A very rare early Ava Period Buddha with heavy silver alloy casting and remains of gold gilding setting with the right hand in the "bhumisparsa mudra" earth touching position. Very heavy for it's size. Comes with TL certificate. Size: H. 28cm. W.Base. 17cm. Condition: No repairs.

An underglaze blue and copper red bowl, with gold details. Scenery showing flower sprays and surrounded with symmetric patterns. Condition: Very good condition. Some wearing at the gilded details. Measurement: diameter 21.8 cm = 8.6 in

Please note! Customer satisfaction is our top priority. We guarantee 100% accuracy and correct information for each object listed on our website. We are happy to offer a one-time exchange only policy on the return of any object within 30 days of the...

We like to offer you a rare Japanese Hagi Chawan called 'Gohon Chawan', made in the old Korean style from ancient times and dating from the mid Edo period.

Colour and glaze are equally rare and wonderful. We offer this fantastic chawan together with its Edo period wooden storage box and its cloth pouch called 'Shifuku'.

This Hagi Gohon Chawan has a split cross footring called 'warekodai'. Tea bowls of this style were favored by busho chajin (warrior tea men).

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Japanese Arita porcelain round form deep dish decorated in underglaze blue with a karashishi (Buddhist lion dog) among leafy flowers set against a faintly celadon tinted white ground. The back bears an abbreviated apocryphal Chinese Ming dynasty Chenghua reign mark (Taimin nenka) on the glazed base. The foot rim is unglazed. The outside well is decorated around the circumference with karakusa. Circa 1800. Measures just over 11 1/4" diameter x 2" high. Very good overall condition with no ch...

Song Dynasty two fish celadon plate with lotus leaf pattern to the underside. In good condition overall. Note, one fish embossment appears slightly voided during the making process of plate. Coloration difference from green to more olive on one side. Higher resolution images upon request. Diameter: 7.50 inches; height: 1.75 inches.

A mid Edo period carved woodn mask for Shishi-mai festival dance covered in red and black lacquer with gilded teath and eyes in rarely seen good condition. The mask is used with the hand, not worn over the head, the dancer usually hidden beneath a long flowing cape. It is 22 x 20 x 20 cm (8 x 8 x 9 inches) excluding the horn and ears. There is an old metal plate nailed over one hinged jaw inside (not visible from outside), where the wood had likely once given way. Overall it is in surprising...

Tang Dynasty spouted wine ewer with light green glaze. There is small minor chipping to tip of spout and rim and some glaze chips. No repairs or cracks. Hi resolution images on request. Height: 2 inches; Diameter: 2 inches

Tang Dynasty brown glazed wine ewer with spout. It does have a couple of chips to the base and minor to the rim. Hi resolution images on request. Height: 2.50 inches, Diameter: 2.25 inches.

A Japanese sashi netsuke carved from stag antler, depicting the mythical Chinese fisherman Ashinaga with his long legs. Natural himotoshi (cord hole) between his right arm and chest. Condition: nice patina. Dimension: 13.5 cm long.

Dhyangro drums are usually separated from their phurba (ritual dagger) handles, and the handles are sold by themselves. This is a common occurrence with Nepali dealers. This is because the handles are easier to transport and sell. So it isn't very often that you see a completely intact, old Tibetan ritual drum. The drum is made of wood and animal hide, and has shaking balls inside for accenting the rhythms created by the shaman dancer. The handle is a wonderfully carved wood phurba (ritual dagge...

Tang Dynasty green glazed spouted wine ewer. Vessel is small likely made for individual servings. Glaze has a nice sheen , however, there are some small chips to actual glaze. No chips or cracks to the ewer itself. Height: 3 inches; diameter: 2.50 inches

Wonderful Mishima chawan with irregular form, made around the end of Edo, surely during the early Meiji period.

The first mention of the Mishima style comes in Eiroku 8 (1565) in a tea diary. Yet the mi kanji recorded in this diary is that for "to see," while the city of Mishima uses the kanji for "three," its whole meaning being "Three Islands." Some scholars therefore believe that the Mishima for which the pottery is named is derived from an island off the coast of Yamaguchi call...

Mint and elegant tea bowl by one of the greatest potters, Rokubei Kiyomizu VI.

This Kyoto-yaki item was made 70 years ago. It has a tasteful painting of pine on it. On the bottom you find Kiyomizu's seal. The tea bowl will be delivered with its original signed wood box.

The Kiyomizu family potters managed one of the most productive workshops in Kyoto’s Gojozaka district throughout the second half of the Edo period. From the Meiji they began producing tableware for expo...

DESCRIPTION: A charming and well executed Chinese silver tribal bracelet, the wide band framed with parallel lines between which various mythical and humorous animals cavort. Included in the hand crafted repousse processional are donkeys, fish, and a dragon vying with a foo dog for a brocade ball. This tribal bracelet comes to us from one of the mountainous Miao groups, who are well known for their beautiful silver work. Estimated to date from the first half of the 20th century and in very good...

This is a Five Dynasties period with the incised flora pattern, from southern china kiln, Tong An kiln, in good condition except a small manufacturing defect on the rim, a small minute chip but no crack

This is a Five Dynasties period plate with the incised pattern of lingzhi from southern china kiln, Tong An kiln , in good condition except a small minute chip n manufacturing defect at the back, otherwise very nice glaze shine n crackle

A porcelain figure of Guanyin (the Chinese "Goddess of Mercy") seated on a lotus 'throne' attractively painted with bright famille rose / fencai enamels. This item was made in south China during the reign of the Jiaqing Emperor (1796-1820). Condition: there has been much damage and old professional restoration. 23.5cm (9.25inches) high.

A rare and very unusual underglaze blue decorated Gu shaped Altar Vase with fine crackular glaze. This item was made in Southern China, probably during the second half of the Qing dynasty. Condition: damaged - with very old (possibly Chinese) double stapled and lead infilled repairs. 31cm (12 inches) high.