Good condition except glaze flakes

Chinese antique fan painting of a figure poling a boat through great rocky outcroppings, painted in ink on mica coated paper. A poem reads as follows: Passing through the gates of the old cave near the shores of the steep cliff, whoever moves through these crevices will find the seeds and roots of the clouds. Knowing that the clouds are suspended, the wind and rain are like fair ink, the misty mountain dyed and scattered have the appearance of mottled jade." attributed to Yun Shouping. ...

Large Japanese porcelain baluster vase, decorated all over with beautiful scenes of mountains and waterfalls, pavilions peek through trees and boat sail on water. The shoulders of the vase are painted with mountain peeks in green and blue and swirling purple mist. Mark on bottom states that this is Arita ware from the Egami Studio. Taisho Period c1920. Size: 18" high x 11 1/2" wide

Charming Japanese fan painting depicting a small bird on a branch, painted in ink and light color on paper, attributed to Kawabata Gyokusho (1842-1913), Meiji period circa 1900. Size: 17" long x 6" wide.

A splendid and unusually large tetsubin decorated with geometric patterns with peonies and butterflies set within a frame. This piece is a collaboration of two major artists. The body has a seal by the kama-shi or tea kettle maker, Okuni Jurou, and the lid is signed by Kinryudo. Okuni Jurou, along with his father Okuni Toubei were famous for their skill and artistry during the Meiji and Taisho Periods. Condition is original and excellent. Size: Diameter 9.5" Height 14"

Please feel free to enjoy this Chinese wood carving of a seated Guanyin, early Qing dynasty. The Guanyin is seated in rajalitasana, royal ease, on a pierced rockwork base with one leg lowered and the other with knee raised supporting the right arm, the face carved with a poised and calm expression, wearing a tiara and loose robes falling over the shoulders and open at the chest to reveal an elaborate beaded necklace.

There are no repairs visible, but pieces of laquer had been chipped...

Good condition

Porcelain bowl, the exterior decorated with the "100 antiques" motif in the doucai palette. The interior with bats around an auspicious character in overglaze red and some gold. The base with a six character Guangxu mark in underglaze blue. Condition: fine, except a tiny rim chip (see last picture) and a minuscule bubble burst. Dimension: diameter: 16 cm, 6.8 cm high.

Japanese Imari Porcelain Hibachi, 9" high, 10 1/4" diameter-outside maximum measurement, later part of 1800's, with repeated vertical indented grooves on entire body with four(4) separate cartouche filled with floral decoration, underglaze blue and overglaze dark orange or reddish color decoration, highlighted in gold. The condition is good, no damage or restoration.

A beautifully decorated lacquer box dating from the 1930s or 1940s enclosed in a signed wooden box. Inside silver flake on shiny black, outside what appears almost a matt finish, of dark soft orange-peel texture with brilliant designs in raised gold and silver maki-e wrapping around the edges. The artists signature can be discerned in the nashiji beneath. The storage box originally bore the title and signature in ink, which was later covered over with silver Maki-e (the original ink signature ...

Beautiful Japanese antique fan painting of irises, painted in ink and mineral colors on paper that was once silver leaf but has worn and oxidized a beautiful sepia color, wet on wet painting technique, Rimpa School, !9 century- Late Edo/Meiji Period. Size: 21" long x 7" wide.

Japanese antique tetsubin (kettle for heating water for tea), made of cast iron, dramatic and very three dimensional design of a dragon in swirling waves, highly raised with wonderful detail, bronze lid with lotus pod. Meiji Period c1900. Size: 9" high including handle x 7 1/2" wide including spout.

Air bubbles appear trapped in the glaze like a thin slab of ice. This is a fantastic Chozara by Inoue Yoshihisa enclosed in the original signed wooden box. It measures 30-1/2 x 9 x 1 inches (77 x 23 x 2.5 cm) and is in perfect condition. Due to size the cost of shipping will be accrued separately for this item.
Yoshihisa (b. 1947) studied ceramics under Kiyomizu Rokube VI, certainly one reason for his emphasis on sculptural concerns. His work has often been accepted to the Nitten Nation...

In good condition

Japanese persimmon wood cha tansu (tea chest), made chestnut wood frame, kiri (paulownia) wood drawer interiors, and beautiful solid persimmon wood panels, dramatic grain, large compartment opens with sliding panels to reveal stepped level shelf inside, Taisho Period (c1920). Size: 35 1/4" high x 29 1/4" wide x 12 3/4" deep.

An exotic white inko in a pine tree enclosed in the original red lacquered double signed wooden box (Niju bako). Pigment and ink on silk in a fine brown silk border patterned with Kiri leaves, extended with blue gray and featuring large ivory rollers. It measures 23-1/2 x 80-1/2 inches (60 x 204 cm). There is light foxing, mostly concentrated to the right of the tree. The seals are pubished in the large museum Anthology “Keinen” figures B and D.
Imao Keinen (1845-1924) was born i...

A large Gohon pottery Sweets bowl by Kiyomizu Rokubei V with expertly rendered Sparrows ascending into the sky painted by Imao Keinen enclosed in the original wooden box signed by both artists. It is 8-1/2 inches (21 cm) diameter, 4 inches (10 cm) tall and in excellent condition.
Kiyomizu Rokubei V (1875-1959) began by studying painting from the age of 12 under the 19th century master Kono Bairei. Upon graduation from the Kyoto Municipal School of painting, he apprenticed under his fathe...

An Art-Deco Revival vase by Nakajima Yasumi II enclosed in the original signed wooden box titled Jundo Homan Kabin dated 1959. It is 8-1/2 inches (22 cm) tall and in fine condition.
The name of Nakajima first came to notice in 1908, when the first generation Yasumi (1877-1951) was awarded at the Senkatsu Kinen Exhibition. He was a consistent exhibitor with the Teiten-Nitten national exhibitions and was also quite active abroad, being prized at the 1931 Belgian Exposition and serving as j...