Japanese antique burl hardwood usubata container for ikebana flower arrangements. Two tiered and with two circular openings. Beautifully natural curving form.
Early Meiji Period (1868 - 1912)
Size: 19" high.

Pvt. Zentner Family Collection

Rare Japanese antique choba tansu made of keyaki (elm) wood. The top portion has a compartment with sliding panels and horizontal slats. The bottom portion of the chest has two safe boxes with heavy iron hardware, one opening to the left and one opening to the right. Inside each safe box is a series of four small kiri (paulownia) wood drawers. Between the safes are two keyaki drawers with heavy iron lock plates. This chest has 3 working keys and ...

Antique Japanese pair of hardwood hibachi lamps, adorned with beautiful motifs of grape leaves in gilt makie lacquer and inlay. Bold natural keyaki hardwood woodgrain. Meiji age (1868-1912)

Size: 13" W x 28" H

Beautiful simple Korean bandaji (blanket storage chest). Made of solid kayak (Elm) wood with dramatic natural wood grain. Gorgeous original iron hardware with large lock and hinges with cut out motifs. Hinged in the front for storage access. Early 20th century. Size: 28 1/2" high x 32" wide x 19 1/4" deep.

New Arrival

Vietnamese hanging wall art made with intricately carved hardwood inlay, depicting two men guiding their cart pulled by two oxen. The frame is made with Huanghuali wood.

Size: 30.5" L x 2.5" W x 20.25" H

A massive imari vase with decoration of the Genroku era of bijin (a beauty) and hana (flowers) on two opposing panels alternating with two more opposing panels of a structure (tea house?) in garden landscape - all in red, gold and black enamels with blue underglaze. Similar landscape decorated panels appear on the shoulder over a ground of hanabishi (flowery diamond) in repeating diamond bordered pattern. The hanabishi (sometimes also referred to as karabana, or 'Chinese flower') could be repres...

Representing the culmination of over 1,000 years of Shigaraki potting tradition, this bold guinomi with rough exterior and natural ash glazing was produced by well-known and admired potter Takahashi Rakusai

Born Mitsunosuke, the eldest son of Takahashi Rakusai III, the fourth Rakusai potter succeeded the family name in 1976 with his father’s passing. The Takahashi family on the whole has been one of the most important, influential, and longstanding among Shigaraki potters, playing...

Late 19th century export Chinese kidney shaped dish with a celadon ground featuring a bird, flowers, and butterflies in vibrant enamels. Condition is excellent, no breaks, no cracks, no hairlines, no repairs. Measures 10.5" across by 8.25", and 1.5" high.

Gorgeous Japanese antique bronze vase with three swimming fish, detailed with realistic scales and fins, and gilt accented eyes. The backside has a gilt imprinted 14 petal Chrysanthemum, a mark of the Imperial household. The underside of the vase is signed "Shinzui". Hardwood stand is included, along with original tomobako.
Meiji period (1868-1912)

Size: 8.5" H x 9" W (on stand is 9.5" H)
Tomobako is 11.5" H x 10.5" W x 10.75" D

A miniature neolithic pottery jar with fishnet pattern and outlined in black separated by fields of X patterns. Attached to the rim are two lug handles. Age:Hongshan Culture, 2nd half to 3rd millennium BC. Size: H. 9cm. Rim Radius 9cm. Condition: No repairs. Few chips from age.

Antique Thai bronze deer sculpture. Very feminine form with neck arched over the shoulders, and intricate adornments on the back, neck, and forehead. Beautifully shaped with stunning design. Size: 11" L x 3.25" W x 9.25" H

Antique Japanese tsuba (hand guard for a samurai sword). Made of bronze in the form of bending grain and leaves inlaid with gold details.
Meiji Period (1868 -1912) Size: 2 3/8" long x 1 7/8" wide.

Antique Japanese light weight Jingasa (Samurai hat) made with a basketweave bamboo and paper coated in black and red lacquer. The front of the hat has the gilt paulownia leaf mon (family crest) with the top decorated with a three prong yari forming a trident.

Edo age (circa 1830's)

Size: 15.5" W x 3.5"

This is one of the more intriguing lacquer objects we have owned. Adorned with maki-e Aoe (hollyhock) Ka-mon on nashiji ground (also known as the Kamo Aoi as it was sacred to the Kamo shrine), family crest for prominent daimyo families including the Tokugawa and the Matsudaira during the Momoyama and Edo periods. Even the drawer pull is fashioned as an open worked shibuichi Aoe Ka-mon with the surprise of a textured, kinko (soft metal) raised backing only if you look for it. More interesting yet...

Unusual Antique Japanese maki-e lacquer Jingasa (Samurai helmet) decorated in low relief lacquer work of a fierce looking red Oni with piercing gold eyes and teeth . A gilt lacquer mon, or family crest is seen below the Oni representing daffodils. The underside of the helmet is smooth, shiny black lacquer.
The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather. Kas...

A spectacular Iga Tsubo by Shimizu Hiroshi enclosed in the original signed wooden box. Bidoro, Tombo-no-me, tobi-hai, shiseki…the surface is an exploration of kiln affects, every slight turn bringing new surprises. It is 15 inches (38.5 cm) diameter, 17 inches (43 cm) tall and in excellent condition. Due to size the cost of shipping will be accrued separately.
Shimizu Hiroshi was born the grandson of the first generation potter Shimizu Rakuzan in Mie prefecture in1941. He began work...

An early 20th century cloisonne obidome with a vibrant color floral design that can be worn as a pendant. Size: H. 4cm. W. 4.5cm. Condition: No repairs.

Blasted and dripping with ash, a spectacular Shigaraki Mizusashi by Tanimoto Yo enclosed in the original signed wooden box. A shell juts from raw rippled wood lid like it was sticking up from the ripples of sand on a beach. It is 21.5 cm (8-1/2 inches) tall 18.5 cm (7 inches) diameter and in fine condition. Born in 1958 the son of Iga potter Tanimoto Kosei, Yo was raised among the kilns and has always had his hands in clay. He first began exhibiting in 1982, and in 1984 moved to Europe where...