in circular form with nice patina.

Age: Cambodia, 12th Century
Measurement: Diameter 50 C.M. / Width 6.5 C.M. (size excluding stand)
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

This is a wonderful set of Japanese bridal kanzashi (hair ornaments) from the Meiji to Taisho period, late 1800s to early 1900s, made out of tortoise shells. We assume that this kanzashi was decorated with the auspicious emblem, a phoenix bird in paulownia tree, with some elements (leaves, flowers and birds) altered to the family of the bride. It has an aura of nobility and power. The family crest on the box is three ivy leaves. There is always a chance that the box may not be original but ...

18 cm long set of Kanzashi with five Bira dangling from a branch to which is caught a court cap, possibly dragged from the wearers head during a horse race, or perhaps flung off in a passionate moment. For someone interested we have a museum quality collection of combs and hair pins which I would prefer to sell together in accordance with the previous owners wishes. Birakan (bira Bira Kanzashi) were hair pins used by all classes of society and were one of a woman’s most prized possessions. ...

Two Famille noire biscuit sweetmeat dishes, Kangxi (1662-1722) of "arrow" formed, painted in the middle on a black ground a bird. The skirting band on the rim painted in green and black. The sides with aubergine glazed symbols. The yellow and green enamels has a "oil" surface and the black has a overlying green glaze. Condition: One in perfect condition. One is restored from several parts (see pictures). Measurement: 12.2 cm = 4.8 in x 10.6 cm = 4.2 in

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Dimensions: H. 32 cm W. 22 cm D. 9 cm (incl. stand) Wonderful patina. Thailand, Ayutthaya, 17th/18th century.

Lovely small wooden house altar with fine carving and its original gilding and the original cover (most of the time the covers are missing). 19th century. Dimensions: 35x30x14 cm. Condition: a crack in the cover, some wear to the lacquer and gilding.

The sides are scorched from flame on this large, flattened ball form tsubo by Koie Ryoji enclosed in the original signed wooden box. The raw Shigaraki earth is scored with strikes from a paddle and deep gouges from the artist fingers. The Tsubo is roughly 8 inches (20.5 cm) tall, the same diameter. Born in Tokoname, 1938, Ryoji graduated the Tokoname industrial school and moved on to work at the City Ceramic Research Facility. In 1966 he established his own studio. Largely displayed and pri...

Elegant ebony wood carving of a Balinese beauty circa 1960 to 1970- possibly older. This was obviously created for the tourist market and panders to the Western ideal of the female form of the time. I traveled to Bali in the 80s and 90s and found their arts and crafts leaning more to the impressionist side, where figures looked like the Navi from Avatar. Given its hardness and cost, ebony is usually only given to master craftsman to carve from. I tried digging into the bottom with my trus...

Description:

A Cloisonn Enamel covered box was preserved in nice condition.
Well fitted with each other, the covered box was used to be as a tea caddy or storage box for incense powder.

Date: Qing Dynasty, late 19th century.

Height: 8.1cm, Width: 6.3cm.

Condition: Very limited old defects on the surface.

A very rare piece, this foldable paktong scroll weight, which, when folded out, can be used as a frame for calligraphy. Finely engraved with a crane in a landscape. Dimensions: closed 20x2,3 cm, opened 15,5x7 cm. Age: 19th century. Condition: excellent.

The two Famille Jaune sweetmeat dishes decorated on the interior with branches of a blossoming plum tree. Main colors are the yellow and green enamels, details are in black thin lines. Condition: Both are in prefect condition. No cracks, ships or restorations. Measurement: 17 cm = 6.7 in x 12 cm = 4.7 in

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Serene Bronze Mandalay Buddha subduing Mara with flowing robes and cast on a base with gold leaf patina. 19th Century, Size: H.18" x W.14" x D.9" inches (45cm. x 35cm. x 23cm.) Good condition.

The glaze on this sculpted form by The Bear of Echizen Kumano Kuroemon (also Kurouemon) is covered in the most fantastic crustations of glaze. Thick white over scarred red over shatterd black on an unconventional shape the artist has titled marukawara (round tile). It has Tomo everything, Artists history, wrapping cloth, with his ubiquitous calligraphy all over the signed box. The piece is 29 x 17 x 8 cm (11-1/2 x 6-1/2 x 3 inches) and is in perfect condition.
A ceramic madman, oil pain...