Chinese sandstone carving of Buddha's head, a fragment from a larger statue. This buddha has delicate features and a beautiful expression with high arching brows over half lidded eyes and a slight smile. Hair is a series of continuous sweeping rows over a subtle cranial protuberance. Northern Qi Dynasty (550-577). Size of head: 12 1/2" high. Total size including stand: 18 1/2" high. (custom Black Iron Stand).

Antique Chinese figure of the goddess Quanyin seated with a child on her lap. Made of bronze and lacquered in red then black lacquer, this statue was once completely covered in gold. The goddess of compassion sits with one hand delicately balanced on her knee. The other hand holds the hand of the tiny girl-child in her lap. Both goddess and child are sculpted with beautiful expressions and naturalistic details. Qing Dynasty. Size: 24" high x 17" wide x 14" deep.

Original example of a Japanese antique isho tansu from the Matsumoto area. Made all of kiri (paulownia) wood with original patina (frame, top, sides, and drawers). Iron hardware includes money bag shaped lock plates specific to Matsumoto tansu, moko shaped drawer pulls and elaborately cut handle back plates and drawer corner bracing. The tansu has 5 large drawers and the lower right hand side has a safe box with 2 small interior drawers.

Late Edo to Early Meiji Period.

Size:...

Statue of Buddha Sakyamuni, in monk's robes, sitting cross-legged on a double lotus throne, his hands in bhumisparsa mudra. Cast iron. China, Yuan Dynasty (1271-1368 A.D.). Height: 23 cm. Old accident at the back of the statue (see photos), strong oxydation due to great age, otherwise good condition. A rather rare piece

A Miniature Wooden Bonsai Table with Genuine Marble Top. Square, size: 20 cm. x 20 cm. x H. 7,5 cm (8"x 8" x H. 3"), We have 2 available.

A very rare gilt figure of Buddha with hands in the earth-touching gesture. The facial features are characteristic of Burmese Buddhas of the time with very large ears and nose.

Burma 17th/18th Century

Size: Height = 14 cm.

Condition: Good. Has a nice patina.

Set of Eight(8) Japanese different shades of Gold Maki lacquered covered bowls, Ca. late Meiji early 1900, 3 1/4" high include top or cover, 4 1/2" diameter top rim. Raised low relief design of Gold Maki Lacquered Ferns and other flowering plants behind rock garden in early spring on dark chocolate color of lacquer on wood. The beautiful and detailed fine Lacquer work was done two different shades of gold in different relief design continues to the cover, bottom and side. Inside the bowl is v...

Oversized limited edition etching and relief print by Ouchi Makoto (1926-1989) titled “Yuki” (“Snow”). It is undated, but likely dates from the 1970s. The image is pencil-signed, numbered 13/35, and titled in kanji in the lower section. The paper size is: 37”V x 25”H. Very good overall condition. There is a small abrasion in the paper just under the penciled kanji title and the paper in the upper left corner is slightly wrinkled. His work can be found in the collections of the ...

Oversized limited edition etching and relief print by Ouchi Makoto (1926-1989) titled “Firebird” dated 1971. The print is pencil-signed, numbered 30/60, and titled in kanji in the lower section beside the artist’s red seal. Paper size: 35 7/8”V x 23 1/2"H. Very good overall condition. The right paper edge cut is slightly irregular. This image is illustrated as plate 19 in the reference book “Aramusha: Ouchi Makoto The Artist Warrior” by Mary and Norman Tolman. The artist’s co...

Special offer: very old Shigaraki Chawan, hand shaped around the early 19th century (Edo Period). It has a great wabi sabi aura without chips, cracks or repairs.

A wood box is available for 50 $, a shifuku (silk pouch) for 30 $, box and shifuku together for 60 USD.

Size: 7,5 cm height x 12,6 cm in diameter.

Shipping included

An antique Signed "ZEN-MYO GA" for the artist who drew the pictures, and "E-OKI" for the artist who made this Inro (see photograph 4) Japanese Gold Lacquer 6-Case INRO, ca. 1775-1850, depicting low relief scenes of 4 Ducks on one side and 3 Ducks on the other side in a Landscape with foliage, rocks and a river (on both sides). Interior is copper-gold color. Artist: ZEN-MYO GA (drawings); Artisan: E-OKI (made the inro). Condition: Good overall condition, some minor loss of lacquer/chips due to u...

Up for sale is a very large tapestry made out of a Qing dynasty court official's blue dragon robe, 19th century, executed in Chinese forbidden & satin stitch embroidery, 2 front-facing & 4 profile dragons surrounded by colored clouds, bats, and other Buddhist & Taoist auspicious symbols above the sea waves, rocks, and standing water / Lishui. Panel is backed with light blue silk. Measurement : 64" x 53". Very fine embroidery in excellent condition, no wear or tear.

Up for sale is a Qing dynasty imperial Prince's brown dragon robe panel, late 18th or 19th century, executed in the Chinese Kesi weaving technique, 2 profile dragons surrounded by colored clouds, bats, and other auspicious Buddhist symbols above the sea waves, rocks, and standing water / Lishui. Panel is backed with light brown silk damask with peaches, Buddha's hands,and pomegranates. Very rare. Excellent condition. Measurements: 43" x 37"

Oversized limited edition "sosaku hanga" woodblock print by Clifton Karhu (1927-2007) titled Kiyomizu II dated 1969. The print colorfully illustrates the architectural details of the Kiyomizu Temple. This artist's proof is pencil-signed, dated, and titled in the bottom margin. Paper size: 28"V x 24 1/4"H (image: 26 1/2"V x 23"H). Very good color and overall condition. There are small pieces of archival linen tape and older tape residue on the back margins which show through in some areas to...

Chinese archaic pottery figure of a calling camel on a solid base, made from red clay. The statue has a great, incredibly detailed form. The inside body of the camel is hollow and within it you can see finger imprints from the original artist. In wonderful, original condition. Tang Dynasty dates from AD 618-907. Size: 22" H

Oversized limited edition Japanese "kappa-ban" (stencil print) by Sadao Watanabe (1913-1996) titled “The Triumphal Entry to Jerusalem.” The print is signed, dated 1968, and numbered 25/50 in white ink at the bottom. The image depicts Christ, at the center, calmly riding down the Road of Flowers toward Jerusalem. A crowd of curious and admiring people surround him. The print is executed primarily in black and white against a bold red background on the crumpled, hand-made momogami paper cha...

This lovely plum patterned chawan (umebachi) is done in a classic style known as e-Gorai (“e” meaning picture and “Gorai” meaning Korean). This classification is somewhat of a misnomer as the style is said to have first developed at China’s Cizhou kilns in early Ming—only later being widely copied and popularized in Korea. e-Goriai wares first made an appearance in Japan by way of Korea at the end of the 16th century and have been highly appreciated among tea enthusiasts to this day....

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for. With crackled glazing and a beautiful gold repair along the top rim, this tokkuri is quite attractive and a pleasure to use.

Housed in its own fine kiri wood box, this piece is 4.3 inches in diameter at...